[RSArchive Icon] Rudolf Steiner e.Lib Home  Version 2.5.4
 [ [Table of Contents] | Search ]


[Spacing]
Searching The Inner Nature of Music and the Experience of Tone
Matches

You may select a new search term and repeat your search. Searches are not case sensitive, and you can use regular expressions in your queries.


Enter your search term:
by: title, keyword, or contextually
   


Query was: octave

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture IV
    Matching lines:
    • a tone and a c-sharp tone in a certain octave. As soon as one
  • Title: Lecture: Inner Nature of Music: Lecture V
    Matching lines:
    • not exist in our age is the feeling for the octave. A true feeling
    • for the octave actually has not yet developed in humanity. You will
    • octave appears. One cannot actually distinguish it any longer from
    • exists for a fifth or a third is absent for an octave. Of course, we
    • do have a feeling for the octave, but this is not yet the feeling
    • octave will be something completely different and will one day be
    • octave appears in a musical composition, man will have a feeling that
    • anew; I am uplifted in my humanity by the feeling for the octave.”
    • on the way to acquiring an experience of the octave? The reason is
    • the seventh through the full range of octaves, always consisted of
    • tonal range of different octaves were experienced.
    • the basis of the lower tones of an octave, namely c, c-sharp, d and
    • is engaged with the lowest tones of each and every octave. Beginning
    • the beginning form the first tone of the octave, we have begun from
    • arrive at the next higher octave. We must say, as it were: man
    • feeling for the octave brings us to find our own self on a higher
    • level. The third guides us to our inner being; the octave leads us to
    • the experience of the octave comes into being in the manner
    • spiritual, outer “I.” When octaves are employed in the
    • of octaves does not approach this yet — it will become a new
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Inner Nature of Music: Lecture VI
    Matching lines:
    • the range of seven octaves — from the contra-tones up to the
    • will man experience the octave's full musical significance. A
    • will arise to interpret the lower segments of the octave — the
    • reach the next octave; again in the limb system — it is obvious
  • Title: Lecture: Inner Nature of Music: Lecture VII
    Matching lines:
    • within one octave. In that age, man perceives only an interval that
    • surpasses one octave:
    • any interval within one octave; the interval instead reaches to the
    • first tone of the following octave. It is difficult to put into words
    • next higher and the third of the second higher octave. He experienced
    • one has an actual third only when I take the prime in the same octave
    • however — we should say today, prime in the first octave,
    • second in the next, third in the third octave — he perceived



The Rudolf Steiner e.Lib is maintained by:
The e.Librarian: elibrarian@elib.com