Lecture III
[note 1]
16th March 1923.
Recently it has repeatedly been my task to
point out that it would be just as possible to write a
person's biography for the time spent between going to sleep
and awakening as it is for the time spent between awakening
and going to sleep. Whatever man goes through between
awakening and going to sleep is experienced through his
physical and etheric bodies. Because in his physical and
etheric bodies he has suitably developed sense organs, he is
conscious of the world around him, for it is linked with his
physical and etheric bodies so that it forms, as it were, a
unity with him. But because at his present stage of evolution
he does not possess similar organs of soul and spirit in his
ego and astral body — organs which, if I may be
permitted this paradoxical expression, would be super-sensible
sense-organs — he is unable to be conscious of his
experiences between going to sleep and awakening.
Accordingly, only with spiritual sight would one be able to
perceive what is contained in the biography of the ego and
astral body, which runs parallel with the biography lived
through with the help of the physical and etheric bodies.
In speaking
about man's experiences between awakening and going to sleep
we naturally include the events which take place in his
physical and etheric environment, things which happen in
connection with him, things he experiences and things which
are caused by him. Thus we must speak of a physical and
etheric environment, a physical and etheric world inhabited
by man in the period between awakening and going to sleep.
Similarly he inhabits another world between going to sleep
and awakening, only the nature of this world is quite
different from that of the physical and etheric world.
Through spiritual vision it is possible to speak about this
world which is just as much our environment when we sleep as
the physical world is our environment when we are awake. You
will find the elementary facts in the descriptions given, for
instance, in my book
Occult Science: an Outline.
There you will find, albeit only in brief, a description of
how the realms of the physical and etheric world, the
mineral, plant, animal and human kingdoms, extend on into the
realms of the higher Hierarchies. Let us give this some
consideration today.
If, while
awake, we direct our eyes or other sense-organs outwards
towards our physical and etheric environment, we perceive the
four kingdoms of mineral, plant, animal and man. If we then
ascend further into those regions which can only be perceived
supersensibly, we find that which may be called the
continuation of these kingdoms: the kingdom of the Angeloi,
Archangeloi and Archai, the kingdom of the Exousiai, Dynamis
and Kyriotetes, and the kingdom of the Thrones, Cherubim, and
Seraphim.
Thus we have
two worlds which permeate one another: the physical and
etheric world and the super-sensible world. And we already
know that we live in this super-sensible world between going
to sleep and awakening; we know that we have experiences
there, although these experiences cannot make their way into
our ordinary consciousness because we have no organs of soul
and spirit.
As a matter of
fact a more exact understanding can be reached of what man
experiences in this super-sensible world, if the same sort of
description of this world is given as is given of the
physical and etheric world with the help of science and
history. In order to set forth what we may call a
super-sensible science of the actual course of the world we
inhabit in sleep, we must begin by pointing out certain
details. Today we shall first turn our attention to an event
of deep signfiicance for the whole of human evolution during
the last few thousand years.
We have
already discussed this event frequently from the point of
view of the physical and etheric world and its history. Now
we shall look at it from the other side, as it were, taking
our viewpoint not in the physical and etheric world but in
the super-sensible world. The event I am referring to and
which I have often portrayed from the one point of view took
place in the 4th century A.D.
I have
described how the whole disposition of man's soul in the
Western world changed during this 4th century
A.D.; how in
fact without spiritual-scientific insight into the matter we
today no longer have the slightest understanding of human
feelings and sentiments as they were before the 4th century
A.D.
But we have often portrayed these feelings and this
disposition of soul, describing what human beings experienced
round about that century. Today we shall turn our attention
for a moment to the experiences undergone by the Beings of
the super-sensible realm during this time. So we shall be
concerned, so to say, with the other side of life and speak
from the viewpoint of the super-sensible realm.
That thoughts
are confined to the head is a preconceived notion of man's
so-called enlightenment. We should learn nothing about things
through thoughts if these thoughts were confined to the heads
of men. Anyone who believes that thoughts are to be found
only in men's heads is a victim of the same prejudice,
paradoxical though it may sound, as a person who believes
that the sip of water which quenches his thirst arose on his
tongue instead of flowing into his mouth from his glass.
Really it is just as absurd to say that thoughts arise in
men's heads as it is to say: If I quench my thirst with water
from my glass, this water has come into being in my mouth.
For thoughts are quite definitely spread throughout the
world. Thoughts are the forces at work in things. And the
organ of our thinking merely taps the cosmic reservoir of
thought forces, taking the thoughts into itself. Accordingly
we must not speak of thoughts as though they were something
belonging to man alone. We must speak of thoughts with an
awareness that they are forces which govern the world and are
spread throughout the cosmos. But they do not just fly about
at random; they are always borne and worked upon by beings of
one kind or another. And most important of all: they are not
always borne by the same beings.
Turning to the
super-sensible world, we find by means of super-sensible
investigation that until the fourth century
A.D. the thoughts
through which human beings make the world comprehensible to
themselves were borne, or perhaps one should say, poured
forth (earthly expressions are little suited for the
description of such lofty events and beings) by the Beings of
the Hierarchy called the Exousiai or Beings of Form.
If an ancient
Greek wanted to account for the origin of his thoughts
through knowledge of the Mysteries, he would have had to say
the following: I lift up my spiritual vision to the Beings
revealed to me by Mystery knowledge as the Beings of Form,
the Forces of Form. They are the bearers of the cosmic
intelligence, they are the bearers of the cosmic thoughts.
They cause the thoughts to stream through the events of the
cosmos, and they bestow these human thoughts upon the soul
which becomes aware of them by experiencing them. When
someone in the days of ancient Greece adapted himself to the
super-sensible world by means of a special initiation, he was
able to come to an experience of these Beings of Form; he
actually beheld these Beings, and in order to find a true
picture or Imagination of them he had to attach to them, in a
way as an attribute, the thoughts which flowed shining
through the universe. This ancient Greek saw how these Beings
of Form as it were sent out shining thought forces from their
limbs, forces which entered into the world-processes and
there continued to work as world-creative forces of
intelligence. He would say perhaps: Throughout the universe,
throughout the cosmos, it is the task of the Beings of Form,
the Exousiai, to pour thoughts through the universal
processes. Therefore just as science based on
sense-perception describes the activities of human beings by
recording what they do individually or co-operatively, so a
science based on super-sensible perception, in examining the
activities of the Form Forces during the era under
consideration, would have to describe how these super-sensible
Beings cause the thought forces to flow from one to the
other, how they receive them from each other, and how
embedded in this outflowing and receiving lie the universal
processes which present themselves to man externally in the
shape of natural phenomena.
And then came
the 4th century A.D.
in the evolution of mankind. For the
super-sensible world it brought an event of the utmost
importance: the Exousiai, the Forces or Spirits of Form,
transferred their thought forces to the Archai, the Primal
Forces or Principalities.
At that time
the Archai, the Principalities, took over the task previously
carried out by the Exousiai. Events of this kind do take
place in the super-sensible world. And this was an event of
immense cosmic importance. The Exousiai, the Spirits of Form,
retained merely the task of controlling external
sense-perceptions; with special cosmic forces they rule over
everything present in the world of colour, tone and so on.
Accordingly, those who have insight into these things must
say with reference to the times which follow the 4th century
A.D.:
the thoughts which rule the world are transferred to
the Archai, the Principalities; now, all the manifold forms
of the world, the constant metamorphoses seen by eyes and
heard by ears constitute a fabric woven by the Exousiai, who
formerly gave thoughts to human beings and now give them
sense-impressions, while the Archai now give them
thoughts.
This reality
of the super-sensible world was mirrored here below in the
world of the senses by the fact that in ancient times, for
instance, the times of the Greeks, thoughts were perceived
objectively in things. Just as today we believe we perceive
red or blue on things, so a Greek found that a thought was
not merely grasped by his head but that it radiated forth
from an object in the same way as red or blue radiates
forth.
I have
described this human side of the matter in my book
Riddles of Philosophy.
In this book you will find a
description of how this important event in the super-sensible
world was reflected in the world of the physical senses.
Philosophical terms are used there because the language of
philosophy is suitable for describing the material world,
whereas in discussing the point of view of the super-sensible
world one also has to mention the super-sensible fact that the
task of the Exousiai has been transferred to the Archai.
The
preparation of such things in humanity takes many epochs. And
such things are linked with basic transformations of the
human soul. When I say that this super-sensible event took
place in the 4th century A.D.,
this is of course only an
approximation applying merely to the central period, whereas
the whole process took place over many ages. Preparations
began in pre-Christian times and the change was not completed
until the 12th, 13th and 14th centuries
A.D. The 4th century
A.D.
is only the central period and is alluded to in order to
have something definite to point to in the historical
development of mankind.
This is also
the point in human evolution when men's outlook into the
super-sensible world begins to become wholly obscured. The
consciousness of the soul loses the capacity of super-sensible
vision and perception while the soul devotes itself to the
world. You will perhaps understand this more clearly in your
souls if light is thrown upon it from another angle.
What is the
point I am trying so insistently to make clear? It is that
human beings begin to feel increasingly aware of themselves
as individuals. When the thought-world passes from the
Spirits of Form to the Principalities, from the Exousiai to
the Archai, man feels more aware of the thoughts of his own
being, because the Archai live one step nearer than the
Exousiai to man. Somebody who begins to acquire super-sensible
vision will receive the following impression. He will say:
Certainly this is the same world which I know as the world of
the senses.
Ordinary
consciousness knows nothing at all about the conditions under
consideration here. But with super-sensible consciousness
there is definitely the feeling that Angeloi, Archangeloi and
Archai are present between man and his sense impressions. The
feeling is that they are present here in the sense-world.
They are not seen with the ordinary eye but they are actually
present between man and the whole fabric of sense
impressions. It is the Exousiai, Dynamis and Kyriotetes who
are beyond this world; they are concealed by the fabric of
the senses.
Thus an
individual possessing super-sensible consciousness feels that
thoughts, after they have been handed over to the Archai,
come nearer to him. He feels them now to be more in his own
world, whereas previously they were behind the colours on
things, behind the red or the blue; we might say they
approached him through the red or the blue or through a C
sharp or a G. He feels that his communication with the
thought-world has become freer since the transfer. Of course
this also brings about the illusion that man makes the
thoughts himself.
It took a long
time for man to evolve to the point of being able to take
into himself, as it were, what had formerly presented itself
to him as the objective external world. This only came about
by degrees during the course of human evolution. Looking back
a very long way in evolution, right back beyond the Atlantean
catastrophe and into the time of ancient Atlantis, I must ask
you to imagine man at that time as I have described him in my books
Occult Science: an Outline
and
Cosmic Memory.
As you know, human beings at that time were
formed quite differently. Their bodily substance was much
more delicate than it became later on during the
post-Atlantean age. Because of this the soul element was
related differently to the world and the Atlanteans
experienced the world quite differently. Let me give you just
one instance of this particular way of experiencing the
world. The Atlanteans could not experience the interval of a
third, or even of a fifth. Their musical experience began
with the experience of the seventh. They were also aware of
greater intervals, but the seventh was the smallest. Thirds
and fifths escaped their hearing; no such intervals existed
for them.
As a result
their experience of tone-structures was quite different; the
soul had a quite different relationship with the
tone-structures. For if, without the smaller intervals, we
were to live only in the music of sevenths, if we were to
live as naturally in these sevenths as did the Atlanteans, we
would not perceive music as something taking place within us
or in connection with us; we would find ourselves outside our
bodies the moment musical perception began. We would live
outside in the cosmos as was the case with the Atlanteans.
For them a musical experience was a direct religious
experience. In experiencing sevenths they could not say that
they themselves had anything to do with the creation of these
intervals; they felt that the Gods, weaving and flowing
through the world, revealed themselves in sevenths. To say:
‘I am making music’ was senseless to them. But it
meant something when they said: ‘I live in the music
made by the Gods.’
In a much
weakened form this musical experience was still present in
the post-Atlantean age, when mainly the interval of the fifth
was experienced. This must not be compared with our present
experience of the fifth. Today the fifth gives us the
impression of an empty shell. In the best sense of the word
we feel the fifth to be empty. It has become empty because
the Gods have withdrawn from mankind.
But in
post-Atlantean times man felt that the Gods still lived in
the fifths. It was not until later, when the third, both
major and minor, made its appearance in music, that music as
it were submerged itself in man's inner nature, so that in
musical experience he was no longer outside himself. In the
real age of the fifth man was still definitely outside
himself in the experience of music. In the age of the third,
which as you know is comparatively recent, man remains within
himself when he experiences music. He embraces music with his
body. He interweaves musical and bodily nature. That is why
the experience of the third is accompanied by the
differentiation between major and minor, so that we have the
experience of the major mood an the one hand and the
experience of the minor mood an the other. With the arrival
of the third, with the entry into music of the major and
minor moods, musical experience links itself with the
elevated and joyful moods and also with the depressed,
painful and sad moods experienced by man because he bears a
physical and an etheric body. We might say that man removes
his experience of the world from the cosmos; instead he
unites himself with his experience of the world. In olden
times, in the age of the fifth, and even more so in the age
of the seventh, if I may be permitted to use these
expressions, man's most important experience of the world was
such that it took him immediately outside himself. He could
thus say: The world of tones draws my ego and my astral body
out of my physical and etheric bodies; I interweave my
earthly existence with the divine-spiritual world; the tone
structures resound as something an whose wings the Gods flow
through the world; and I experience this flowing of the Gods
by perceiving the tones.
You see
therefore in this particular field how cosmic experience in a
certain sense makes its way towards the human being, how the
cosmos penetrates into the human being. You see how if we
look back into ancient times it is in the super-sensible world
that we must seek man's most important experiences. And you
see how later the time comes when man as an Earth-being
endowed with physical senses must be included when the most
important world events are being described.
This becomes
necessary when the thoughts are given by the Spirits of Form
to the Principalities, the Archai. Another expression of this
may be found in the transition from the ancient period of the
fifth to the period of the third and the experience of major
and minor.
Now it is of
particular interest, in connection with this experience, to
go back into an age even earlier than the Atlantean, an age
of human evolution upon Earth which fades away into the dim
and far-distant past but which can be recalled with the aid
of super-sensible vision. You will find this distant age
described in my book
Occult Science: an Outline
as the Lemurian age. At that time man's perception of music was
such that he could not even be conscious of intervals
contained within an octave; at that time man could perceive
an interval only if it extended beyond an octave, for
instance: C, D, E, F, G, A, B, C, D, where the interval C,
D, is experienced only if the D lies in the next octave.
Thus in the
Lemurian age there could be no musical experience in
listening to intervals smaller than an octave; the interval
experienced goes beyond the octave to the first tone of the
following octave and then to the next tone of the next
octave. Thus man experiences something which is difficult to
describe, but you may be able to imagine it if I say the
following: man experiences the second in the next higher
octave and the third in the next octave after that. He
experiences a kind of objective third, indeed the two thirds,
both major and minor. But of course it is not a third as we
know it today, since for us the third only comes about if we
take the tonic and the next note but one within the same
octave. Because man in ancient times was able to have a
direct experience of intervals which we describe today as the
tonic in one octave, the second in the next octave and the
third in the third octave, he was able to perceive a sort of
objective major and minor; not a major and minor mood
experienced within himself but a major and minor expressing a
feeling of what the Gods experienced in their souls.
We cannot
describe what man in the Lemurian age experienced by any such
names as joy and sorrow, exultation and depression; we must
say that through this particular musical perception in
Lemurian times, when he was quite outside himself in
perceiving these intervals, he experienced the cosmic
jubilation of the Gods and the cosmic lamentation of the
Gods. We are able to look back to a time an Earth really
experienced by man when what is experienced today as major
and minor was, as it were, projected out into the universe.
What man experiences inwardly today was then projected out
into the universe. What today flows through his emotion and
feeling was then perceived by him outside his physical body
as the experience of the Gods in the cosmos. What must be
characterized as our present inner experience of the major
mood was experienced by him outside his body as the cosmic
jubilation, the cosmic music of the Gods rejoicing in their
creation of the world. And what we know today as the minor
mood was experienced in Lemurian times as the vast
lamentation of the Gods over the possibility of what is
described in the Bible as the Fall of man, the falling away
of mankind from the divine spiritual powers, the powers of
good.
This is
something which echoes down to us out of that wonderful
knowledge of the ancient Mysteries which of itself passes
over into the realm of art; we not only perceive in a more
abstract way how mankind once upon a time succumbed to
Luciferic and Ahrimanic seduction and temptation and
experienced this or that, but we also perceive how human
beings heard in ancient times the music of the Gods rejoicing
in the cosmos about their creation of the world and also the
cosmic lamentation of the Gods whose prophetic vision showed
them that man would fall away from the divine-spiritual
powers.
This artistic
understanding of something which later became more abstract
in form is given to us out of ancient Mysteries; from it we
may win the deep conviction that knowledge, art and religion
have flowed from a single source. This must lead us to the
conviction that we must seek to return to that state of soul
which will appear once again when the soul has knowledge
because religion streams and art flows through it, that state
of soul which brings a deep and living understanding of what
Goethe meant so many years ago when he said: ‘Beauty is
a manifestation of secret natural laws which would have lain
concealed forever had beauty not appeared.’
The secret of
human evolution within the Earth's existence, within the
Earth's evolution, itself reveals to us this inner unity of
everything man must experience together with the world
knowingly, religiously and artistically in order that he may
experience his complete potentiality together with the
world.
It is a fact
that now the time has come when these things must once again
enter human consciousness, for otherwise man's soul-nature
would simply begin to decay. Now and in the near future man's
soul would shrivel up as a result of increasingly
intellectual and one-sided knowledge; his soul would be
dulled by the one-sidedness of art and he would lose his soul
altogether through the one-sidedness of religion if he could
not find the way which leads to the inner harmony and unity
of these three, the way which helps him to leave his body in
a more conscious manner than of old and once more see and
hear the super-sensible world together with the world of the
senses.
Through
Spiritual Science we can look at the more ancient and
profound personalities of the developing Greek culture,
personalities whose successors were such people as Aeschylus
and Heraclitus. We find that these personalities, in so far
as they were initiated into the Mysteries, all had similar
feelings as a result of their knowledge and their artistic,
creative powers. Like Homer, who said: ‘Sing me, O
Muse, of the wrath of Achilles, son of Peleus,’ they
still felt their knowledge and their creative powers not as
something working in them personally but as something they
carried out in their religious feeling together with the
spiritual world. Thus they could say: In most ancient times
man experienced himself as man when, in carrying out the most
important human activities, he passed out of himself and
shared his experiences with the Gods (as I have shown you in
connection with music, but it was also true in the forming of
thoughts). But man has now lost what he was thus able to
experience.
This feeling
of having lost an ancient knowledge and an ancient artistic
and religious possession of mankind most certainly weighed
upon the more profound Greek souls.
Something
different must come to mankind today. By developing the
proper powers of his soul-experience, man must come to the
point where he is able to rediscover what was lost long ago.
What I want to say is that man must develop a consciousness
— after all, we are living in the age of consciousness
— of how what has become inward must find its way
outwards again towards the divine-spiritual world. And it
will be possible to accomplish this — as I have
indicated in answer to a question put to me during a
lecture-course at the Goetheanum — in one field for
instance, when the inner wealth of feeling experienced in
melody is transferred to the single tone, when man discovers
the secret of the single tone, in other words when man
experiences not only intervals but is also able to experience
with inner richness and variety the single tone as if it were
a melody. This is something which today can scarcely be
imagined.
But you see
how things progress: from the seventh to the fifth, from the
fifth to the third, from the third to the prime and so down
to the single tone and onward still further. So what once
represented the loss of the divine world must be transformed
in human evolution into the rediscovery of the divine by man
on Earth, if humanity is to go on developing on Earth instead
of perishing.
We only
understand the past aright when we are able to see in
contrast the true image of our development in the future,
when we feel with an emotion which affects us deeply what was
also felt by the more profound human beings in ancient
Greece, namely that we have lost the presence of the Gods,
and when we can contrast this by saying with deeply moved but
intensely striving souls:
We will bring
to blossom and fruition the spirit whose germ exists within
us, so that we may once more find the Gods.
Notes:
Note 1. The
translation by Johanna Collis of this lecture is also
included in the volume entitled
Art in the light of Mystery Wisdom,
a collection of eight lectures given
by Rudolf Steiner on various dates and published by
Rudolf Steiner Press (London). Permission has been given
for publication in the present volume.
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