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Searching The Inner Nature of Music and the Experience of Tone
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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Back Cover
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    • human organism and then to the three types of orchestral instruments
  • Title: Lecture: Inner Nature of Music: Lecture I
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    • knows in addition to the will. It is like a Fata Morgana, a misty
    • inner soul organs of man can also be awakened in order that he might
    • organization that come into being as man's “I”
  • Title: Lecture: Inner Nature of Music: Lecture II
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    • like a Fata Morgana within him; it is a kind of reflection called
    • an eternally changing, eternally shifting Fata Morgana for man. We
    • originates through a combination of the Fata Morgana outside us and
    • concerning the various members of the human organization but that the
  • Title: Lecture: Inner Nature of Music: Lecture III
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    • comprehend how the human being is organized, we must look at the
    • organization is the “I,” which is active from within.
    • is thus one of the oldest organs and the larynx one of the youngest.
    • between all other organs. The ear itself reverberates; it is like a
    • the other sense organs, like the eye, for example, alter the
    • a physical organ that stands at the highest level of development.
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • earthly organism — does not yet contain the faculty of walking
    • of this relationship directs us to the inner organization of man,
    • we observe the human organization as it is manifested on earth, it is
    • speech and song, he expresses his whole organization of body, soul
    • whole organism is actually involved, and what takes place in the song
    • or speech organ is only the final culmination of what goes on within
    • the entire human being. The form of the human organism could be
    • sculptural form of the human organization. Not speaking symbolically
    • at all, one can say that the human organism is expressed sculpturally
    • what is this human organization? Viewed from an artistic standpoint,
    • all consonants represents the sculptural form of the human organism.
    • extent, the soul makes use of the brain, the head-nerve organism,
    • what takes place in the human head-nerve organism.
    • red dotted lines indicate the head-nerve organism. They therefore
    • we see the human organism as the harmony of the consonants,
    • soul element. Why is that? The human organism while here on earth
    • organism; loosen it, as it were, from the solid imprint, which it has
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • air. The ear is the organ that first separates the air element from
    • only a reflecting organ; the ear does not actually bring man into
    • direct sense organ but instead as transmitter to man's inner
    • as a sense organ but only as a reflecting organ.
    • three-fold organization and find that we must say: nerve man,
    • sense being, and his ear also has significance as a sense organ, but
    • relation to his own physical organization. For the first time, man
    • within the human organism, the “I” connects itself again
    • head, where the physical body becomes the organ of the “I.”
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • is in motion outside his physical organization. He paces the seven
    • his physical organization through the experience of the fifth.
    • organism; man experiences the interval of the third inwardly. In the
    • being into the structure of his own organization. In between lies the
    • right at the border, as it were, of the human organism. The human
    • gives you the chest, the central organ of the spirit; and the ability
    • organization.
    • of the human organization. The element of harmony contains the center
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • appropriately developed sense organs in the physical and etheric
    • similarly developed soul-spiritual organs in his astral body and “I”
    • that would serve as super-sensible sense organs — to coin a
    • in the waking state, we turn our eyes or other sense organs in the
    • soul-spiritual organs, these experiences do not reach ordinary
    • that dwell in all things. Our organ of thinking is simply something



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