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Query was: physical

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• Title: Lecture: Inner Nature of Music: Foreword
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  • origin is in the spiritual rather than in the physical world, as is
  • that is physically manifest. Music, therefore, is a messenger from
• Title: Lecture: Inner Nature of Music: Back Cover
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  • everything in the physical world.”
  • explains Steiner, lies not in the physical world but purely in the
• Title: Lecture: Inner Nature of Music: Lecture I
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  • others actually have models in the physical world. When a sculptor
  • that ordinarily slumber. Just as the physical world is made visible
  • physical world. His dream experiences gain increasing clarity. He
  • the ordinary, physical world. The physical world is a kind of
  • physical ear. This world is called Devachan.
  • element down with him and thus hear the tone element in the physical
  • A tone lies at the foundation of everything in the physical world.
  • Each aspect of the physical represents certain Devachanic
  • body emerges from his physical body. In this state man is certainly
  • harmony he re-enters the physical world. If it is true that man's
  • into physical tone. Unconsciously, the musician has received the
  • into physical sounds. This is the mysterious relationship between
  • music that resounds here in the physical world and hearing spiritual
  • the physical world is a shadow, a real shadow of the much loftier
  • Devachan, and physical music is but a reflection of the spiritual
  • being that forms the basis of esoteric investigation: physical body,
  • body is an etheric archetype of the physical body. A much more
  • (sentient) body, etheric body, and physical body. Sentient soul,
  • is asleep, the sentient body remains in bed with the physical and
  • physical space we feel all other beings as outside of us. In
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture II
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  • When he awakens in the morning, not only is he physically rejuvenated
  • physical world in his choice of the tones and color harmonies that he
  • existed. With the dense, earthy colors of our physical world,
  • shadow-image, a precipitation of the astral world in the physical
  • not penetrate as far as physical consciousness in order to live in
  • physical realm.
  • world into the physical world. The melodies and harmonies that speak
  • all the physical world, then the etheric body, then the astral body,
  • from the lower nature of man. Physical man lies in bed connected with
  • physical nature is such that it follows these impressions, though he
  • physical to the astral and from these worlds to the Devachanic world,
  • leaves the physical body, he rises through the astral world up into
  • physical world, and in this way man passes continuously from one
  • astral and physical as mere sheaths. His primeval home is in
  • resound in him in the harmonies and melodies of the physical world.
• Title: Lecture: Inner Nature of Music: Lecture III
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  • shadow-image of the Devachanic life is given to us on the physical
  • physical heredity is to what we call an ongoing karma.
  • Musical talent is transmitted purely within physical heredity. The
  • question of physical heredity is superficially resolved when we
  • the physical form of the body — of the nose, for instance —
  • wishes to come to expression on the physical plane. What significance
  • physical plane exerts a power of attraction on the individuality
  • years in Devachan, if a suitable physical body is available on the
  • physical plane, he may incarnate now. Chances are that the
  • to the physical plane. The time in the spiritual world thus can be
  • nature of man in more detail. Man has a physical, an etheric, and an
  • astral body. He has the physical body in common with all beings one
  • physical body, an etheric body, and a sentient body below on the
  • physical plane. Man has an individual soul here on earth, whereas the
  • the physical plane. With the human being, the sentient body is only
  • were completely different from human beings today. On the physical
  • ancient past are the ancestors of present-day physical human nature.
  • They possessed only a physical body, an etheric body, and a sentient
  • [Ich-Leib] descended to meet the upwardly evolving physical
  • beings possessing a physical body, an etheric body, and a sentient
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• Title: Lecture: Inner Nature of Music: Lecture IV
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  • begun. We know that the form of man's physical body is the
  • which becomes the spiritual seed, as it were, for his future physical
  • imaginative world, one has left one's physical body behind
• Title: Lecture: Inner Nature of Music: Lecture V
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  • the musical element really does not exist in the physical world. It
  • must first be created in the given physical world. This caused people
  • does not have a subject that exists in the outer physical world such
  • being wished to incarnate more deeply into this physical body and
  • relation to his own physical organization. For the first time, man
  • anthroposophy. One thus says that man consists of physical body,
  • that, preceding this descent from the spiritual world to the physical
  • is then able to take hold of the physical embryo, giving rise to the
  • forces of growth and so on. Though physical forces take hold of the
  • “I” through the astral and etheric into the physical. In
  • the fully developed human being living in the physical world, the “I”
  • physical, at first bypassing the astral and etheric. Later, from
  • into the physical world in the first place. The “I” then
  • builds up from the physical with the inclusion of the astral and
  • head, where the physical body becomes the organ of the “I.”
  • limb system — in other words, his most physical component —
  • the inner “I,” the physical, living, inner “I”
  • twice: once as physical, inner “I,” the second time as
  • lowest tones of the scale, the physical body is naturally taken along
  • too. The physical body, however, must push upward into the etheric
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• Title: Lecture: Inner Nature of Music: Lecture VI
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  • is in motion outside his physical organization. He paces the seven
  • his physical organization through the experience of the fifth.
  • holy wind that had placed him into the physical world. Based on what
  • physical world. The inner emancipation of the song element into arias
  • of melody, and the physical has fallen away. Here, I have one aspect
  • of my etheric system; again, the physical has fallen away. Then we
  • physical, out of physical substance, as his musical instruments. To
  • spiritual. Into those spaces he put the physical instruments.
  • next to each other, is created only in the physical world by man. All
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • through his physical and etheric bodies. By virtue of the
  • appropriately developed sense organs in the physical and etheric
  • related to the physical and etheric bodies; it is at one with them,
  • the physical and the etheric bodies.
  • physical-etheric environment. One therefore must speak of a
  • physical-etheric environment or world in which man exists during this
  • world, however, is totally different from the physical-etheric world.
  • Just as the physical world is our environment when we are awake, so
  • form, how the realms of the physical-etheric world — the
  • direction of our physical-etheric environment, we perceive the three,
  • physical-etheric world and the super-sensible world. We already know
  • in the same way as one describes the physical-etheric world by means
  • the viewpoint of the physical-etheric world and its history. Today,
  • physical-sensible world. There, I employed philosophical expressions,
  • bearer of his physical and etheric bodies. In a manner of speaking,
  • man withdraws his experiences as a bearer of his physical and etheric
  • physical and etheric bodies. I interweave my earthly existence with
  • transported from his physical body — as the experience of the
  • perceived by Lemurian man, when he was transported from his physical