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• Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
  Matching lines:
  • Fra Angelico,
  • the hounds of Lord. Angelico represents these Domini Canes
  • "https://www.rudolfsteinerelib.org/Lectures/GA292/English/UNK1981/images/HA01-052_Fra_Angelico_Descent.jpg"
  • 52. Fra Angelico: Descent from the Cross. (Academy.
  • second stream above-mentioned, of which Fra Angelico is one of
  • more by the Spirit. In Fra Angelico we see the Heart, the soul
  • Angelico, which, unhappily, we cannot reproduce. Here everything
  • "https://www.rudolfsteinerelib.org/Lectures/GA292/English/UNK1981/images/HA01-053_Fra_Angelico_Crucifiction.jpg"
  • 53. Fra Angelico: Crucifixion. (San Marco. Florence.)
  • pours in through Fra Angelico. Hence the phenomenon of Fra
  • Angelico is so intensely interesting. Formerly, as we have seen,
  • in the work of Fra Angelico. It is as though the soul of
  • "https://www.rudolfsteinerelib.org/Lectures/GA292/English/UNK1981/images/HA01-054_Fra_Angelico_Last_Supper.jpg"
  • 54. Fra Angelico: The Last Supper. (San Marco,
  • 55. Fra Angelico: Coronation of the Virgin Mary. (San
  • 56. Fra Angelico: (from) The Last Judgment. (Museum.
  • Fra Angelico, is transferred — if I may put it so —
  • Angelico. He emancipates the human working once more towards a
  • Angelico, we have shown a series of Botticelli's so as to gain an
  • Angelico and Botticelli, we see the entry of a life of soul. And
  • Maximum number of matches per file exceeded.
• Title: History of Art: Lecture VII: Representations of the Nativity
  Matching lines:
  • Fra Angelico,
  • 34. Fra Angelico. Adoration of the Kings. (St.
  • Fra Angelico is as tender