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Searching The Inner Nature of Music and the Experience of Tone
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Query was: think

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Lecture: Inner Nature of Music: Lecture II
    Matching lines:
    • Goethe in complete agreement with one another. Both thinkers believe
    • the human heart lies the capability of thinking things through to the
    • riddle. The artist, however, solves these riddles; he thinks the
    • origin. I am thinking, for instance, of two paintings by Leonardo da
  • Title: Lecture: Inner Nature of Music: Lecture IV
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    • with the thoughts we have here as with the thinking. Thinking is
    • our thinking system. It is the thinking system that influences speech
  • Title: Lecture: Inner Nature of Music: Lecture V
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    • stages, but actually the matter is more complicated than one thinks.
    • We must leave music behind when we think, because tone begins to
  • Title: Lecture: Inner Nature of Music: Lecture VI
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    • feeling. Now, feeling passes into thinking [Vorstellen].
    • of mental images, or the lower aspect of thinking, has been translated
    • thinking, in its relationship to feeling and willing.]
    • thinking, on the other hand we have the feeling that passes into
    • actually twofold. We have a feeling that is more inclined to thinking
    • penetrate completely into thinking — because it would cease to
    • realm of willing any more than into that of thinking. In both
    • place within the realm situated between thinking and willing. It must
    • not extend this far into thinking and willing; yet, the element of
    • harmony has a tendency to stream, as it were, toward thinking. It
    • must not penetrate thinking, but it streams toward it. This streaming
    • into the region of our spirit, where we otherwise think [vorstellen],
    • feeling up to that of thinking. You do not find what is contained in
    • thinking in the thematic melody, but the theme does contain the
    • thinking; feeling becomes serene and purified. All outer aspects are
    • as harmony can tend upward toward thinking, so it can tend downward
    • the piano and thinks that one is hearing other instruments; this is
  • Title: Lecture: Inner Nature of Music: Lecture VII
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    • that dwell in all things. Our organ of thinking is simply something



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