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- Title: Problem of Faust: Lecture V: Faust and the Problem of Evil
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- encounter with Helena. All this is shaped with artistic
- Title: Problem of Faust: Lecture VII: Some Spiritual-Scientific Observations
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- the artistic point of view about the scenes from
- artistic standpoint but am relating to “Faust” a
- Title: Problem of Faust: Lecture IX: Goethe's Life of the Soul from the Standpoint of Spiritual Science
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- significant indications for the artist, belongs to the most
- connected with what we find treated artistically by Goethe in
- Title: Problem of Faust: Lecture X: Faust's Knowledge and Understanding of Himself
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- there is very little real artistic feeling. In any case,
- artistic conception was not, as it is for so many,
- creations. And he had the experience that, if the artist is a
- true artist, he unites himself in marriage, as it were, with
- that can be created artistically, out of what is working in
- artists that, naturally. all external human art seems small
- that in his artistic representation, Goethe sees — or
- Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
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- prejudices the purely artistic force of its construction. I
- mood and tenor, the whole artistic structure of the
- endeavoured to portray artistically in his Faust.
- putting into new and artistic form what intimately and
- oldest artists, as it were, of the earthly world during the
- one-sidedly a scientist, nor one-sidedly an artist; in him
- scientist and artist were consciously combined. Hence, as he
- artistic conception of nature — seen from the other
- those ancient artists who first depicted Gods in human
- recognising in it an artistic representation of what has been
- Title: Problem of Faust: Lecture XII: Goetheanism In Place of Homunculism and Mephistophelianism
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- artist, no other poet, has ever done, in developing an
- artistic creation out of this spiritual life, so that in this
- artistically what you can feel as Faust stands before Manto;
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