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Query was: speak

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • understandable why music speaks so directly and powerfully to almost
  • the spiritual world, speaking to us through tones as long as we are
• Title: Lecture: Inner Nature of Music: Lecture I
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  • that the musical element can speak to everyone, that it affects the
• Title: Lecture: Inner Nature of Music: Lecture II
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  • Idea, he speaks of art as a kind of knowledge that leads more
  • Schopenhauer speaks physiologically of specific sense impressions.
  • over the body's surface. It speaks of voluptuousness concealed
  • world into the physical world. The melodies and harmonies that speak
  • something that this world cannot provide. Painting speaks to the
  • astral corporeality, but the world of tone speaks to the innermost
  • primordial kinship speaks to the soul; in the most inwardly deep
  • and speak comfortingly and encouragingly to us in surging melodies
• Title: Lecture: Inner Nature of Music: Lecture III
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  • elementary beginnings of singing and speaking took place.
  • could argue that the cold-blooded insect also “speaks,”
  • but in the sense used here, where speaking is the soul resounding
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • is similar in the case of language; the language we speak here on
  • we first focus on the mediating member of man, man's speaking,
  • civilization lies in speaking. Through speaking, people come together
  • here on earth; speaking is the bridge between two persons. Soul
  • unites with soul. We feel that in speaking we have an essential
  • revealed when one goes into the details of what man is when he speaks
  • speaking of these forms, one is not always referring only to the
  • sculptural form of the human organization. Not speaking symbolically
  • When one speaks of consonants, one always feels something that is
  • system when he speaks. One could say that he “innergizes”
  • also into the head-breathing. When man shifts from speaking to
  • earth, we can speak and sing only by means of air, and in the air
  • world of the stars. Though it appears that I am speaking
  • this whole structure — it sounds as if I speak figuratively,
  • it sings to you in speaking, speaks in singing, and your perception
  • is actually a hearing of this speaking-singing, singing-speaking.
  • reflection of the spiritual. When man speaks, he makes use of his
  • speaking human beings in two ways. Take the consonantal human
• Title: Lecture: Inner Nature of Music: Lecture V
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  • enjoyment. I would have to speak differently concerning both the
  • fail the moment one is obliged to speak about the musical element. It
  • begin to speak about the musical element, it is thus necessary to
  • which we shall speak later — and is of no immediate importance
  • however, is not as important here as it is otherwise. In speaking of
  • angel in my being is beginning to play music. The muse in me speaks.”
  • naturally gets into the habit of speaking in general concepts even in
• Title: Lecture: Inner Nature of Music: Lecture VI
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  • “I” is, so to speak, within the confines of the human
  • time a speaking of the spiritual world. One was conscious that if one
  • speaking of the gods and of the proceedings of the gods. As I
  • I had to speak of a ninefold nature, further dividing the three
  • books that speak of the sevenfold human being stem from the tradition
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • so to speak. Since man at his present level of evolution has not
  • one speaks of man's waking experiences, they necessarily
  • physical-etheric environment. One therefore must speak of a
  • super-sensible vision is in a position to speak of a world that
  • thoughts of itself. We therefore cannot speak of thoughts as if they
  • I have described the human side, so to speak, of the matter, how this
  • super-sensible world, however, one must speak of the super-sensible
  • bearer of his physical and etheric bodies. In a manner of speaking,
  • bodies. In a manner of speaking, man withdraws his experience of the
  • in major and minor modes was projected, so to speak, into the