Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: imagination
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- Title: Lecture: Inner Nature of Music: Back Cover
Matching lines:
- origin of musical instruments from imaginations that accompanied
- Title: Lecture: Inner Nature of Music: Lecture IV
Matching lines:
- one first acquires imagination, imaginative cognition. Meanwhile, one
- necessary clairvoyant imagination to observe the consonants in their
- Title: Lecture: Inner Nature of Music: Lecture VI
Matching lines:
- in the divine realm. Man still had imaginations, still had
- imaginations in the musical element. There was still an objectivity,
- instrument. He had an impression, an imagination, as it were, of a
- appeared to man at first as imaginations. Musical instruments were
- came the time when man no longer had imaginations. He still retained
- the remnants of imaginations, however, though one does not recognize
- in the fifth, since he no longer has imaginations, and the fifth
- corresponds to an imagination while the third corresponds to a
- interval of the fifth is a real experience of imagination. He who can
- subjective level what imagination is like. One who experiences sixths
- imaginations, namely the instruments, he fashions here in the
- Title: Lecture: Inner Nature of Music: Lecture VII
Matching lines:
- order to form a correct picture, a true imagination of them, have had
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