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Searching Rudolf Steiner Lectures by Location (Torquay)
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   Query type: 
    Query was: music
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Kingdom of Childhood: Lecture 6
    Matching lines:
    • music from beginning of school life, wind or strings. Teaching of
    • musical instrument, an inner musical instrument that resounds up into
    • You must have a feeling that the child is a musical instrument while
    • teaching singing or music with the clear feeling: every child is a
    • musical instrument and inwardly feels a kind of well-being in the
    • circulated. That is inner music. To begin with, in the first seven
    • experiences, provided of course that the music is good. So you must
    • really call forth a feeling for music in his whole organism, and you
    • one must understand something of music. But an essential part of
    • lessons in music right from the very beginning, and at first, as far
    • come to feel what it means for their own musical being to flow over
    • and will thereby gradually come to understand music. Admittedly, it
    • child learns the violin, when the actual processes, the music that is
    • within him, is directly carried over and he feels how the music in
    • remember, you should begin giving these Music and Singing lessons as
    • and Music, as soon as the child comes to school, and that you see to
  • Title: True/False Paths: Lecture Two: The Three Worlds and their Reflected Images
    Matching lines:
    • compose. He is a potential musician. He who experiences the
  • Title: True/False Paths: Lecture Eleven: What is the Position in Respect of Spiritual Investigation and the Understanding of Spiritual Investigation?
    Matching lines:
    • centuries the impulse towards music has been growing and
    • expanding. Therefore the plastic arts have assumed a musical
    • character to a greater or lesser extent. Music, which includes also
    • the musical element in the arts of speech, is destined to be the art
    • Goetheanum at Dornach was conceived musically and for this
    • also meet with little understanding because the element of music must
    • music.
    • give a musical expression of the Christ Impulse already existed. It
    • so on. The Communion has also been portrayed symbolically. The music of
    • Music is
    • able to portray this Christ Impulse musically, in tones that are
    • inwardly permeated with spirit. If music allows itself to be inspired
    • of the major third by an inner enrichment of musical experience
    • musically something of the inner being of man that reaches out into
    • resolved in something which, to the musical ear, resembles a musical
    • then we shall have evoked in this way the musical experience of the
    • a possibility of giving a musical representation of the Incarnation,
    • this musical configuration as pure music.
    • musically.
    • Impulse can be found in music. And the dissolution of the
    • Maximum number of matches per file exceeded.
  • Title: True/False Paths: Lecture Two: The Three Worlds and their Reflected Images
    Matching lines:
    • compose. He is a potential musician. He who experiences the
  • Title: True/False Paths: Lecture Eleven: What is the Position in Respect of Spiritual Investigation and the Understanding of Spiritual Investigation?
    Matching lines:
    • centuries the impulse towards music has been growing and
    • expanding. Therefore the plastic arts have assumed a musical
    • character to a greater or lesser extent. Music, which includes also
    • the musical element in the arts of speech, is destined to be the art
    • Goetheanum at Dornach was conceived musically and for this
    • also meet with little understanding because the element of music must
    • music.
    • give a musical expression of the Christ Impulse already existed. It
    • so on. The Communion has also been portrayed symbolically. The music of
    • Music is
    • able to portray this Christ Impulse musically, in tones that are
    • inwardly permeated with spirit. If music allows itself to be inspired
    • of the major third by an inner enrichment of musical experience
    • musically something of the inner being of man that reaches out into
    • resolved in something which, to the musical ear, resembles a musical
    • then we shall have evoked in this way the musical experience of the
    • a possibility of giving a musical representation of the Incarnation,
    • this musical configuration as pure music.
    • musically.
    • Impulse can be found in music. And the dissolution of the
    • Maximum number of matches per file exceeded.



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