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    Query was: artist
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: The Birth of Christ in the Human Soul
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  • artistic songs have done — but the folk songs less than
  • the artistic — in the course of the materialistic
• Title: Purpose of the Goetheanum and Anthroposophy
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  • proceeded as an inner artistic consequence, from the
  • of his artistic conviction Goethe voiced this beautiful
  • as sculptor or musician or painter. Goethe knew that artistic
  • of the spirit, flows of itself into artistic creativeness. It
  • comes into artistic activity, when one knows the human being in
  • concepts must be allowed to pass over into artistic seeing, so
  • know something it must be comprehended artistically. But people
  • rather than artistic when something is to be understood —
  • if nature works artistically, then man simply does not find out
  • about it by logic. He must pass over to artistic seeing to
  • The artistic form had to correspond with the kernel. The style
  • been said or artistically presented in the Goetheanum, was
  • What Anthroposophy wanted to offer artistically in the
  • and mobile thoughts about the spiritual world come to artistic
  • modern time; namely, a view, a knowledge, an artistic
• Title: Reincarnation and Immortality: Lecture III: The Supersensible Being of Man
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  • years ago, and who had quite special artistic gifts which were
  • taken through death and then gave help when certain artistic
• Title: Lecture: The Birth of Christ Within Us
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  • unless they are from the hand of a supreme artist, drag down the
• Title: Gospel of John (Basle): Lecture VI
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  • unconscious perception of the creative artist. Wagner was not
• Title: Gospel of Mark: Lecture 1
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • have been an artist, a sculptor, or a craftsman. Napoleon
• Title: Gospel of Mark: Lecture 2
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • with a certain artistic spiritual feeling so that we
  • gradually come to see the artistic sequence, how the threads
  • composed in an external kind of way, but with deep artistry,
  • hitherto with this dramatic, artistic penetration, the Bible
  • nothing but an artistic progression. If we take it as a
  • purely artistic composition, we may be moved by its
  • simplicity and the artistic greatness of the Bible, quite
  • shall we develop a feeling for the artistic element in it,
  • betrayal. Again, if we look at the purely artistic aspect,
• Title: Gospel of Mark: Lecture 3
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • beneath the grandiose artistic and occult style many of the
  • that the artistic and occult style does indeed conceal such
• Title: Gospel of Mark: Lecture 4
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
• Title: Gospel of Mark: Lecture 5
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
• Title: Gospel of Mark: Lecture 6
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • artistically and pictorially shown in a remarkable manner how
• Title: Gospel of Mark: Lecture 7
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
• Title: Gospel of Mark: Lecture 8
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • Gospels are full of such artistic sequences. Indeed they are
  • dramatic intensification and the artistic composition which
  • possible to perceive the methodically artistic manner in
• Title: Gospel of Mark: Lecture 9
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • their profoundly artistic character, and the artistry of
  • seen in the right light only when their artistic composition
  • interweaving of artistic threads, which are also at the same
  • artistic element, especially toward the end of the Gospel. It
  • the artistic composition of the Gospel. We can discern
  • something of this artistic composition if we enquire into the
  • what a delicately artistic way this is indicated — that
  • remarkable with what delicacy the artistic composition of the
  • is concealed in the artistic composition especially of the
  • consummate artistry if we can only understand how to feel the
  • same youth. In the whole artistic composition of the Gospels
  • to be artistically composed as it was.
  • that we can best appreciate the artistic composition of the
  • Gospel. In truly artistic fashion a passage is inserted in
• Title: Gospel of Mark: Lecture 10
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  • this aspect of Christ, and, like the Gospel itself, it is an artistic
  • its artistic composition and its deep content, will have the
• Title: Freedom/Immortality/Social: Lecture IV: The Science of the Supersensible and the Moral-Social Ideas
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  • of a scientific consideration only which has something artistic
  • which itself is artistic-creative. Not aestheticians, but