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• Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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  • Pope. (Santa Croce, Florence.)
  • "https://www.rudolfsteinerelib.org/Lectures/GA292/English/UNK1981/images/HA01-074_Pope_Leo.jpg" align=
  • 72. Raphael: Pope Leo X. (Pitti Gallery. Florence.)
  • 73. Raphael: Pope Julius II. (Uffizi. Florence.)
• Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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  • century Italian Christianity witnessed the rise even among the Popes, of
  • by Pope Julius to decorate the Sistine Chapel, now in a far fuller sense
  • the Pope. What Michelangelo was now to witness must have been terrible
  • Michelangelo to Rome, where he creates, once more by comman of the Pope,
  • for the monument of Pope Julius; for, in fact, this was never finished,
  • It is significant that Pope
  • creating his earliest artistic works in Florence, the Pope in Rome was
  • the Creation of the World for Pope Julius. We see the dominion of the
  • Gorgias in Rome replaced by Pope Julius, and then by the Medici, Leo
  • X. In this connection we must realise that Pope Julius II, although
  • about Christian Art. Pope Julius, who replaced the political Borgia
  • commercial Popes, if we may call them so — those of the house
  • to feel Pope Alexander VI, or his son Caesar Borgia, or Julius II, as
  • of all these Popes, — indeed, many things would certainly not
  • him to Rome and come to those pictures which he painted there for Pope
  • it was done to the order of the Pope, — the Pope who craved, as
  • of St. Peter, according to the desires of Pope Julius. Under the influence
  • of the Pope, wishing to achieve a new greatness of Christianity centered
  • for a long time. It was certainly not the case that the Pope said:
  • from the whole complex which Raphael did for Pope Julius II in order
  • Maximum number of matches per file exceeded.
• Title: History of Art: Lecture VI: Dutch and Flemish Painting
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  • Church, God the Father is actually represented as a Pope. Nevertheless,
• Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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  • “Rudolfinum” at Prague. The Pope, the Emperor and