Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Back Cover
Matching lines:
- human beings receive thoughts and sense impressions.
- Title: Lecture: Inner Nature of Music: Lecture I
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- in which today (1906) only an immediate impression of reality is
- impressions; he retained in his memory all the assets and discarded
- make an impression on his soul. The human being awakens each morning
- melodies that impress themselves on his etheric body during the night
- hears music, the impression is experienced first in the astral body.
- Title: Lecture: Inner Nature of Music: Lecture II
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- of that which is unable to make an impression on the senses.
- Schopenhauer speaks physiologically of specific sense impressions.
- The eye can receive only light impressions; it can sense only
- impressions, and so on. According to Schopenhauer's view,
- impression is needed, and this is man himself. All outer things are
- recollection or impression back into his familiar state of
- physical nature is such that it follows these impressions, though he
- Title: Lecture: Inner Nature of Music: Lecture III
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- impressions received from the environment. All the other senses must
- Title: Lecture: Inner Nature of Music: Lecture IV
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- soul-consonant impression. Perhaps you behold Saturn behind Aries:
- Title: Lecture: Inner Nature of Music: Lecture VI
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- instrument. He had an impression, an imagination, as it were, of a
- from the impressions of the piano if he wishes to experience the
- Title: Lecture: Inner Nature of Music: Lecture VII
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- beings their sense impressions, while the primal beginnings bestow
- see supersensibly, he has the following impression. He realizes that
- Supersensible consciousness, on the other hand, has the impression
- that between man [see diagram] and the sense impressions there are
- sense impressions. The Exusiai, Dynamis, and Kyriotetes are actually
- sense impressions.
- impression of being something external that lacks content. Man
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