Searching Rudolf Steiner Lectures by Location (Munich) Matches
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- Title: Lecture: The Weaving and Living Activity of the Human Etheric Bodies
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- temptation. Let us think of this. When a modern painter paints this
- whether he is a realistic or an idealistic painter, an expressionist,
- conveyed best of all if he paints Adam and Eve in a more or less ugly
- way; between them, he will paint the Tree of Paradise and upon it the
- Lucifer would, therefore, have to be painted with a countenance as
- therefore painted Lucifer correctly, in a spiritual-scientific sense.
- painted, shows that up to the 13th and 14th century it was possible
- to paint Lucifer correctly, in accordance with an ancient spiritual
- people were still able to paint in such a way that this
- Title: Lecture: Nervous Conditions in Our Time
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- Title: Lecture: Wonders of the World: Lecture 1
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- found its way even into their paint brushes. It is
- Title: Lecture: Wonders of the World: Lecture 9
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- undergarment and cloak of specific colours. The painter could not
- painter of old brought very clearly to expression that the raiment
- Title: The Physical-Superphysical: Its Realisation Through Art
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- significance everything gains that recent painters have
- cannot be painted. No one could have the true perception of
- the painter who would want to paint the glittering, glowing
- never enter the head of anyone to want to paint
- lightning — still less to paint the air!
- from the realm of painting, of working in colour, to that of
- feel the desire to paint a pretty woman. There must then take
- decide to paint a portrait of a pretty woman we have
- art-lover, Anyone wishing to paint some cheery young
- Title: The Sources of Artistic Imagination and the Sources of Supersensible Knowledge
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- painting, and so on. But in order to understand the nature of
- which painting is experienced in seership is also specific
- process that is the reverse of that of painting. The painter
- to realise that the process used by the painter starts from
- significant experience, sharing that in regard to painting
- Painting, and
- Title: Genesis: Lecture I
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- souls this picture which I have just tried to paint for you, this
- Title: Genesis: Lecture II
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- Title: Initiation/Passing Moment: Lecture I
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- hearts, too, of our self-sacrificing painters, Volkert, Linde, Hass
- Title: Initiation/Passing Moment: Lecture VI
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- worked and made myself proficient at painting. I will now be born so
- that in my new life I will be quite incapable of painting. By not
- being able to paint, I shall never be able to harbour in my soul a
- judgement arrived at from the standpoint of a painter, but I shall be
- though you were to draw or paint a rose, for instance, on a sheet of
- You look through the glass but the painting that you take for a
- Title: Life Between ... VI: Life Between Death and Rebirth 2
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- behold as an outer cosmic painting what we are in our innermost
- being. There is no better painter than these forces, and the
- Title: Life Between ... XIII: Life Between Death and Rebirth 2
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- delicate, wonderful figures of Christianity in his paintings came
- remember that Leonardo took sixteen years to paint this picture, and
- think of how he painted it, we gain a definite impression. It is
- times he felt unable to express what he wished in the painting and
- understanding of art. He asked impatiently why the painter could not
- investigation finds that the painting was never as Leonardo da Vinci
- Title: Lecture: Secrets/Threshold: Lecture VI
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- or architecture, sculpture, painting, music and poetry. Other arts
- lies painting. In a way it is a neutral region but not such that we
- ahead with painting, for here neither Lucifer nor Ahriman can get at
- be on our guard. In the realm of painting we are in the highest
- Title: Theosophy/Rosicrucian: Lecture III: The Elemental World and the Heaven World. Waking Life, Sleep and Death.
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- confronts a painting; even if this painting depicts a man who is
- Title: Lecture: Reflections of Consciousness, Super-consciousness and Sub-consciousness
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- thing applies to everything. A painter also would find it far
- to paint his final picture slowly and gradually on the
- case of painting — although less strictly than in the
- case of painting, for instance, is sufficient in the case of
- Title: Principle/Economy: Lecture III: More Intimate Aspects of Reincarnation
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- individuals. If the paintings of the events in Golgotha
- Title: Psychoanalysis: Lecture III: Reflections in the Mirror of Consciousness, Superconsciousness and Subconsciousness
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- the painter if he did not have to learn the technique of his
- also with painting, though people admit it less easily, and in
- Title: Truths and Errors: Lecture IV: Truths of Spiritual Research
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- ourselves paint the picture. It would be also misplaced if
- and that it is independent from the painter's ability to paint
- This leads us again to that which the painter must be able to
- then it faces us as the picture of the painter faces us. Then
- Title: Lecture: Signs of the Times: Michaels Battle and Its Reflection On Earth -- II
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- image, a painting, that is born out of spiritual life; the departed
- interesting if a good painter, with a real understanding of our
- present time, would paint Christ, seen from the point of view of
- result would be very interesting if the painter had a real
- Title: Genesis: Lecture I
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- souls this picture which I have just tried to paint for you, this
- Title: Genesis: Lecture II
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- Title: Lecture: Wonders of the World: Lecture 1
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- found its way even into their paint brushes. It is
- Title: Lecture: Wonders of the World: Lecture 9
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- undergarment and cloak of specific colours. The painter could not
- painter of old brought very clearly to expression that the raiment
- Title: Lecture: Reading the Pictures of the Apocalypse: Part 1: Lecture Four
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- and paintings. Rudolf Steiner's acquaintance, the Austrian
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