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Query was: seventh

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • were larger than the seventh; such intervals lifted him outside his
• Title: Lecture: Inner Nature of Music: Lecture V
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  • tone up to the seventh. While the seventh is still felt in relation
  • which serves no purpose here. The experience of the seventh was the
  • arranged according to continuing sevenths; even the fifth was
  • the seventh through the full range of octaves, always consisted of
  • in this experience of the seventh. At that time he could just as well
  • the seventh. Up into the post-Atlantean age, this continued to play a
  • take possession of it, the experience of the seventh became faintly
  • stage. Beginning with c and c-sharp, when we reach the seventh we
  • through the etheric and astral bodies to the seventh. We must now
  • at the astral experience in the tones up to the seventh. We do not
  • primeval times, when the experience of the seventh existed —
  • when he heard the seventh, he also experienced himself outside his
  • comprised both inhalation and exhalation; the seventh comprised only
  • same manner as seventh, fifths, and thirds — today's use
  • which he gained through his experience with the seventh. Then, all
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • by the third and the seventh. You have been able to gather from this
  • himself and the world. Yesterday I told you that the seventh was the
  • seventh, though they did not have the same feeling as we have today.
  • experiences these three steps, the seventh, the sixth, and the fifth,
  • of the upper tones — the fifth, sixth, and seventh — by
  • sevenths — if he survives this experience — knows what
  • intuition is. What I mean is that in the experience of the seventh
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • began with feeling the sevenths. They then felt further intervals, of
  • which the seventh was the smallest. They missed hearing thirds and
  • who lives musically only in sevenths, with no intervals in between,
  • experience of the seventh did not make them feel that they themselves
  • seventh. Instead, they sensed how the gods, who pervaded and wove
  • through the world, revealed themselves in sevenths. The statement, “I
  • put it like this, but much more so in the “seventh-era” —
  • see, however, how matters proceed from the seventh to the fifth, from