Searching Rudolf Steiner Lectures by Location (Basle) Matches
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Query was: paint
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- Title: Lecture: The Four Sacrifices of Christ
Matching lines:
- Michelangelo painted it. In the Sibyls he showed what had threatened
- nor direct it. Look at the way in which Michelangelo has painted the
- space he has painted the musing figures of prophecy whose aspect shows
- Title: Purpose of the Goetheanum and Anthroposophy
Matching lines:
- picture without himself being a painter. To get
- paint a picture one must be a painter; but everything I have
- paint a picture one must be a painter; to judge it one must
- as sculptor or musician or painter. Goethe knew that artistic
- forms of the outer visible building, what was painted in the
- and with the paintings in it. What was cultivated within and
- the inner architecture, the inside sculpture and painting
- its painting, in everything connected with it, in such a way
- Title: Lecture: The Birth of Christ Within Us
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- series of paintings of the most important historical occurrences among
- Title: Gospel of Luke: Lecture One
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- to the colours, as it might be when confronting a painting of
- Title: Gospel of Luke: Lecture Two
Matching lines:
- the human heart by forms of art, by paintings, are to be found
- Title: Gospel of Mark: Lecture 1
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- figures only need be cited, a painter and a poet, who,
- Giotto as painter and Dante as poet represent the
- Title: Gospel of Mark: Lecture 3
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- Title: Gospel of Mark: Lecture 7
Matching lines:
- Christian painters were often guided in this way. Even though
- such a way that they could paint it. It was just at this
- Title: Freedom/Immortality/Social: Lecture VIII: How Natural Sciences Justify the Supersensible Knowledge
Matching lines:
- breaks away from their organisation; they paint as it were. It
- such persons who paint, actually, while they write who have,
- actually, like painting.
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