Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: object
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- Title: Lecture: Inner Nature of Music: Lecture I
Matching lines:
- tones. All objects have a spiritual tone at the foundation of their
- Title: Lecture: Inner Nature of Music: Lecture V
Matching lines:
- that the subjective felt transported, lifted into objectivity. Not
- objective elements and inner, subjective ones. Hence, the musical
- experience was divided into these two, the objective and the
- itself, the concept arises that becomes objectified in sound [im
- Title: Lecture: Inner Nature of Music: Lecture VI
Matching lines:
- imaginations in the musical element. There was still an objectivity,
- a musical objectivity, in the experience of the fifth. Man lost this
- earlier than the objective experience of the fourth. The experience
- outer instrument in order to be objectively certain of the fourth.
- clairvoyance. If man wishes to take objective hold of the musical
- Title: Lecture: Inner Nature of Music: Lecture VII
Matching lines:
- thoughts were objectively perceived in all things. Just as today we
- an object, so the ancient Greek found not only that he grasped a
- him as objective outer world. This came about only gradually in human
- a kind of objective third, and there he also experienced both major
- something like an objective major and minor mode, not one experienced
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