Searching Rudolf Steiner Lectures by Location (Munich) Matches
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- Title: Lecture: The Weaving and Living Activity of the Human Etheric Bodies
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- temptation. Let us think of this. When a modern painter paints this
- whether he is a realistic or an idealistic painter, an expressionist,
- conveyed best of all if he paints Adam and Eve in a more or less ugly
- way; between them, he will paint the Tree of Paradise and upon it the
- Lucifer would, therefore, have to be painted with a countenance as
- therefore painted Lucifer correctly, in a spiritual-scientific sense.
- painted, shows that up to the 13th and 14th century it was possible
- to paint Lucifer correctly, in accordance with an ancient spiritual
- people were still able to paint in such a way that this
- Title: Lecture: Nervous Conditions in Our Time
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- Title: Lecture: The Elementary Kingdoms
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- mineral, also causes it pain. The joy and gladness, pain and
- we usually imagine this. A mineral's sensation of pain is not
- feels pain when we hammer it and break it into pieces. When
- pain. The hair and nails are products from which the astral
- them, without causing pain. At an earlier time however, the
- by the roots you cause pain to the earth; but, if you pick a
- Title: Lecture: Wonders of the World: Lecture 1
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- found its way even into their paint brushes. It is
- Title: Lecture: Wonders of the World: Lecture 3
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- of astringency, of downright pain; try to imagine yourself from top
- Title: Lecture: Wonders of the World: Lecture 9
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- undergarment and cloak of specific colours. The painter could not
- painter of old brought very clearly to expression that the raiment
- Title: The Physical-Superphysical: Its Realisation Through Art
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- significance everything gains that recent painters have
- cannot be painted. No one could have the true perception of
- the painter who would want to paint the glittering, glowing
- never enter the head of anyone to want to paint
- lightning — still less to paint the air!
- from the realm of painting, of working in colour, to that of
- feel the desire to paint a pretty woman. There must then take
- decide to paint a portrait of a pretty woman we have
- art-lover, Anyone wishing to paint some cheery young
- Title: The Sources of Artistic Imagination and the Sources of Supersensible Knowledge
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- painting, and so on. But in order to understand the nature of
- which painting is experienced in seership is also specific
- process that is the reverse of that of painting. The painter
- to realise that the process used by the painter starts from
- significant experience, sharing that in regard to painting
- Painting, and
- Title: Genesis: Lecture I
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- souls this picture which I have just tried to paint for you, this
- Title: Genesis: Lecture II
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- Title: Initiation/Passing Moment: Lecture I
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- hearts, too, of our self-sacrificing painters, Volkert, Linde, Hass
- Title: Initiation/Passing Moment: Lecture III
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- permeated with bitterness and remorse. But this bitterness, this pain,
- love and grief and pain that can be experienced on earth, nor yet with
- Title: Initiation/Passing Moment: Lecture IV
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- pain, torment and disillusion, among which may also be premonitions of
- Title: Initiation/Passing Moment: Lecture VI
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- evolution in sensory existence and is forever at pains so to transform
- worked and made myself proficient at painting. I will now be born so
- that in my new life I will be quite incapable of painting. By not
- being able to paint, I shall never be able to harbour in my soul a
- judgement arrived at from the standpoint of a painter, but I shall be
- that in the super-sensible worlds we have craved for pain and
- though you were to draw or paint a rose, for instance, on a sheet of
- You look through the glass but the painting that you take for a
- Title: Lecture: The Sermon on the Mount
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- even from France and Spain.
- Title: The Ego: Lecture 1
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- causes real pain because it appears irrational to him, if he
- even causes pain if one must hear the utterance: There are good
- That at once causes pain in anyone who can really see things
- Title: The East in the Light of the West: Lecture II
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- pain, and of life which is blossoming and flourishing and of life
- Title: The East in the Light of the West: Lecture V
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- Spain and Africa to Egypt and thence to Arabia. Each of these two
- Title: The East in the Light of the West: Lecture VII
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- Experiences of joy or pain are defined as feelings. This particular
- may perhaps feel inward pain without any real cause on account of his
- Title: The East in the Light of the West: Lecture IX
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- acquainted with pain and sorrow or with the misfortunes of life. He
- Title: Life Between ... V: Life Between Death and Rebirth 1
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- instance, it may be exceedingly painful to realize in the
- physical world. In addition, something else may cause great pain to
- the spiritual world. This experience is infinitely more painful than
- Title: Life Between ... VI: Life Between Death and Rebirth 2
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- this is an exceedingly painful experience, and this is true in a
- relationship will be painful. Now in order to understand this
- imagine it to be painful. In many respects it is so but the dead one
- is not conscious only of the painful aspect. He is definitely aware
- that this condition is necessary, and that to avoid such pain would
- behold as an outer cosmic painting what we are in our innermost
- being. There is no better painter than these forces, and the
- Title: Life Between ... XII: Life Between Death and Rebirth 1
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- existence. Yet, although such a contemplation causes somber, painful
- Title: Life Between ... XIII: Life Between Death and Rebirth 2
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- delicate, wonderful figures of Christianity in his paintings came
- remember that Leonardo took sixteen years to paint this picture, and
- think of how he painted it, we gain a definite impression. It is
- times he felt unable to express what he wished in the painting and
- understanding of art. He asked impatiently why the painter could not
- investigation finds that the painting was never as Leonardo da Vinci
- Title: Lecture: Secrets/Threshold: Lecture II
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- iron of 900 degrees that will cause no pain. Life itself reveals the
- Title: Lecture: Secrets/Threshold: Lecture III
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- Title: Lecture: Secrets/Threshold: Lecture VI
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- or architecture, sculpture, painting, music and poetry. Other arts
- lies painting. In a way it is a neutral region but not such that we
- ahead with painting, for here neither Lucifer nor Ahriman can get at
- be on our guard. In the realm of painting we are in the highest
- whatever our experience, whether painful or joyous, whatever it is
- painful fall, for all these things are inspired by my other self.”
- Title: Reappearance/Christ: Lecture VI: The Sermon on the Mount
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- flocked to him even from France and Spain.
- Title: Illusory Illness: Lecture I: Illusory Illness
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- think at first of the fact that someone really feels pain and
- brother suffered excruciating pain. The operation went off
- husband's death, was suffering unbearable pain in her knee. She
- into pains, often leads to the beginning of an actual illness,
- desire and pain, and the physical condition of our bodies. May
- pain and fear.
- himself of the pain. The pain grew worse. The doctor was called
- the pain in the other knee. Then his elbow became painful,
- Title: Illusory Illness: Lecture II: The Feverish Pursuit of Health
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- representation, of joy and pain, the so-called consciousness
- through fatigue and pain. It is, therefore, detrimental to
- Title: Theosophy/Rosicrucian: Lecture II: The Ninefold Constitution of Man
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- the bearer of feeling, of happiness and suffering, joy and pain,
- Title: Theosophy/Rosicrucian: Lecture III: The Elemental World and the Heaven World. Waking Life, Sleep and Death.
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- pain, upliftment of sorrow, in other words our outer life is always
- confronts a painting; even if this painting depicts a man who is
- sorrowful or full of pain, we still look at him quite objectively; we
- feelings, of happiness and suffering, joy, pain and the like, is
- are mutual feelings of revenge, pain, passions; the two armies
- Title: Theosophy/Rosicrucian: Lecture VI: The Law of Destiny
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- pain and suffering, but from a higher point of view this is quite
- new incarnation, suffering and pain are the sources of wisdom,
- is something like crystallised pain in the face of every
- acquired by the quiet endurance of pain and suffering; this creates
- No one who shudders at the unpleasantness of pain, who is unwilling to
- bear pain can create in himself the foundations for wisdom; indeed
- from within-outwards. What lives as joy, pain, happiness, sorrow in
- Title: Theosophy/Rosicrucian: Lecture VII: The Technique of Karma
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- with its accompanying pain. If this man is still in Mainz, a part of
- Title: Theosophy/Rosicrucian: Lecture VIII: Human Consciousness in the Seven Planetary Conditions
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- the skull has taken on the symbol of the cellar hole, the pain, that
- have gained the power of bringing to expression their pain and
- sound forth his pleasure and pain from within the ego
- Title: Theosophy/Rosicrucian: Lecture X: Planetary Evolution II
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- sounds, they could not have cried out with pain, there was no
- Title: Theosophy/Rosicrucian: Lecture XIV: The Nature of Initiation
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- himself with the crown of thorns and is sensible of an external pain
- sorrow and all the pain, all the evil and wickedness that attaches
- Title: Lecture: Reflections of Consciousness, Super-consciousness and Sub-consciousness
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- form of sorrow and joy, pain and pleasure — things
- enters usual consciousness. We know that the pain is in our
- own head. If we have a stomach-ache, the pain is experienced
- toward a pain — namely, he would try to get rid of it.
- thing applies to everything. A painter also would find it far
- to paint his final picture slowly and gradually on the
- case of painting — although less strictly than in the
- case of painting, for instance, is sufficient in the case of
- Title: Perception of the Elemental World
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- Title: Principle/Economy: Lecture III: More Intimate Aspects of Reincarnation
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- individuals. If the paintings of the events in Golgotha
- Title: Metamorphoses/Soul One: Lecture 5: Human Character
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- night, when a man falls asleep, his feelings, his pleasure and pain, his joys
- the astral body is the bearer of pleasure and pain, joy and grief, instincts,
- pleasure and pain, of joy and sorrow, of all the inner experiences that surge
- inwardly, his pleasure and pain, joy and sorrow, is reflected by the physical
- life we find that when we are at pains to absorb something, the process of
- Conscious of the pain inflicted on his sons, he himself, as a father, is so
- pressing out the full degree of pain. He forgets himself, consumed with
- pain or distressing circumstances that we allow the child to suffer up to his
- great, beautiful ideals. Rotteck is always at pains to show how we can be
- transformed into pleasure and pain, happiness and sorrow, thus becoming real
- Title: Metamorphoses/Soul One: Lecture 2: The Mission of Anger
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- pain, of urges, desires and passions — of everything we associate with
- being. We have first the astral body, the vehicle of pleasure and pain, of
- pleasure and pain, joy and sorrow, and can scarcely be perceived as an
- Title: Esoteric Christianity: The Christ Impulse as Living Reality - Lecture 1
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- our soul, such as pleasure and displeasure, joy and pain, sorrow,
- displeasure, joy and pain, sympathy and antipathy, to a degree that as
- understood. The occultist feels pain especially vividly when he reads
- Title: Psychoanalysis: Lecture III: Reflections in the Mirror of Consciousness, Superconsciousness and Subconsciousness
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- and joy, of pleasure or pain, perhaps entirely forgotten, but
- pain: she would just try to get rid of it. But in the case of
- the painter if he did not have to learn the technique of his
- also with painting, though people admit it less easily, and in
- Title: Truths and Errors: Lecture IV: Truths of Spiritual Research
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- ourselves paint the picture. It would be also misplaced if
- and that it is independent from the painter's ability to paint
- This leads us again to that which the painter must be able to
- then it faces us as the picture of the painter faces us. Then
- Title: Truths and Errors: Lecture V: Errors of Spiritual Research - 1
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- conscientiously one has gone forward. If then pain and
- Title: Lecture: Signs of the Times: Michaels Battle and Its Reflection On Earth -- I
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- consciousness studies grief and the pain of separation, it will find
- a pain of compassion; it is in reality the pain or sorrow of the child
- might say: If a young person dies we are possessed by the pain from
- expresses itself as pain in his life in us.
- pain appears which is not the reflection of what lives in the departed
- his pain, by his feelings, for he has no longing to penetrate us with
- pain, this mourning is an egotistical path, an egotistical mourning.
- This is not meant as a reproof, for such pain and mourning are
- Title: Lecture: Signs of the Times: Michaels Battle and Its Reflection On Earth -- II
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- image, a painting, that is born out of spiritual life; the departed
- pain arises from it. There is a great relationship between the two
- interesting if a good painter, with a real understanding of our
- present time, would paint Christ, seen from the point of view of
- result would be very interesting if the painter had a real
- Title: Esoteric Lessons Part III: Muenchen, 9-3-'13
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- painful to see how disputes, ambition and petty rivalries are
- Title: Esoteric Lessons Part III: Muenchen, 12-9-'13
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- things can enter our consciousness, such as physical pains that
- look for all of its pains. One begins somewhat over the head,
- Here one will notice that one can have pains in various parts of the
- feel pains here and there. But we shouldn't get hypochondriacal or
- example: An esoteric can have pains from an inflammation of the middle
- its origin. This comes about as follows. Pains are seated in the
- body can experience great pain in kamaloca. These pains in the
- generated in it during childhood through soul pains, when he
- even feels pain from his physical body. Or it may happen that someone
- terrible things that give him great pain. It's the thoughts of his
- Title: Esoteric Lessons Part III: Muenchen, 3-31-'14
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- thinking and feeling flow out. One experiences pleasure and pain in
- pain, one has to experience the pain with him as long as one is in
- Title: Esoteric Lessons Part II: Muenchen, 11-19-11
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- gives him pain and suffering, but necessarily so. For the good Gods
- Title: Genesis: Lecture I
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- souls this picture which I have just tried to paint for you, this
- Title: Genesis: Lecture II
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- Title: Lecture: Wonders of the World: Lecture 1
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- found its way even into their paint brushes. It is
- Title: Lecture: Wonders of the World: Lecture 3
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- of astringency, of downright pain; try to imagine yourself from top
- Title: Lecture: Wonders of the World: Lecture 9
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- undergarment and cloak of specific colours. The painter could not
- painter of old brought very clearly to expression that the raiment
- Title: Esoteric Lesson: Muenchen, 6-14-1908
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- that entry into life destroys its harmony and it feels this as pain.
- Title: Esoteric Lesson: Muenchen, 11-8-1908
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- of other people and painfully feels their superiority This makes the
- Title: Esoteric Lesson: Muenchen, 8-30-1909
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- I'm no longer touched by the waves of pain and joy. Then a pupil must
- this newly acquired force. All outer pains and joys now seem to be
- certain joy with respect to pain and suffering. He confronts
- Title: Lecture: Reading the Pictures of the Apocalypse: Part 1: Lecture Four
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- and paintings. Rudolf Steiner's acquaintance, the Austrian
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