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Query was: element

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Lecture: Inner Nature of Music: Editors Note
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  • phrases — “the musical element,” “the element
• Title: Lecture: Inner Nature of Music: Back Cover
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  • whole human being. The musical elements of melody, harmony, and
• Title: Lecture: Inner Nature of Music: Lecture I
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  • that the musical element can speak to everyone, that it affects the
  • becomes acquainted with a number of beings whose element, whose body,
  • to the astral world. The most characteristic element of the
  • element down with him and thus hear the tone element in the physical
  • flowing tone, as the element from which it is actually woven and
  • same elements, on spiritual tone and spiritual vibrations. The
  • man dwells within the musical element, he lives in a reflection of
  • the primeval element of man. This is why even the most humble soul
  • music, man feels the echoes of the element that weaves and lives in
  • Because feelings are the innermost elements of the soul, akin to the
  • spiritual world, and because in tone the soul finds the element in
• Title: Lecture: Inner Nature of Music: Lecture II
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  • so direct, so powerful, so elemental.
  • element of music, an ocean of tones. A musical person is one whose
  • the musical element, the cooperation of sentient soul and sentient
  • human being, however, experiences the elements of the Devachanic
• Title: Lecture: Inner Nature of Music: Lecture III
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  • body permeates the etheric body. The astral element can descend as
  • element of warmth. At the beginning of the Atlantean age, something
  • new took place. The soul element penetrated more deeply into the
  • in the element of air. Just as there were only cold-blooded creatures
  • elementary beginnings of singing and speaking took place.
  • element. The soul will then be capable of guiding consciously the
  • his soul in sound. He could not emit from within the same element
• Title: Lecture: Inner Nature of Music: Lecture IV
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  • which stems from the elements of sound and tone. It is especially
  • element. The further we go back into prehistoric times, the more
  • already far removed from the pure singing element and has instead
  • immersed itself in the prose element and the intellectual element, we
  • have in speech essentially two elements: the elements of consonants
  • elements of consonants and vowels. The element of consonants is
  • vowel element is the soul playing on this musical instrument. When
  • you observe the consonant and vowel element of speech, you actually
  • added to producing the tone, as in the case of singing, the element
  • prosaic speech into the poetic and artistic element of the rhythmic
  • adding the consonant element. Surely you can feel how a soul quality
  • is alive in every vowel and how you can use the vowel element by
  • unless the vowel or soul element touches it. Many details point to
  • soul element. Why is that? The human organism while here on earth
  • The soul element (red), which expresses itself in vowels, pushes
  • against the element of consonants (yellow). The element of consonants
  • inspiration, a new element begins to express itself, namely the
  • element is colored by the spiritual counterparts of the consonants
  • formations of the tone element we have an earthly reflection of a
  • soul-spiritual element. This soul-spiritual element of tone belongs
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture V
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  • fail the moment one is obliged to speak about the musical element. It
  • is hardly possible to discuss the musical element in the concepts to
  • the musical element really does not exist in the physical world. It
  • like Goethe to consider the musical element as a kind of ideal of all
  • element. This is also why, in the age when intellectualism valiantly
  • intellectualism cannot reach the musical element, because it can deal
  • about the musical element. It is widely admitted that there is a tone
  • customary today one cannot grasp the element of music. If one does
  • begin to speak about the musical element, it is thus necessary to
  • specific way in relation to the musical element. One can say that our
  • the element in which tone lives is still in the air. What we
  • air. The ear is the organ that first separates the air element from
  • it separates out the air element; then, in that we hear it, the tone
  • lives in the ether element. It is the ear's task — if I
  • as the eye has, for instance. For the musical element, the ear is of
  • related to man's limb system, through which the element of
  • carried into a different element. In the music of the fifths
  • until man could experience the third did the subjective element feel
  • destiny and ordinary life to the musical element.
  • the subjective soul element relates itself to the musical element.
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• Title: Lecture: Inner Nature of Music: Lecture VI
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  • one who wishes to penetrate the secrets of the musical element. This
  • imaginations in the musical element. There was still an objectivity,
  • spiritual element incarnated into the tones of song, which in turn
  • incarnated into the elements of words. This was a step into the
  • physical world. The inner emancipation of the song element into arias
  • does man really approach himself with the musical element.
  • the instrument. This is the transition of the musical element from
  • given a narrow circle of the musical element. Out there in the cosmos
  • the musical element continues in both directions. I need the
  • instruments in order to reach this cosmic musical element.”
  • or instrumental music. The element of harmony takes hold directly of
  • peculiar thing about the musical element is that neither must it
  • musical element itself could become a direct will impulse without
  • but you will not take the bell's musical element as the impulse
  • not extend this far into thinking and willing; yet, the element of
  • element of melody guides the musical element from the realm of
  • element that reaches up into the same realm where mental images are
  • experienced in the human head. The significance of the element of
  • element of melody, but it begins to understand the element of harmony
  • already understands the tone, but the actual element of harmony can
  • Maximum number of matches per file exceeded.
• Title: Lecture: Inner Nature of Music: Lecture VII
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  • The basic elements for it are described in my book,
  • age. For this reason, the soul element also stood in a different
  • element as something that occurs around or within him. The moment he
  • perceives the musical element he feels transported out of his body
  • the third appeared in the musical element — both major and
  • minor thirds — the musical element submerged itself, as it
  • He brings the musical element close to his corporeality. He
  • musical element that can become conscious in him in an interval