Searching The Inner Nature of Music and the Experience of Tone Matches
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- Title: Lecture: Inner Nature of Music: Cover Sheet
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Contents
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Foreword
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Editors Note
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Back Cover
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- the major and minor modes, “this strange bond between music and
- Title: Lecture: Inner Nature of Music: Lecture I
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- own tones, cheerful music in the major key results. When music is in
- a major key, one can observe how the sentient body is the
- Title: Lecture: Inner Nature of Music: Lecture II
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- but when the major third resounds, it announces the victory of the
- Title: Lecture: Inner Nature of Music: Lecture III
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Lecture IV
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- Title: Lecture: Inner Nature of Music: Lecture V
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- experience of the fifth, namely major and minor keys. One could not
- even have spoken then of a major key. Major and minor keys, this
- of the third. The difference between major and minor keys appears;
- post-Atlantean epoch and with it the ability to express major and
- possess a proper grasp of major and minor moods, though one can
- experience major and minor moods in preparation for what is to come
- confronts it with major and minor musical moods as well as an
- major and minor third. This is something that appears between ages
- Title: Lecture: Inner Nature of Music: Lecture VI
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- to the experience of the third — in both the major and minor
- more outward element toward the major side. This causes the
- the major third. The facts of human evolution are expressed in
- Title: Lecture: Inner Nature of Music: Lecture VII
Matching lines:
- inspiration, and the occult experience of major and minor modes.
- the third appeared in the musical element — both major and
- the third, therefore, the difference between major and minor keys
- major key on the one hand and the minor key on the other. With the
- third and the appearance of major and minor keys, the musical
- experience of major and minor modes.
- a kind of objective third, and there he also experienced both major
- something like an objective major and minor mode, not one experienced
- in major and minor modes was projected, so to speak, into the
- gods. Our present inner experience of a major musical mood was
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