Searching Rudolf Steiner Lectures by Location (Dornach) Matches
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- Title: Lecture: On the Dimensions of Space
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- Title: Fall/Darkness: Lecture 4: The Elemental Spirits of Birth and Death
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- as we do now; times perhaps when only thinkers like Leonardo da Vinci
- Title: Architectural Forms
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- Raphaelite art, in the art of Leonardo, of Michelangelo, in the
- Title: The Building at Dornach (Bn/GA 289): Lecture III: Lecture 3
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- of Raphael, Leonardo, Michael Angelo and others? — that the greatest
- Title: Inner Impulses: Lecture I
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- side by side with such figures as Leonardo da Vinci, Michelangelo and
- Title: Mystery Centres: Lecture II
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- of Raphael or Leonardo could say, because they also felt it in their
- Title: Ways/Architecture: Lecture V: The Creative World of Colour
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- men like Raphael or Leonardo da Vinci — or to take an
- example from poetry — of Dante. Raphael, Leonardo and
- Title: History of Art: Lecture 13: The Changes in the Conception of Christ During a Certain Period of Time
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- becomes Raphael, Leonardo da Vinci and Michael-Angelo. You can see here
- in process of becoming, what Leonardo da Vinci, especially, has
- 25. Baptism of Christ. Verocchio, Leonardo's master.
- then, from Verocchio comes Leonardo. Leonardo may even have collaborated
- 25. Baptism of Christ. Verocchio, Leonardo's master.
- Title: Mysteries of Light: Lecture I: The Dualism in the Life of the Present Time
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- appears somewhere who can paint as Raphael or Leonardo did. That is
- he has a right to admire Raphael and Leonardo who knows that in our
- day one cannot and must not create as Raphael and Leonardo did.
- Title: History of Art: Lecture XIII: The Changes in the Conception of Christ During a Certain Period of Time
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- here; this is brought further by Raphael, Leonardo da Vinci and
- particular to Leonardo da Vinci, in this image of the baptism
- by Verrocchio, the teacher of Leonardo.
- Leonardo; perhaps Leonardo even worked on these paintings
- Title: Gegenwärtiges Geistesleben und Erziehung: Zehnter Vortrag
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- Kunstgeschichte zum Beispiel den Leonardo, und dann den
- Title: Gegenwärtiges Geistesleben und Erziehung: Zwölfter Vortrag
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- hinzuführen vermögen vor Leonardos Abendmahl oder vor
- seiner historischen Entwickelung, in welchem Leonardo oder
- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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- Leonardo da Vinci,
- union of all these impulses in the great artists, Leonardo,
- Michelangelo and Raphael. Let us observe a few of Leonardo's
- high degree, the Leonardo da Vinci, there is a working-together
- 61. Leonardo da Vinci: Sketches and Caricatures.
- have selected some sketches and drawings by Leonardo, from which
- characteristic of Leonardo how radically he seeks to bring out
- 62. Leonardo da Vinci: Madonna detta. (Eremitage, St.
- 63. Leonardo da Vinci: Heads of Apostles. (Weimar.)
- Leonardo is at pains to study the single human characters. We see
- 64. Leonardo da Vinci: Last Supper.
- 64a. Leonardo da Vinci: Heads of Apostles. (Weimar.)
- 65. Leonardo da Vinci: Portrait of Himself. (Milan.)
- 66. Leonardo da Vinci: St. Jerome. (Vatican. Rome.)
- 67. Leonardo da Vinci: Adoration of the Magi. (Uffizi.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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- Leonardo, Michelangelo and Raphael
- Leonardo, Michelangelo and Raphael
- Leonardo,
- wondrously united in Leonardo, in Michangelo and in Raphael. Yet at the
- were living, at the beginning of the 5th post-Atlantean age. Leonardo
- was born in 1452, Michelangelo in 1475 and Raphael in 1483; Leonardo
- say artists such as Raphael, Michelango and Leonardo were by no means
- when we say of Leonardo, Michelangelo and Raphael, that they bore within
- Michelangelo or Leonardo, whose whole way of feeling was quite different.
- to come forth, — that one is Leonardo. The soul of Leonardo was
- Now Leonardo was the first who endeavoured in a wider sense to add to
- what distinguishes Leonardo da Vinci from Francis of Assisi, and this
- is truth in it when we are told how Leonardo took especial pains to
- they truly indicate how Leonardo had to seek, to discover the mysterious
- creation of Nature's forces. For Leonardo was truly a man who sought
- one beside Leonardo thought such a thing was possible. He also thought
- world. Of Leonardo we can truly say, he bore his whole Age within him,
- were then enacted in Italy. Leonardo's whole life — his artistic
- horse, Leonardo constructed an instrument of music, from which he enticed
- in Leonardo is to see and feel what interests the human being of his
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture III: Dürer and Holbein
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- Supper” of Leonardo da Vinci in Milan. Compare it with the
- less purely Southern. All that Raphael observed in Leonardo, in
- right sour task for him. How different in Leonardo's case: It seems
- perfectly natural to Leonardo to take up the study of anatomy and
- Title: History of Art: Lecture IV: Mid-European and Southern Art
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- plastic works of Donatello, Michelangelo, Raphael, Leonardo and
- Title: History of Art: Lecture V: Rembrandt
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- truly as an outsider. Fundamentally speaking, even Leonardo, Michelangelo
- Title: History of Art: Lecture VII: Representations of the Nativity
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- Title: History of Art: Lecture IX:
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- examples of Verrocchio — teacher of Leonardo and Perugino — in
- the great artists of the Renaissance — of Leonardo, of Michelangelo,
- Title: Colour: Part Three: The Creative World of Colour
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- which — let me say — Raphael or Leonardo still were, or to take
- an example from poetry, in which Dante was. Raphael, Leonardo and
- Title: Influences of Lucifer/Ahriman: Lecture Five: The Human as a Being of Will
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- certainly be able to see meaning in Leonardo da Vinci's “Last
- Title: Lucifer and Ahriman: Lecture V: The Human as a Being of Will
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- in Leonardo da Vinci's “Last Supper”, but not in
- Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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- see this in certain pictures by Leonardo, and also in others, for
- Title: Arts and Their Mission: Lecture VI
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- Title: Three Streams: Lecture V: Free Human Personality by Self Training, Justinian and the Schools
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- showed him Leonardo's “Last Supper,” pointing out the
- Title: Three Streams: Lecture V: Free Human Personality by Self Training, Justinian and the Schools
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- showed him Leonardo's “Last Supper,” pointing out the
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