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Searching Rudolf Steiner Lectures by Location (Oslo)
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    Query was: music
  

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: Mission of Folk-Souls (1929): Lecture 5
    Matching lines:
    • the Music of the Spheres, of which the Pythagorean and other occult
    • This music of the spheres is still there, only it is
    • inaudible to the ordinary consciousness. The music of the spheres is
    • Man, however, does not hear it. If to him the music of the spheres
    • which has been received and absorbed, the music of the spheres sounds
    • into the music of the spheres in its weaving through the universe.
  • Title: Mission/Folk-Souls (1970): 5. Manifestation of the Hierarchies in the Elements of Nature.
    Matching lines:
    • perceives the Music of the Spheres of which the Pythagorean and other
    • Music of the Spheres is still there, but it is inaudible to ordinary
    • could hear the Music of the Spheres. It sounds forth both day and
    • a reservoir of assimilated light, the Music of the Spheres sounds
    • the Music of the Spheres operating throughout the Universe. That is
  • Title: Arts and Their Mission: Lecture VII
    Matching lines:
    • drama, costuming, music, poetry, eurythmy, and more.
    • artistically in sculpture, painting, music, poetry.
    • we approach man from the external world, so we meet music, rhythm, beat,
    • external music, that performed between blood and nerve system in the
    • into poetry, one can feel how, in the word, this inward music is again
    • inner nature and arrive at the arts of music and poetry; a living
    • music, poetry.
  • Title: Arts and Their Mission: Lecture VIII
    Matching lines:
    • drama, costuming, music, poetry, eurythmy, and more.
    • With the musical element we enter man's inner world, and it is extremely
    • clairvoyance man had a special experience of music. In those ancient
    • days music gave him a feeling of being lifted out of the body. Though
    • enjoyed the chords of the seventh. They played music and sang in the
    • interval of the seventh which is not today considered highly musical.
    • of music — was that of the third, the major and minor third. Whereas
    • formerly music had been experienced outside man in a kind of ecstasy,
    • and with them the major and minor scales, took music right into man.
    • to experience music inwardly, within his bounding skin.
    • which penetrates into space; on the other, in music, the scales of the
    • spatial perspective we have external naturalism, in the musical experience
    • future development of music will be toward spiritualization, and involve
    • with other tones, it may reveal the mystery of music. In the future
    • the world of spirit. Some modern musicians have made beginnings in
    • modern musicianship there is a longing for comprehension of the tone
    • that is to music and poetry. I deeply regret the impossibility of carrying
    • a musical artist, for he tunes his nerve strands in a distinctly musical
    • of plastic-musical power of growth and formation as, once, for the care
    • sensed that the god who lives and weaves in the plastic and musical
    • Maximum number of matches per file exceeded.
  • Title: Lecture: Reading the Pictures of the Apocalypse: Part 2: Lecture Eleven
    Matching lines:
    • 18:22a And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; \



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