Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Back Cover
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- human organism and then to the three types of orchestral instruments
- Title: Lecture: Inner Nature of Music: Lecture I
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- knows in addition to the will. It is like a Fata Morgana, a misty
- inner soul organs of man can also be awakened in order that he might
- organization that come into being as man's “I”
- Title: Lecture: Inner Nature of Music: Lecture II
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- like a Fata Morgana within him; it is a kind of reflection called
- an eternally changing, eternally shifting Fata Morgana for man. We
- originates through a combination of the Fata Morgana outside us and
- concerning the various members of the human organization but that the
- Title: Lecture: Inner Nature of Music: Lecture III
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- comprehend how the human being is organized, we must look at the
- organization is the “I,” which is active from within.
- is thus one of the oldest organs and the larynx one of the youngest.
- between all other organs. The ear itself reverberates; it is like a
- the other sense organs, like the eye, for example, alter the
- a physical organ that stands at the highest level of development.
- Title: Lecture: Inner Nature of Music: Lecture IV
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- earthly organism — does not yet contain the faculty of walking
- of this relationship directs us to the inner organization of man,
- we observe the human organization as it is manifested on earth, it is
- speech and song, he expresses his whole organization of body, soul
- whole organism is actually involved, and what takes place in the song
- or speech organ is only the final culmination of what goes on within
- the entire human being. The form of the human organism could be
- sculptural form of the human organization. Not speaking symbolically
- at all, one can say that the human organism is expressed sculpturally
- what is this human organization? Viewed from an artistic standpoint,
- all consonants represents the sculptural form of the human organism.
- extent, the soul makes use of the brain, the head-nerve organism,
- what takes place in the human head-nerve organism.
- red dotted lines indicate the head-nerve organism. They therefore
- we see the human organism as the harmony of the consonants,
- soul element. Why is that? The human organism while here on earth
- organism; loosen it, as it were, from the solid imprint, which it has
- Title: Lecture: Inner Nature of Music: Lecture V
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- air. The ear is the organ that first separates the air element from
- only a reflecting organ; the ear does not actually bring man into
- direct sense organ but instead as transmitter to man's inner
- as a sense organ but only as a reflecting organ.
- three-fold organization and find that we must say: nerve man,
- sense being, and his ear also has significance as a sense organ, but
- relation to his own physical organization. For the first time, man
- within the human organism, the “I” connects itself again
- head, where the physical body becomes the organ of the “I.”
- Title: Lecture: Inner Nature of Music: Lecture VI
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- is in motion outside his physical organization. He paces the seven
- his physical organization through the experience of the fifth.
- organism; man experiences the interval of the third inwardly. In the
- being into the structure of his own organization. In between lies the
- right at the border, as it were, of the human organism. The human
- gives you the chest, the central organ of the spirit; and the ability
- organization.
- of the human organization. The element of harmony contains the center
- Title: Lecture: Inner Nature of Music: Lecture VII
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- appropriately developed sense organs in the physical and etheric
- similarly developed soul-spiritual organs in his astral body and “I”
- that would serve as super-sensible sense organs — to coin a
- in the waking state, we turn our eyes or other sense organs in the
- soul-spiritual organs, these experiences do not reach ordinary
- that dwell in all things. Our organ of thinking is simply something
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