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• Title: Lecture: Inner Nature of Music: Back Cover
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  • arts, as recognized by the philosopher, Schopenhauer. Its source,
• Title: Lecture: Inner Nature of Music: Lecture I
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  • Schopenhauer,
  • by reflecting on it. According to Schopenhauer, a blind, unconscious
  • existence much more keenly. Schopenhauer goes on to say that the
  • many individuals. Schopenhauer says that the true artist reproduces
  • of tones. In this way, according to Schopenhauer, man stands in an
  • of an instinctive knowledge, Schopenhauer attributed to music the
  • an intuitive knowledge of this Schopenhauer assigned the central
• Title: Lecture: Inner Nature of Music: Lecture II
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  • Schopenhauer's viewpoint. In his book, The World as Will and
  • This opinion of Schopenhauer's is connected with his world
  • Schopenhauer speaks physiologically of specific sense impressions.
  • impressions, and so on. According to Schopenhauer's view,
  • to Schopenhauer, there is one possibility of bypassing the mental
  • force active within us, as will. These forces Schopenhauer calls “the
  • Schopenhauer's reasoning, the answer would be that art
  • us place Schopenhauer's thought alongside one of Goethe's,
  • intentions that are significant.” We find Schopenhauer and
  • Schopenhauer
  • on a higher level than all the other arts. Why? Schopenhauer finds
  • Schopenhauer and Goethe concerning the sublime art of music to the
  • opens to man is Devachan, the so-called mental world, and he enters
  • Schopenhauer also senses this in a kind of instinctive intuition and
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • accessible to feelings. Otherwise, the head is only open to the
  • concept. Through melody the head becomes open to feeling, to actual