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• Title: Lecture: Inner Nature of Music: Foreword
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  • the spiritual world, speaking to us through tones as long as we are
• Title: Lecture: Inner Nature of Music: Lecture I
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  • the night that does not belong to the dream life but that is wholly
  • world of tone is permeated also with the light and colors that belong
  • brought these vibrations of Devachan along with him, man can convey
  • Along
  • bodily mediators of feelings no longer exist but where feelings
• Title: Lecture: Inner Nature of Music: Lecture II
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  • us place Schopenhauer's thought alongside one of Goethe's,
  • belongs during any one of these three states of consciousness.
  • dream-life changes. It is no longer chaotic, no longer a reproduction
  • increasingly longer periods. He is conscious in it and experiences
  • being of man. As long as a person is not yet initiated, his homeland,
• Title: Lecture: Inner Nature of Music: Lecture III
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  • Devachan by remaining there that much longer. Such laws lie at the
  • higher animal, of which nothing remains any longer on the earth
  • today, since it became extinct long ago. The higher animals of today
  • far as the state of “fire,” but it can no longer mix with
  • the Lemurian age, a time long before the seven members of man had
  • dimensions of space. Man is no longer aware of this sense. It is
  • has become entirely part of him, and he is no longer conscious of it.
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • represent the forces running along the nerve fibers of the head. This
  • the breathing process unites with the movements taking place along
  • there; it no longer emerges from the breath. It is a return of
  • itself. The consonants, on the other hand, tend to long continuously
  • contained the longing for the a.
  • everywhere we find it in the longing for vowels and therefore the
  • along with the consonants, and one no longer has comprehension for
  • soul-spiritual element. This soul-spiritual element of tone belongs
  • spiritual content of tone as such, is taken along when one ascends
  • intonation of vowels, to a greater degree. He no longer feels that
  • as the fixed stars from behind, as if were. He no longer sees these
  • do not understand art if we do not sense in it the longing to
• Title: Lecture: Inner Nature of Music: Lecture V
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  • octave appears. One cannot actually distinguish it any longer from
  • experience in tone, however, no longer has anything to do with the
  • one's having to restrain oneself from making movements along
  • pleasant, and for a long time a scale composed according to our
  • produced along with some outer tone, an outer tone structure.
  • ordinary musical compositions today, which have come a long way
  • lowest tones of the scale, the physical body is naturally taken along
  • longer experienced as tone. When tone begins to develop shades within
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • came the time when man no longer had imaginations. He still retained
  • in the fifth, since he no longer has imaginations, and the fifth
  • unfold in that part of the human being that does not belong at all
  • they are no longer distinguishable. The entire human being is
  • no longer know why, the mysteries refer to the existence of two kinds
  • musical element. They actually stand alongside it. The experience of
  • filled the empty spaces that remained after he no longer beheld the
  • higher world. A piano is like the Philistine who no longer contains
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • into this matter, one actually no longer understands how human beings
  • glance at what the beings who belong to the super-sensible realm
  • This transference of a spiritual task took place over a long period
  • were, into human feeling [Gemüt]; hence, man no longer
  • interweaves it with his corporeality. Along with the experience of
  • as an earthly sense phenomenon must be taken along, as it were, when
  • along with the world he can experience his entire development.