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Query was: interval

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • Outline of Occult Science, man perceived only those intervals that
  • were larger than the seventh; such intervals lifted him outside his
  • early post-Atlantean period man's experience of the interval
• Title: Lecture: Inner Nature of Music: Back Cover
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  • The evolution of the experience of musical intervals is
  • intervals, and a cosmic transformation that occurred particularly
• Title: Lecture: Inner Nature of Music: Lecture V
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  • feeling for the interval of the third. In history we can easily trace
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • I spoke on the one hand of the role that the interval of the fifth
  • additional twelve-part scale with the interval of the fifth.
  • organism; man experiences the interval of the third inwardly. In the
  • He required no instrument in order to produce outwardly the interval
  • existed in music in the interval of the fifth. Only with the fourth
  • interval of the fifth. Naturally, he must experience something empty
  • spiritual in a similar way, descending from the interval of the fifth
  • by division to the interval of the third. I therefore also had to
  • see how the interval of the fourth is situated between the fifth and
  • dominant interval for the Atlanteans. They had only intervals of the
  • in form. The individual intervals thus are contained in the forms as
  • from the intervals into rhythm must be experienced fully by the
  • interval of the fifth is a real experience of imagination. He who can
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • intervals of thirds, not even fifths. Their musical experience really
  • began with feeling the sevenths. They then felt further intervals, of
  • fifths; these intervals did not exist for Atlanteans.
  • who lives musically only in sevenths, with no intervals in between,
  • had something to do with the appearance of the interval of the
  • interval of the fifth. This must not be compared to man's
  • musical element that can become conscious in him in an interval
  • within one octave. In that age, man perceives only an interval that
  • perceives only the above interval c to d above c1. In the
  • any interval within one octave; the interval instead reaches to the
  • prime. Because ancient man was able to experience such intervals,
  • intervals, they experienced the god's cosmic sounds of joy and
  • intervals but will be able to experience the single tone with the