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    Query was: helen
  

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• Title: Problem of Faust: Lecture III: Goethe's Feeling for the Concrete.
  Matching lines:
  • what was still living in Helen. Goethe sought the paths by
  • which he could lead Faust to Helen. But he was quite
  • paralyzed by the sudden appearance of Helen, paralyzed by
  • Association with the spiritual. Faust is called a Helen from
  • “Whom Helen paralyzes, use
  • problem of bringing Faust and Helen together. But Goethe was
  • too big the help of Persephone in procuring him Helen in
  • bodily form. But when Goethe wish to show Helen being fetched
  • Faust has got as far as reaching Helen imaginatively, in his
  • faculties natural to him in life. For that, Helen had to
  • bring about, to a certain degree, Helen's embodiment. To this
  • made use. Perhaps he thought to himself: Helen has entered
  • it possible to bring a quite spiritual Helen into the
  • the meeting of Zeus with Leda, the mother of Helen.
  • physical world so that Helen can then enter it. And for all
  • physical out of the eternal spiritual and Helen, with whom
  • with Helen's spiritual element. By dint of Homunculus
  • traversing the rounds of nature Helen becomes, externally on
  • the second Part of “Faust”. Thus Helen is born
  • to live, really live, within ancient Greece, by having Helen,
• Title: Problem of Faust: Lecture IV: Faust and the "Mothers"
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  • Helen; therefore he does not only have to look into the
  • Paris and Helen. Because Goethe is dealing with something of
• Title: Problem of Faust: Lecture V: Faust and the Problem of Evil
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  • comes together with Helena.
  • where Helena herself appears. For these three scenes
  • Helena. In the Witches' Kitchen, while Mephistopheles is
  • Helena appears: —
  • Each woman beautiful as Helen.”
  • Kitchen.” As soon as the action is approaching Helena
  • Helena. These things are carefully weighed. Goethe is not
  • this threefold encounter of Faust with Helena? The three are
  • experiences the picture of Helena which Goethe lifts out of
  • ideas — the beauty of Helena, as in the picture in the
  • whereby Faust feels himself united with Helena. Truly it is a
  • relationship to Helena: inclination —
  • where Helena appears not merely as a spectre, but as a
  • encounter with Helena. All this is shaped with artistic
  • very fact that Goethe chooses Helena to appear to Faust, is
  • figure of Helena. We must, remember that the Helena problem
  • Mysteries. To recognise the being of Helena was essential to
  • a certain process of Initiation. For in the being of Helena,
  • exoteric and an esoteric legend of Helena. The exoteric
  • three Goddesses, Paris was instigated to take Helena from
  • Maximum number of matches per file exceeded.
• Title: Problem of Faust: Lecture VI: The Helena Saga and the Riddle of Freedom
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  • The Helena Saga and the Riddle of Freedom
  • The Helena Saga and the Riddle of Freedom
  • carries Helena away when she is ten years old, and keeps her
  • Helena.
  • which stands behind Helena is in reality worthy of reverence,
  • even as Faust revered her. But with regard to Helena of all
  • to point this out, to show how Helena herself stands in
  • bonds of blood. He takes Helena out of the Grecian bonds,of
  • human freedom if such important deeds as the rape of Helena
  • the Gods Themselves. Helena, you know, is a daughter of Leda
• Title: Problem of Faust: Lecture VII: Some Spiritual-Scientific Observations
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  • Helen — specially shows how Goethe divined and felt the
  • Helen of Greece in modern times is just philistine trash, for
  • in spite of it all they know nothing of Helen, nor of any
  • nearer Greece and had to live as a man among Greek men. Helen
  • had arisen — Helen only supplied the point of contact
• Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
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  • Helen in person. And when you turn the page from the mighty
  • Helena,