APPENDIX by translator
(See Lectures Eight and Eleven)
Odin
Odin's
sacrifice of higher rank becomes transformed into a higher power —
he becomes lord of the runes, the creator of language. In the
language of the Mysteries this renunciation is described as the
sacrifice of Odin's eye at the fount of Mimir. This eye is the
clairvoyant eye which, as pineal gland, lost its function in the
course of evolution. At the same time this sacrifice prepares the
development of independence and freedom, for only by serving his
intimate relationship with the Gods is man able to stand foursquare
upon the Earth and become self-reliant.
Odin
and the Fenris Wolf
(a)
The prose Edda recounts the destiny of the three children of Loki:
the Midgard Snake, the Fenris Wolf and Hel. Odin flung the Midgard
Snake into the ocean, consigned Hel to Niflheim and kept the Fenris
Wolf to himself. At the Twilight of the Gods the Wolf was destined
ultimately to destroy him. The Ahrimanic forces which feed upon the
living substance of the etheric body are portrayed in the figure of
the Fenris Wolf. And because it threatened danger to the Aesir they
bound it with a silken ribbon to a rock. (They were unwilling to kill
the Wolf in order to avoid polluting the sanctuary with blood.)
(b)
The original language of Atlantis was a unity. It was the creation of
Odin with the formative forces of the laryngeal organism. Through the
alliance of Odin and Loki, Ahrimanic forces entered into the etheric
body and the organism of speech. The power of Ahriman (present in the
undivided, primal language of Atlantis) perished after the Atlantean
catastrophe — this is the Fenris Wolf of Nordic tradition.
Wherever human speech or language becomes a means of concealing the
spiritual world or denying its reality, we find the influence of the
Fenris Wolf. Where the word describes only sensible phenomena or
physical facts to the exclusion of supersensible or spiritual facts,
Odin has succumbed to the Fenris Wolf. Ahrimanic influences gradually
blunt the response of the etheric body. It loses its former
receptivity to life processes: this is reflected in the shifting of
consonants in the Indo-European languages (Grimm's Law). On the
one hand, new elements are added, on the other, articulation becomes
more indefinite, more insensitive; symptoms of paralysis set in —
amalgamations, loss or disappearance of certain vowels and
consonants. The original language which was a unity is split up into
diverse tongues, into dialects. Here is seen the influence of the
Fenris Wolf. Through the Fenris Wolf death enters into the organism
of language — dead languages, e.g. Latin, have therefore become
victims of the Fenris Wolf.
Odin and Thor
Thor
is the son of Odin. Whilst the power of Odin is present in
respiration and language, Thor works in the blood, in the rhythmic
pulse-beat. Blood is the physical expression of the ego in the
metabolic system. Thor is portrayed in the sagas as a choleric with
red blood, quick to anger, ever ready to wield his hammer Mjolnir and
endowed with a powerful will. Odin's sphere of activity is the
astral body, that of Thor the etheric body.
The
alliterative verse of Old Norse (the poetic Edda), Old English
(Beowulf), Old Saxon (Heliand) and Old High German (Hildebrandslied)
is based on two rhythmic laws — the rhythm of respiration and
the rhythm of blood. A single breath corresponds to four pulse beats
(eighteen and seventy-two to the minute respectively). This ratio of
1:4 is found in the long line which consisted of two half verses
separated by a caesura. Each hemistich had two strongly accented
syllables. Thus in the form and law of alliterative verse is
reflected the relationship of Odin and Thor. The Voluspa was written
in this metre known as Fornyrthislag.
This
whole subject is treated in detail in Chapters IX and X of Ernst
Uehli's Nordisch-Germanische Mythologie als
Mysteriengeschichte (Rudolf Geering Verlag, Basel 1926) to which
I am indebted for many of the above suggestions.
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