Searching Rudolf Steiner Lectures by Location (Vienna) Matches
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- Title: Tension Between East and West: Lecture 3: East and West in History
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- these concepts strictly from what we call artistic experience
- science which involves no element of artistic creation or
- converted into a kind of artistic thinking or artistic
- shrink from transposing anything exact into the artistic
- these artistic features — if nature and reality do in
- fact operate artistically at a certain level, so that they only
- yield to an artistic mode of comprehension?
- allow logical thinking to flow over into a kind of artistic
- the scientific spirit and absorb the artistic spirit.
- short, we must create from the science of today an artistic
- the presence there of a co-operation between the artistic and
- out. Earlier on, thought is an artistic element in
- understood if it is also apprehended with an artistic
- became a science that retained an artistic character by
- a kind of knowledge that flows over into the artistic sphere. I
- differently from scientific or artistic experience. The vital
- before him in artistic beauty; and what he thus knew and
- that was when the unity of religious, artistic and scientific
- will be capable of artistic creativity in new styles,
- inartistic.
- Maximum number of matches per file exceeded.
- Title: Tension Between East and West: Lecture 4: Spiritual Geography
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- artistic eye. The Oriental has no retuning to do. Since what he
- scientifically, artistically and religiously, there flows much
- Title: Tension Between East and West: Lecture 8: The Problem (Asia-Europe)
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- which the West has derived so much of artistic importance for
- with its purely artistic aspect, something that brought man
- Title: Tension Between East and West: Lecture 9: Prospects of its Solution (Europe-America)
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- our artistic depiction, from the inside, of the life of the
- Title: Regarding Higher Worlds
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- mankind who worked artistically, had a clairvoyant
- clairvoyant consciousness of the artist works into it, or
- Title: Life Between ... IV: Recent Results of Occult Investigation Into Life
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- we have something analogous. The artist who cannot wait will not be
- spiritual research. This is true of every genuine artist. He need not
- inspiration. What humanity has received through its artists in the
- will value all the more its true artists when, as a result of occult
- of which the artist has drawn his inspiration. Of course, those who
- at one time or another have been regarded as important artists but
- indicated or portrayed in our time by artists. In the future it will
- towards a really new attitude that has to come. Artists have prepared
- of great artists and poets. This is also the case with the great
- artistic study. The gesture, the position of the resting body with
- fact the whole arrangement of the figure can be studied artistically.
- life, immortalized with remarkable artistic penetration. I kept away
- Title: Lecture: Michaelmas-Soul: Lecture I
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- cognition of the artist concerning what was possible at that time in a
- Title: Poetry/Speech: Lecture V: Poetry and Recitation
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- that can become a direct artistic creation.
- should be present in an artistic sensibility. We will therefore
- best meet the requirements of Goethe’s artistic perception
- artistically at home. We might add that the idealism of thought
- nobility and what makes his verve and colour genuinely artistic as
- Title: Goethe As Founder of a New Science of Aesthetics: Steiner's First Lecture
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- artistic creation, is barely 160 years old. It was with
- lies a noble task which accrues to the artist. He has, so to
- produces in the artist works, which, while existing for our
- didactic poetry in the poetic art, are the highest artistic
- merely becomes a storehouse for collections of notes on artists
- living presentment of its own Idea. The artist must grasp and
- permit. The artist must revert to Nature's tendency, as this
- which much may be developed.’ In the artist's work the whole
- with which the artist goes to work are none other than the
- Artistic creation rests not on what is, but on what might be;
- not on the actual, but on the possible. The artist creates
- what the artist wills; in giving it its form, he directs
- object which the artist sets before us is more perfect than it
- ‘The artist, to be sure, must faithfully and devotedly follow
- of artistic activity, where actually a picture becomes a
- cloak that is divine. The artist does not bring the divine on
- Taken in this sense, the artist appears as the continuator of
- artist with the cosmic Spirit, and Art appears as the
- continuation of Nature's process. Thus the artist raises
- find expressed by Goethe in his poem, ‘The Artist's
- Maximum number of matches per file exceeded.
- Title: Supersensible Knowledge: Lecture II: Anthroposophy and the Ethical-Religious Conduct of Life
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- artistic creation, which stimulates this intellectual life even
- concepts which afford us only the laws of nature to an artistic
- artistic experience. It must not be said that science must remain
- which is artistic. And it actually does this. For this reason, only
- pass from the ordinary knowledge to an artistic and
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