Searching The Inner Nature of Music and the Experience of Tone Matches
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Query was: seven
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- Title: Lecture: Inner Nature of Music: Foreword
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- were larger than the seventh; such intervals lifted him outside his
- Title: Lecture: Inner Nature of Music: Back Cover
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- art of music. In seven lectures delivered in Europe between 1906 and
- Title: Lecture: Inner Nature of Music: Lecture III
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- thus have seven different states in esotericism. Life in any
- the Lemurian age, a time long before the seven members of man had
- Title: Lecture: Inner Nature of Music: Lecture V
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- tone up to the seventh. While the seventh is still felt in relation
- which serves no purpose here. The experience of the seventh was the
- arranged according to continuing sevenths; even the fifth was
- the seventh through the full range of octaves, always consisted of
- in this experience of the seventh. At that time he could just as well
- the seventh. Up into the post-Atlantean age, this continued to play a
- take possession of it, the experience of the seventh became faintly
- stage. Beginning with c and c-sharp, when we reach the seventh we
- through the etheric and astral bodies to the seventh. We must now
- actually lives in us in all seven tones, but we do not know it. He
- at the astral experience in the tones up to the seventh. We do not
- primeval times, when the experience of the seventh existed —
- when he heard the seventh, he also experienced himself outside his
- comprised both inhalation and exhalation; the seventh comprised only
- same manner as seventh, fifths, and thirds — today's use
- which he gained through his experience with the seventh. Then, all
- Title: Lecture: Inner Nature of Music: Lecture VI
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- by the third and the seventh. You have been able to gather from this
- the range of seven octaves — from the contra-tones up to the
- to occur twelve times within these seven scales. In the sequence of
- the seven musical scales, we discover hidden, as it were, an
- is in motion outside his physical organization. He paces the seven
- mentioned earlier, the fact of the twelve fifths in the seven scales
- per minute to an average of seventy-two pulse beats per minute. This
- spiritual life, mention is made of man's sevenfold nature. The
- theosophical movement also adopted this view of the sevenfold nature
- individual members. I arrived at a sevenfold from a ninefold
- three and four overlap, as do six and seven, I too, arrived at the
- sevenfold human being in
- in the seven scales, and the number of signs in the Zodiac was
- contained in the twelve fifths within the seven scales. The great
- at the sevenfold human being. My
- books that speak of the sevenfold human being stem from the tradition
- himself and the world. Yesterday I told you that the seventh was the
- seventh, though they did not have the same feeling as we have today.
- experiences these three steps, the seventh, the sixth, and the fifth,
- of the upper tones — the fifth, sixth, and seventh — by
- Maximum number of matches per file exceeded.
- Title: Lecture: Inner Nature of Music: Lecture VII
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- began with feeling the sevenths. They then felt further intervals, of
- which the seventh was the smallest. They missed hearing thirds and
- who lives musically only in sevenths, with no intervals in between,
- experience of the seventh did not make them feel that they themselves
- seventh. Instead, they sensed how the gods, who pervaded and wove
- through the world, revealed themselves in sevenths. The statement, “I
- put it like this, but much more so in the “seventh-era” —
- see, however, how matters proceed from the seventh to the fifth, from
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