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Query was: self

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Lecture I
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  • would arrive at scarcely any results at all. Man must ask himself
  • One of these is art. Through art man is able to raise himself above
  • the will. Tone, however, is a direct expression of the will itself,
  • itself; he perceives the will of nature and reproduces it in series
  • intimate relationship to the Thing-in-Itself and penetrates to the
  • innermost essence of things. Because man feels himself near to this
  • but announces itself first as a world of tone. In this state of
  • being, and, in his deepest nature, man himself is such a spiritual
  • self. [Manas (spirit self), Buddhi (life spirit), and
  • man lives and weaves in the world of flowing tones, he himself is
  • within himself, and with them he penetrates the physical world. When
  • is transformed into Manas (spirit self), then the etheric body into
  • with the forces of the astral world itself, but the etheric body
  • itself. When the human being hears music, he has a sense of
• Title: Lecture: Inner Nature of Music: Lecture II
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  • everything observed by man as the world around him reflects itself
  • forth by the human soul itself.
  • impression is needed, and this is man himself. All outer things are
  • into himself; he causes it to arise in him again and then lets it go
  • flows through the world; he hears how this will expresses itself in
  • the ordinary human being, since he is unaware of himself while in
  • though he feels himself borne upward on a surging sea of flowing
  • transmits itself into man's entire life in waking
  • man learns to enter shows itself to him at first only partially, but
  • He must become still, utterly still, within himself. The great peace
  • spiritualized. Man has the sensation that he himself lives in this
  • himself is color and light. He feels himself astrally within this
  • of himself nor of his experiences there. Nevertheless, he returns
  • outside into itself. An utterly unselfish corporeality, fully pure
  • Devachanic world, the soul absorbs into itself the world of tones.
  • that the soul feels itself stronger than the body. In the effects of
  • experience itself anew in the onward-flowing stream of time. Just as
• Title: Lecture: Inner Nature of Music: Lecture III
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  • itself in the son. These three individualities have absolutely
  • comes the astral body, in itself quite a complicated entity, and
  • developed itself upward, while the soul descended.
  • ancestor — had developed itself to the point where it could
  • link itself with hydrogen. A still more delicate state than “chemical
  • capable of developing warm blood links a soul to itself. As soon as
  • soul [Ich-Seele] was ready to unite itself with the physical
  • between all other organs. The ear itself reverberates; it is like a
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • adapts himself after birth to the conditions of equilibrium and
  • finds oneself attracted more to one being, less to another; this is
  • bears within himself but everything surrounding him in outer nature
  • is a reflection of the spiritual. When man expresses himself in
  • and spirit as a revelation to the outside as well as to himself, to
  • immersed itself in the prose element and the intellectual element, we
  • discover a self-expression of the human being in each word and tone.
  • itself. The consonants, on the other hand, tend to long continuously
  • The soul element (red), which expresses itself in vowels, pushes
  • inspiration, a new element begins to express itself, namely the
  • yourself actually stop singing; it sings. The world itself
  • on earth, even the tone that reveals itself as sound: on earth it
  • itself, however, is something spiritual. Just as the human being is
  • time. More and more of the spiritual world reveals itself in this
  • but it is not so, this is a reality; imagine yourself out there in
  • adapt himself to earthly conditions with birth. In art, however, man
• Title: Lecture: Inner Nature of Music: Lecture V
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  • shall address myself chiefly to the needs of teachers. My subject
  • one's having to restrain oneself from making movements along
  • have said, “I experience music,” as “I feel myself
  • [Quintenmusik], a human being felt lifted out of himself. The
  • being then felt that he himself was singing.
  • that it rested within itself. Man began to relate the feeling for his
  • the subjective soul element relates itself to the musical element.
  • Man can color the musical element in various ways. He is in himself,
  • then outside himself; his soul swings back and forth between
  • self-awareness and self-surrender. Only now is the musical element
  • within the human organism, the “I” connects itself again
  • embryonic development and today expresses itself in our movements and
  • feeling for the octave brings us to find our own self on a higher
  • have, to feel, our own self once more. You must take all these
  • when he heard the seventh, he also experienced himself outside his
  • body. He therefore felt himself in the world. Music was for him the
  • possibility of feeling himself in the world. The human being could
  • his breath. He said to himself — though he did not say it, he
  • leaving and returning to himself in the musical experience. The fifth
  • say that in the musical experience man experienced himself as being
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• Title: Lecture: Inner Nature of Music: Lecture VI
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  • of himself; with the feeling for the fifth, man actually feels
  • becoming aware of the human being within himself. The experience of
  • is not because the experience of the fourth in itself is the most
  • the fourth. He beholds himself from outside, as it were (to borrow an
  • experiences with the fourth is based on feeling that man himself is
  • among the gods. While he has forgotten his own self in the experience
  • felt that the fifth, which he himself had produced, took its course
  • himself when he sang, and at the same time he had an outer
  • to give an idea of what song itself was like in the age when the
  • does man really approach himself with the musical element.
  • himself that reached downward, excluding the realm of tones below the
  • willing. Harmony directly addresses itself to feeling and is
  • musical element itself could become a direct will impulse without
  • adapting himself to the earth, man finds his way into what can be
  • it must restrain itself, as it were, and this is accomplished through
  • outward but remains bound to man himself. It is genuine feeling that
  • experience bases itself on the mysterious relationship between
  • this. The human being really experiences himself as etheric body in
  • which in itself has attained world-historical heights — he
  • physiology that would have significance for music itself does not
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• Title: Lecture: Inner Nature of Music: Lecture VII
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  • thoughts of itself. We therefore cannot speak of thoughts as if they
  • because this human soul surrendered itself to the earth. You perhaps
  • to the illusion that man himself produces the thoughts.
  • could enclose in himself, as it were, what formerly offered itself to
  • minor thirds — the musical element submerged itself, as it
  • relatively recently, man is within himself when he experiences music.
  • experience now links itself with uplifting, joyous human moods and
  • world from the cosmos and unites it with himself. Formerly, his most
  • within himself but one that was felt to be an expression of the soul
  • the ancient mysteries, which at the same time was in itself artistic;
  • itself to us by this inner unity of everything that man, perceiving
  • himself — in a more conscious way than was formerly the case —
  • transform itself for human evolution if humanity on earth is not to
  • itself for earthly humanity into a rediscovery of the divine.