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    Query was: goethe
  

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• Title: Karma of Materialism: Contents
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  • Schiller and Goethe. Schiller's Letters on the Aesthetic Education
  • of Man and the last scene of Goethe's Faust illustrate that
• Title: Karma of Materialism: Back Cover Sheet
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  • for his work on Goethe's scientific writings. After the turn of the
• Title: Karma of Materialism: Lecture 1
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  • can read about it in my books Goethe's Conception of the World and
  • Goethe the Scientist.
• Title: Karma of Materialism: Lecture 4
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  • emphasis on reason. He recalls an interesting episode in Goethe's life.
  • In Bohemia Goethe observed a strangely shaped mountain, the Kammerbühl
  • sedimentation which had been driven upwards by the force of water. Goethe
  • that not everyone is a Goethe; nevertheless, it seems to him that while
  • human soul. This spiritual element he tries to find first in Goethe
  • according to what we want them to be. Thus Goethe wanted the Kammerbühl
  • Goethe, Schiller, the Romantics and others, meant by it. He comes to
  • that Goethe was quite right in applying the word genius only to a few
  • and the meaning of genius in the Goethean sense. The connection is there
  • Goethe did pave the way
  • all kinds of statements by Goethe, all he says is: “It will not
  • Vatican and the views of Goethe and Kant.” Here we see the influence
  • the teachings of the Vatican and the views of Goethe and Kant.”
• Title: Karma of Materialism: Lecture 8
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  • from Lessing to Herder, Schiller, Goethe
  • — and also Goethe's Faust constitute as it were the apex of that
  • possibly bring Schiller's aesthetic letters, Goethe's Fairy Tale
  • only a negative submission to the devil could be envisaged. Goethe,
  • devil. It must be said that neither Lessing nor Goethe had the nerve
  • of Lessing and Goethe. An initiate may have wanted to tell his fellow
  • Goethe's inner attitude to Faust. Goethe too had insight into the nature
  • organic causes, agitation, rage or other uncontrolled behaviour. Goethe's
  • Schiller's aesthetic letters and also Goethe's Faust which presents
  • further its development along the path that Goethe strode with such
  • illustrated than in the classic works of Goethe, Schiller and Lessing.
  • Goethe and Schiller belong in recent cultural development because it