Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: matter
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- Title: Lecture: Inner Nature of Music: Lecture II
Matching lines:
- which he created his paintings — that is not what matters —
- transformed into matter. The same is true of the works of sculptors
- Title: Lecture: Inner Nature of Music: Lecture III
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- states of matter that exist on earth. First, we have the solid state.
- Title: Lecture: Inner Nature of Music: Lecture IV
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- is a one-sided view of the whole matter, however. Another activity
- could even mold unformed matter into forms that corresponded to the
- symbolically but in a very real sense. The matters are indeed as I
- Title: Lecture: Inner Nature of Music: Lecture V
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- stages, but actually the matter is more complicated than one thinks.
- because the matter reaches the etheric. Everything in man's
- soul element and enters that of matter. When we descend to the
- contra-tones, our soul reaches down into the element of matter, and
- we experience how matter strives to become musically ensouled. This
- Title: Lecture: Inner Nature of Music: Lecture VI
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- to become acquainted with this whole matter. The center of music
- these are matters that lie in the future. When man's inner life
- within the material realm. Pure matter was put to use so that the
- to continue with these matters. Then, I shall go into more detail
- Title: Lecture: Inner Nature of Music: Lecture VII
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- into this matter, one actually no longer understands how human beings
- these matters must say that he beholds how the world-dominating
- I have described the human side, so to speak, of the matter, how this
- world. When one discusses the matter from the viewpoint of the
- time has come when man must become conscious again of these matters,
- see, however, how matters proceed from the seventh to the fifth, from
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