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  • Title: Kingdom of Childhood: Synopsis of Lectures
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    • has impulse to model and to paint. Teacher himself must learn Anatomy
    • no reality in drawing and painting, only boundaries. How to
  • Title: Kingdom of Childhood: Lecture 1
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    • I will describe more fully how to develop writing out of painting and
  • Title: Kingdom of Childhood: Lecture 2
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    • painted cheeks, and even eyes with which they can go to sleep when
    • times there was picture writing; that is to say, people painted
    • draw a mouth, or rather paint it. Let him put on dabs of red colour
    • can get your M out of the mouth which we first painted.
    • “fish.” Let the child draw or paint some kind of fish.
    • painting-drawing, or drawing-painting. This is more awkward to deal
    • painting for an hour or two you have to clear it all away. But this
    • your drawing-painting and painting-drawing, you allow the letters to
    • then expresses its wonder thus: Ah! Then you paint this gesture and
    • painting-drawing, drawing-painting, that I have spoken of, the whole
    • us say with string. They then go on to painting the forms and
  • Title: Kingdom of Childhood: Lecture 4
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    • exercise with the child by first of all painting something in red
    • be very harmonious. This of course must be carried out with paints,
  • Title: Kingdom of Childhood: Lecture 6
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    • child has impulse to model and to paint. Teacher himself must learn
    • why the child has an impulse to model forms or to paint them. For the
    • modelling and painting within the physical body. Now that it has
    • the child likes to mould out of plastic material or to paint in
    • paint something that is in no way an imitation of the human body but
    • an integral part of the Waldorf School method. Our children paint
    • modelling or painting. So you can very easily turn this impulse and
    • forms which the child paints or models, for then you will be really
    • teaching the more specifically artistic subjects, Painting, Modelling
  • Title: Kingdom of Childhood: Lecture 7
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    • and told us that the Eurythmy and Painting and all the other things
  • Title: Kingdom of Childhood: Questions and Answers
    Matching lines:
    • Drawing. Lines have no reality in drawing and painting, only boundaries.
    • itself but from painting, working in colour or in light and shade.
    • or a dog with lines. He should take a paint brush and make a painting
    • should start from painting and not from drawing. That is the
    • cannot really paint the tree: we can only bring in light and shade,



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