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Query was: world

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Foreword
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  • origin is in the spiritual rather than in the physical world, as is
  • during sleep man's soul lies in the spiritual world —
  • the spiritual world into harmonies, melodies, and rhythms of music
  • the spiritual world, speaking to us through tones as long as we are
  • and his experience of the world of tones, an experience that has
  • research into the spiritual world.”
• Title: Lecture: Inner Nature of Music: Back Cover
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  • everything in the physical world.”
  • explains Steiner, lies not in the physical world but purely in the
  • invisible spiritual world, the true home of the human soul. The
  • musician thus stands closer to the heart of the world than all other
• Title: Lecture: Inner Nature of Music: Lecture I
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  • others actually have models in the physical world. When a sculptor
  • idealized reality of the human world. The same is true of painting,
  • related to in the world.
  • will rules the entire world. It forms the stones, then brings forth
  • their origin by pointing to worlds that are imperceptible to the
  • senses. We must consider how these higher worlds are actually
  • that ordinarily slumber. Just as the physical world is made visible
  • discern the higher spiritual worlds.
  • peculiar transformation of his dream world. When, during meditation,
  • sense world and yet can retain a soul content, his dream world begins
  • physical world. His dream experiences gain increasing clarity. He
  • recalls that in this world of light and color there were things and
  • beings that distinguished themselves from those of the ordinary world
  • world and, upon awakening, recalls that he had taken part in that
  • realm. His next step is to take that world with him into the daily
  • world. Man gradually learns to see what is called the astral body of
  • the human being. He experiences a world that is much more real than
  • the ordinary, physical world. The physical world is a kind of
  • condensation that has been crystallized out of the astral world. In
  • unconscious. He now learns to be conscious in a world about which he
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• Title: Lecture: Inner Nature of Music: Lecture II
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  • spiritual scientific investigation, we see how the world and all
  • Schopenhauer's viewpoint. In his book, The World as Will and
  • This opinion of Schopenhauer's is connected with his world
  • everything observed by man as the world around him reflects itself
  • any influence on the outer world, we experience will, we ourselves
  • world will.”
  • particulars the world offers us are combined within man's mind.
  • flows through the world; he hears how this will expresses itself in
  • tones. The musician thus stands closer to the heart of the world than
  • all other artists; in him lives the faculty of representing the world
  • nearer the heart of the world and is a direct expression of its
  • human being and to his relationship to the three worlds to which he
  • new world unfolds before man in dream-filled sleep. A world filled
  • astral world. This is no newly created world. It is new only for a
  • day-consciousness. Actually, this astral world is always present and
  • continuously surrounds the human being. It is a real world, as real
  • as the world surrounding us that appears to us as reality. Once a
  • acquainted with this wonderful world. He learns to be conscious in it
  • experience in this new world that unfolds before man is one of living
  • and weaving in a world of colors and light. After his initiation, man
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• Title: Lecture: Inner Nature of Music: Lecture III
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  • to find themselves in the spiritual world and who bring with them
  • to the physical plane. The time in the spiritual world thus can be
  • these beings; it descended from the higher worlds. Animality
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • Man and the World of the Stars/the Spiritual Communion of Man,
  • beings of the higher worlds, undertakes in the period between death
  • the state of equilibrium in the spiritual world. It is lost to a
  • much closer to the spiritual world with our rhythmic system than with
  • one ascends to the spiritual world in the way described in my book,
  • Knowledge of the Higher Worlds and Its Attainment,
  • Knowledge of the Higher Worlds and Its Attainment.]
  • imaginative world, one has left one's physical body behind
  • them. If one wishes to describe what is in this higher world
  • Lacking the bodily instrument, one enters a tonal world colored in a
  • the super-sensible world were actually vowel-like. The Hebrew word
  • into the spiritual world. You live in a singing worlds of vowels. You
  • yourself actually stop singing; it sings. The world itself
  • ascends to the spiritual world, there is not just one a or one
  • against it. Beyond, in the spiritual world, we have the vowel tone
  • within the creative tone, the creative world. Picture the tone here
  • in reality to the super-sensible world, and what lives here in the air
  • one rediscovers tone in the spiritual world, where it is stripped of
  • into the spiritual world, but now it becomes inwardly filled with
  • becoming gradually accustomed to the spiritual world.
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• Title: Lecture: Inner Nature of Music: Lecture V
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  • the musical element really does not exist in the physical world. It
  • must first be created in the given physical world. This caused people
  • does not have a subject that exists in the outer physical world such
  • avoid the ordinary concepts that otherwise we use to grasp our world.
  • about in the world of musical feeling. The feeling for the third is
  • connection with the outer world in the same way as does the eye, for
  • the outer world, even artistic forms. The eye is important to a
  • experiencing, without having a relationship to the outer world such
  • being. The ear is not a link to the outer world — the
  • world. The metabolism is also an accompanying factor and does not
  • free of his earthbound existence and transported into another world
  • in the spiritual world.” This was the predominant experience of
  • that, preceding this descent from the spiritual world to the physical
  • world, the human “I” descends spiritually to the astral
  • the fully developed human being living in the physical world, the “I”
  • into the physical world in the first place. The “I” then
  • world that we had within us as embryos. Everything else is added. The
  • body. He therefore felt himself in the world. Music was for him the
  • possibility of feeling himself in the world. The human being could
  • at one with the world. He experienced himself neither within nor
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• Title: Lecture: Inner Nature of Music: Lecture VI
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  • the fifth brings awareness of man within the divine world order. The
  • experience of the fifth of the outer world and the experience of the
  • being, however, senses not the outer world but the spiritual world in
  • in the divine world; he stands precisely at the border of his
  • experience of the fifth, “I stand within the spiritual world.”
  • holy wind that had placed him into the physical world. Based on what
  • piano they have been derived from the spiritual world.
  • time a speaking of the spiritual world. One was conscious that if one
  • physical world. The inner emancipation of the song element into arias
  • which comes down from spiritual worlds, incarnates, and then passes
  • which in itself has attained world-historical heights — he
  • himself and the world. Yesterday I told you that the seventh was the
  • world; the piano, however, in which the tones are abstractly lined up
  • next to each other, is created only in the physical world by man. All
  • higher world. A piano is like the Philistine who no longer contains
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • bodies he is conscious of this world, which, as his environment, is
  • physical-etheric environment or world in which man exists during this
  • waking life. Likewise, man is in another world during sleep; this
  • world, however, is totally different from the physical-etheric world.
  • Just as the physical world is our environment when we are awake, so
  • super-sensible vision is in a position to speak of a world that
  • before our souls some of the aspects that can illuminate that world.
  • form, how the realms of the physical-etheric world — the
  • therefore have two worlds interpenetrating one another, the
  • physical-etheric world and the super-sensible world. We already know
  • that during sleep we are indeed in this super-sensible world and have
  • experiences in this super-sensible world, one must describe this world
  • in the same way as one describes the physical-etheric world by means
  • that concerns the actual course of events in the world in which we
  • the viewpoint of the physical-etheric world and its history. Today,
  • world. The event to which I refer is one that falls in the fourth
  • thoughts are spread out all through the world. Thoughts are forces
  • aware that thoughts are world-dominating forces, spread out
  • we make use of the super-sensible world, we find through super-sensible
  • the thoughts with which human beings made the world comprehensible to
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