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- Title: Problem of Faust: Lecture I: The Problem of Faust
Matching lines:
- decline. What was accepted as alchemy, as magic, as
- already in decline. Humility begins to glimmer in his soul,
- line, for whoever goes through spiritual development Faust
- By the first line a moment tarry,
- lines. This scene shows us too how Goethe was striving for
- post-Atlantean epoch to the fifth. The boundary line is in
- particular passage belongs to a late period of decline.
- period of decline — you find Sun and Gold indicated by
- force line in this overhead could be spread out over the
- in the soul the spiritual force line as deeply hidden as the
- Title: Problem of Faust: Lecture II: The Romantic Walpurgis-Night
Matching lines:
- Schröer gives these lines to Mephistopheles, that is
- obviously wrong. That last lines should go to Faust:
- assigned to him in all editions). Only the first three lines
- The lines following are Faust's:
- Not until the final line does Mephistopheles speak
- insert just one line. For there are some things, especially
- stage, and so have thought fit to introduce a line that does
- “My spirit cannot discipline it.”
- Title: Problem of Faust: Lecture III: Goethe's Feeling for the Concrete.
Matching lines:
- lives in the progress of good in world-evolution may incline
- mischance a line has been left out. For in all the editions
- accident in the dictation that a line was missed that must
- Nivelheim. (The line in German runs Im Nebelalter
- Title: Problem of Faust: Lecture IV: Faust and the "Mothers"
Matching lines:
- there definite forms, definite outlines and boundaries. These
- Title: Problem of Faust: Lecture VI: The Helena Saga and the Riddle of Freedom
Matching lines:
- worth.” Yet in this line again, Goethe is hinting at
- Title: Problem of Faust: Lecture VII: Some Spiritual-Scientific Observations
Matching lines:
- circle backyards in the line of his emergence from his
- Title: Problem of Faust: Lecture VIII: Spiritual Science Considered with the Classical Walpurgis-Night
Matching lines:
- may advance on its own lines, what Goethe felt to be
- following lines:
- evil approached the concept of ugliness. That is difficult
- ugliness to evil. For the Greeks, beauty melted into truth,
- ugliness into error and evil. Through his attitude to the
- with feeling for the ugliness of the world. And that too
- confronting Mephistopheles with primeval ugliness, with the
- trinity of Phorkyads, the three prototypes of ugliness.
- ugliness as contrasted with beauty. Hence the characteristic
- antiquity the prototypes of ugliness, the Phorkyads. So that
- the form of ugliness, joins with it in going with the
- Title: Problem of Faust: Lecture IX: Goethe's Life of the Soul from the Standpoint of Spiritual Science
Matching lines:
- that Goethe also tried at any rate to outline for the whole
- theory of colors, is indeed merely given in outline. Some day
- so little inclined towards the spiritual, and, although
- everything must go in one line, in one stream. If any man
- Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
Matching lines:
- earth's rigid outlines.” — This is why, when
- clear and definite outline. It is precisely in this intimate
- Title: Problem of Faust: Lecture XII: Goetheanism In Place of Homunculism and Mephistophelianism
Matching lines:
- intensity, he realises in his soul the two boundary lines
- friends, will at the same time mark the dividing line between
- straight line.
- evolution does not go in a straight line but, rather, in
- evolution going in a straight line is of no help at all; it
- straight line does not help us to a true understanding of
- proceeds in a straight line; it goes in waves. But while this
- evolution as proceeding in a straight line, say: First there
- Darwinian says: We already see in the human kindliness, and
- evolution goes on in a straight line, one cardboard box
- proclivities further developed in a straight line —
- ugliness goes as far as admitting it. Previously he was
- admit his ugliness. Read the speech of the Phorkyads again;
- they too acknowledge their ugliness, and are in a certain way
- honest in their ugliness. In this moment you have a contrast
- essential that men should discard the idea of a straight line
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