Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Lecture I
Matching lines:
- mental image or idea (Vorstellung) is a second aspect that man
- a person creates a work of art, he creates out of his mental image.
- While other mental images are merely pictures, however, it is
- the archetypes — not the mental images that man normally has,
- through the mental image, and they therefore render up pictures of
- without interpolation of the mental image. When man is artistically
- Title: Lecture: Inner Nature of Music: Lecture II
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- of the human mental image or idea. This reflection arises only
- because outer things call forth mental images in the human senses,
- to Schopenhauer, there is one possibility of bypassing the mental
- sculpture and painting, the mental images must be combined before the
- so direct, so powerful, so elemental.
- opens to man is Devachan, the so-called mental world, and he enters
- Title: Lecture: Inner Nature of Music: Lecture IV
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- looking at them fundamentally from the viewpoint of the consonants,
- Title: Lecture: Inner Nature of Music: Lecture V
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- perception of instrumental music is a quite complicated process about
- emancipated instrumental music is connected with that. One can now
- is tremendously important to be clear that music fundamentally lives
- Title: Lecture: Inner Nature of Music: Lecture VI
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- or instrumental music. The element of harmony takes hold directly of
- of mental images, or the lower aspect of thinking, has been translated
- element that reaches up into the same realm where mental images are
- otherwise formed. Melody contains something akin to mental images,
- but it is not a mental image; it clearly takes its course in the life
- the elements of instrumental music. Only then should the child's
- Title: Lecture: Inner Nature of Music: Lecture VII
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- with fundamental changes in human souls. I said that this super-sensible
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