XV
Goethe and Natural-scientific Illusionism
The
reason for writing this chapter does not lie in the fact that the
Colour Theory,
accompanied by an introduction, must also be
included in a Goethe edition. It stems from a deep, spiritual need of
the editor of this edition. The latter took his start from the study
of mathematics and physics and with inner necessity was led, by the
many contradictions pervading the system of our modern view of
nature, to a critical investigation of the methodological basis of
these sciences. His initial studies led him to the principle of
strict knowledge through experience; his insight into those
contradictions led him to a strict scientific epistemology. He was
protected by his positive starting point from any reversion to purely
Hegelian conceptual constructs. With the help of his epistemological
studies, he finally found the reason for many of the errors of modern
natural science to lie in the completely incorrect standing that
science had assigned to the simple sense impression. Our science
transfers all sense qualities (sound, colour, warmth, etc.) into the
subject and is of the opinion that “outside” the subject
there is nothing corresponding to these qualities except processes of
motion of matter. These processes of motion, which are supposedly all
that exists within the “realm of nature,” can of course
no longer be perceived. They are inferred on the basis of
subjective qualities.
But this inference must appear to consistent thinking as fragmentary.
Motion is, to begin with, only a concept that we have borrowed
from the sense world; i.e., it confronts us only in things with
sense-perceptible qualities. We do not know of any motion other than
that connected with sense objects. If one now transfers this
attribute onto entities that are not sense-perceptible — such
as the elements of discontinuous matter (atoms) are supposed to be —
then one must after all be clear about the fact that through this
transference, an attribute perceived by the senses is ascribed to a
form of existence essentially different from what is conceived of as
sense-perceptible. One falls into the same contradiction when one
wants to arrive at a real content for the initially completely empty
concept of the atom. Sense qualities, in fact, even though ever so
sublimated, must be added to this concept. One person ascribes
impenetrability, exertion of force, to the atom; another ascribes
extension in space, and so on; in short, each one ascribes certain
characteristics or other that are borrowed from the sense world. If
one does not do this, one remains in a complete void.
That is why the above inference is only fragmentary. One draws a line
through the middle of what is sense-perceptible and declares the one
part to be objective and the other to be subjective. The only
consistent statement would be: If there are atoms, then these are
simple parts of matter, with the characteristics of matter, and are
not perceptible only because their small size makes them inaccessible
to our senses.
But with this there disappears any possibility of seeking anything in
the motion of atoms that could be held up as something objective in
contrast to the subjective qualities of sound, colour, etc. And the
possibility also ceases of seeking anything more, for example, in the
connection between motion and the sensation “red” than a
connection between two processes that both belong entirely to the
sense world.
It was therefore clear to the editor that motion of ether, position
of atoms, etc., belong in the same category as the sense impressions
themselves. Declaring the latter to be subjective is only the result
of unclear reflection. If one declares sense qualities to be
subjective, then one must do exactly the same with the motion of
ether. It is not for any principle reason that we do not perceive the
latter, but only because our sense organs are not organized finely
enough. But that is a purely coincidental state of affairs. It could
be the case that someday mankind, by increasing refinement of our
sense organs, would arrive at the point of also perceiving the motion
of ether directly. If then a person of that distant future accepted
our subjectivistic theory of sense impressions, then he would have to
declare these motions of ether to be just as subjective as we declare
colour, sound, etc., to be today.
It is clear that this theory of physics leads to a contradiction that
cannot be resolved.
This subjectivistic view has a second support in physiological
considerations.
Physiology shows that a sensation appears only as the final result of
a mechanical process that first communicates itself, from that part
of the corporeal world lying outside the substance of our body, to
the periphery of our nervous system, into our sense organs; from
here, the process is transmitted to our highest center, in order to
be released there for the first time as sensation. The contradictions
of this physiological theory are presented in the chapter on “The
Archetypal Phenomenon.” One can, after all, label only the
brain substance's form of motion as subjective here. No matter how
far one might go in investigating the processes within the subject,
one must always remain, on this path, within what is mechanical. And
one will nowhere discover the sensation in the central organ.
Therefore only philosophical consideration remains as a way of
gaining information about the subjectivity and objectivity of
sensation. And this provides us with the following.
What can be designated as “subjective” about a
perception? Without having an exact analysis of the concept
“subjective,” one cannot go forward at all. Subjectivity,
of course, cannot be determined by anything other than itself.
Everything that cannot be shown to be conditional upon the subject
may not be designated as “subjective.” Now we must ask
ourselves: What can we designate as the human subject's own?
That which it can experience about itself through outer or inner
perception. Through outer perception we grasp our bodily
constitution; through inner experience, we grasp our own
thinking, feeling, and willing. Now what is to be designated as
subjective in the first case? The constitution of the whole organism,
and therefore also the sense organs and brain, which will probably
appear in each human being in somewhat different modifications. But
everything that can be indicated here in this way is only a
particular formation in the arrangement and function of substances by
which a sensation is transmitted. Only the path, therefore, is
actually subjective that the sensation has to take before it can
become my sensation. Our organization transmits the sensation and
these paths of transmission are subjective; the sensation itself,
however, is not subjective.
Now there still remains the path of inner experience for us consider.
What do I experience within myself when I designate a sensation as my
own? I experience that in my thinking I effect a connection to my
individuality, that I extend my sphere of knowing out over this
sensation; but I am not conscious of creating any content for
the sensation. I only register its connection to myself; the quality
of the sensation is a fact founded within itself.
No matter where we begin, whether within or without, we do not arrive
at a place where we could say that here the subjective character of
the sensation is given. The concept “subjective” is not
applicable to the content of sensation.
It is these considerations that compelled me to reject as impossible
any theory of nature that in a principle way goes beyond the
realm of the perceived world, and to seek the sole object of natural
science exclusively within the sense world. But then I had to seek,
within the mutual interdependencies of the facts of precisely this
sense world, that which we designate as the laws of nature.
And in this way, I was forced to that view of the natural-scientific
method which underlies the Goethean colour theory. Whoever finds
these considerations to be correct will read this colour theory with
very different eyes than modern natural scientists can. Such a person
will see that what we have here is not Goethe's hypothesis
confronting that of Newton, but rather at issue here is the question:
Is today's theoretical physics acceptable or not? If not, however,
then neither is the light that this physics casts upon colour theory.
May the reader experience from the following chapters what our
principle foundation is for physics, in order then, from this
foundation, to see Goethe's undertakings in the right light.
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