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• Title: Foundation Course: Lecture 11: Insights into the Mystery of Golgotha, Priest Ordination.
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  • Now Luther gradually became aware of all the dangers in which modern man lives. It isn’t easy to say in how far this went into Luther’s clear consciousness, and it’s also not that important. In any case this position of modern man played into Luther’s soul on the one hand as a streaming from earlier times, and on the other hand, what man should be since the middle of the 15th century. The entire dangers of modern man flooded Luther’s soul. What did this consist of? It consisted of — I’m speaking in a Christian way — man being afflicted with the deeds or the sequences of deeds of superhuman beings in which he had become entangled. Through what had been an entanglement of original sin in the lower human being as inherited traits, man entered into the next epoch in a different manner than he would have if there had been no original sin through the Fall. As a result, that which should appear in humanity as intellect came through in a far more abstract measure than how life used to be in former times, when it was afflicted with something subhuman through original sin. To a certain extent, what man was to experience intellectually became diluted, more abstract, which in earlier life had been more dense, more natural, than it should be for mankind. It was only now that man was basically condemned to fall away from God through his intellectualism. The whole danger of intellectualism which pushes too far to greater abstraction, lived itself out in Luther’s soul, and Luther really experienced it with such vehemence as described in his vicious battle at Wartburg Castle.
  • Look at the Sistine Madonna, she is magnificent. As far as one can see there are images of clouds which transform purely into angelic heads, and how the Madonna herself, with the Child, condenses out of the angles who reside in the clouds. It is as if the angelic forms have condensed out of the cloud images and have descended down to the earth, yet everything is wonderfully lifted into the spirit. Then the two curtains (he sketches on the blackboard) and below that a coquettish female figure and a terrible priestly figure, all things which absolutely do not belong to it. Why is this so? It is simply from the basis of Raphael having initially intended with this image, to give a soul experience with the picture of Mary on a certain feast day of Mary — now this is on the Feast of Corpus Christi -where people walk around in a procession with a picture of the virgin Mary that is carried under a canopy and comes to the altars where people kneel down. This is why there are these curtains (points to sketch on blackboard) with the kneeling female and male forms in a chapel, in front of the picture of Mary. Well, that is the kind of elementary school way of looking at what Raphael painted. What is actually meant here stands right in the Roman Catholic cult — absolutely right inside it.