Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Foreword
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- during sleep man's soul lies in the spiritual world —
- Title: Lecture: Inner Nature of Music: Back Cover
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- invisible spiritual world, the true home of the human soul. The
- Title: Lecture: Inner Nature of Music: Lecture I
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- most readily comprehensive to the soul, to the immediately sensitive
- motifs of the musical creation out of his soul. We will discover
- constituted. Man is capable of awakening higher faculties of the soul
- inner soul organs of man can also be awakened in order that he might
- soul, he ascends step by step. The first thing he experiences is a
- sense world and yet can retain a soul content, his dream world begins
- make an impression on his soul. The human being awakens each morning
- soul experiences Devachan between two incarnations on earth, then we
- may also say that during the night the soul feasts and lives in
- which is the soul's true home.
- the soul. The soul is the most closely connected with the sentient
- body. The sentient soul [Rudolf Steiner distinguishes
- and the actual individualized human soul, the content. The latter
- consists of sentient soul, intellectual soul, and consciousness soul.
- sentient soul represent a whole. In addition to these, man also possesses
- a feeling or intellectual soul [Gemüts-oder
- consciousness soul. The latter is connected with Manas, or spirit
- (sentient) body, etheric body, and physical body. Sentient soul,
- intellectual soul, and consciousness soul were prepared by man's
- etheric bodies, but the higher soul members, including the sentient
- Maximum number of matches per file exceeded.
- Title: Lecture: Inner Nature of Music: Lecture II
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- human soul in such a definite, unique way. In doing this, we will
- cast light on the very foundations of the soul.
- forth by the human soul itself.
- surging and swelling, it also directly affects the human soul. It
- streams into the soul like the divine in its different forms. Hence,
- it is understandable that the effects of music on the human soul are
- human soul.
- into sentient body and sentient soul was emphasized.]
- man sleeps, the astral body and the sentient soul release themselves
- Devachanic world, the soul absorbs into itself the world of tones.
- the musical element, the cooperation of sentient soul and sentient
- soul over the sentient body. It is possible for one who returns from
- perceive the victory of the sentient soul over the sentient body, so
- that the soul feels itself stronger than the body. In the effects of
- a minor key the sentient soul vibrates more intensely and
- one feels pain in the soul, the predominance of the sentient body,
- soul.
- of our soul, causing them to resound.
- reflection of the soul, which in its incarnations must always
- the human soul is an evolving entity, so its reflection here on earth
- Maximum number of matches per file exceeded.
- Title: Lecture: Inner Nature of Music: Lecture III
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- that lives as a question in many souls is what the relationship of
- physical plane. Man has an individual soul here on earth, whereas the
- animal has a group soul. Thus, the animals of a particular species
- share a common group soul, which can be studied only by ascending to
- the astral plane. In man's case, however, the soul is here on
- developed itself upward, while the soul descended.
- descends to meet it, so did the animal body and the human soul unite.
- sentient soul, the intellectual soul, and the consciousness soul.
- impossible, for the sentient souls hovering above are so delicately
- bodies.” Gradually, however, the soul above became coarser and
- between the two, and now the soul descended. Like a sword fits into a
- scabbard, so the sentient soul fits into the sentient body. We must
- into man the breath of life, and he became a living soul.” In
- capable of developing warm blood links a soul to itself. As soon as
- soul [Ich-Seele] was ready to unite itself with the physical
- warm blood, be fructified with a human soul.
- age, body and soul came in contact with each other only in the
- new took place. The soul element penetrated more deeply into the
- next stage will bring about the soul's descent into the fluid
- element. The soul will then be capable of guiding consciously the
- Maximum number of matches per file exceeded.
- Title: Lecture: Inner Nature of Music: Lecture IV
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- here on earth; speaking is the bridge between two persons. Soul
- unites with soul. We feel that in speaking we have an essential
- speech and song, he expresses his whole organization of body, soul
- vowel element is the soul playing on this musical instrument. When
- Through the vowels, the soul of man plays on the “consonantism”
- extent, the soul makes use of the brain, the head-nerve organism,
- producing vowel sounds, we actually push what lives in the soul
- adding the consonant element. Surely you can feel how a soul quality
- unless the vowel or soul element touches it. Many details point to
- soul element. Why is that? The human organism while here on earth
- The soul element (red), which expresses itself in vowels, pushes
- becomes universal song. The soul-spirited substance of this vowel
- revelation is ensouled. We thus can say that here on earth we have
- (sketch on right, red), and the soul penetrates into it and lives in
- it so that the tone becomes the soul's body.
- soul-spiritual element. This soul-spiritual element of tone belongs
- soul. Instead of being outwardly formed by the element of consonants,
- the tone is inwardly filled with soul. This runs parallel to one's
- musical element, which is becoming imbued with soul.
- soul-consonant impression. Perhaps you behold Saturn behind Aries:
- Maximum number of matches per file exceeded.
- Title: Lecture: Inner Nature of Music: Lecture V
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- the subjective soul element relates itself to the musical element.
- then outside himself; his soul swings back and forth between
- soul element and enters that of matter. When we descend to the
- contra-tones, our soul reaches down into the element of matter, and
- we experience how matter strives to become musically ensouled. This
- Title: Lecture: Inner Nature of Music: Lecture VI
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- indistinct overlapping between the sentient body and sentient soul.
- The sentient soul relates to the minor third, the sentient body to
- is the experience of the fourth gained from the soul.
- the form of the soul's composition is the same as clairvoyantly
- with intuition. The form of the soul's composition during the
- composition of soul need only be filled with vision. Such a
- composition of soul is definitely present in the case of music.
- Title: Lecture: Inner Nature of Music: Lecture VII
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- similarly developed soul-spiritual organs in his astral body and “I”
- before our souls some of the aspects that can illuminate that world.
- soul-spiritual organs, these experiences do not reach ordinary
- have described how the whole composition of human souls in the West
- We have frequently described, however, this composition of soul, this
- with fundamental changes in human souls. I said that this super-sensible
- consciousness of the soul ceased to see supersensibly, to perceive,
- because this human soul surrendered itself to the earth. You perhaps
- age. For this reason, the soul element also stood in a different
- experience of tone structure was completely different, and the soul
- within himself but one that was felt to be an expression of the soul
- conviction must grow in us that we must return to that human soul
- composition, and it will arise again if the soul perceives [erkennt],
- through it. Such a composition of soul will understand vividly once
- because otherwise the soul qualities of human nature will simply
- arid in his soul; the arts, grown one-sided, would dull his soul; and
- the one-sided religion would drain him of his soul altogether, if he
- humanity weighted heavily on the deeper Greek souls.
- of his soul experience he must reach the point where he rediscovers
- if, with a shaken, but intensely and warmly striving soul, we are
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