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- Title: William Shakespeare
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- characters. The poet conjures up before us a human character and
- in a far more unprejudiced way. The poet's adventurous nature explains
- Title: William Shakespeare
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- wonderful development of the individual characters. The poet
- unprejudiced way. The poet's adventurous nature explains to some
- Title: Christ and the Twentieth Century
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- research? He has become a poetical image, a figure that has only
- however, the modern mind can only relegate to the realm of poetry.
- Title: Lecture: The Crossing of the Threshold and the Social Organism
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- would be impossible to have poets among us, it would be impossible to
- Title: Lecture: And The Temple Becomes Man
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- composed. I am, of course, speaking here of the art of epic poetry,
- Title: Being of Man/Future Evolution: Lecture 7: Laughing and Weeping
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- poets often find such beautiful words for the kind of sorrow and joy
- Title: Between Death and Rebirth: Lecture Three
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- life but after his death was neglected as a poet until the end of the
- brought his genius to the notice of scholars.] a lyric poet of
- thirteenth century by the poet himself, so it cannot be called a mere
- interpretation. The poet says that he had wanted to portray the human
- Title: Michelangelo
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- was a great poet also, and the poems of his which survive show the
- Title: Lecture: The Etheric Being in the Physical Human Being
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- poetical natures, by people with a deeper capacity of feeling.
- Title: Lecture: The Christmas Mystery, Novalis, the Seer
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- The young German poet
- say, the works of a poet such as Schiller, although had such
- recognised its poetic possibilities and would not have found
- Title: Lecture: What Has Geology to Say About the Origin of the World?
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- Goethe, who besides being a great poet was also a great student of Nature
- Title: Evolution/Aspect: Lecture 5: The Inner Aspect of the Moon-embodiment of the Earth (Part 2)
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- recall the words of the poet: ‘He alone who longing knows,
- greatest German poets.
- Title: Lecture: Zarathustra
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- arose the Vedic poets. The region permeated with the mighty impulse
- Title: Lecture: Birth of the Light
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- feel this figure, which a more modern poet — Goethe
- of a modern poet, we can feel deep and significant things of
- Eudocia's poetry may not be very good, still we must say: there
- shadow of this legend, but filled with greater poetic power. In
- Title: Lecture: Galileo, Giordano Bruno, and Goethe
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- This is a poetical translation of the mind
- merely recast the words of Giordano Bruno in a poetical form.
- Title: Lecture: The Mission of Raphael in the Light of Spiritual Science
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- and Poetry. Greek culture was buried in a double grave and waited in
- Title: Goethe's Secret Revelation: Lecture II
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- of something which a poet has created in the free play of his
- interpretations often made by Theosophists about legends or poetic
- going to be caught by such symbolic meanings of poetic
- have before us a poetic work, a work of comprehensive imaginative
- true content of this so poetic a product.
- development! This objection against the botanist or the lyric poet
- who expresses the sensations derived from the plant in his poetry
- not follow that the poet Goethe was consciously aware of the
- didactic poet was not content to say what this or that soul-quality
- shall realize what is expressed in these poetic figures. And
- Title: Goethe's Secret Revelation: Lecture III
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- these feelings there grew within him a poetic figure, which had its
- significance and had become a living problem for poets, especially
- Title: Goethe's Secret Revelation: Lecture IV
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- the ‘music of the spheres’ is not a poetic image, nor a
- poet's images, created by right of poetic licence’ —
- poetically masterly way. It is not a case of marvelling at the
- Helena's becoming mortal, it is also poetic.
- We must of course remember that, since he is a poet, Goethe
- re-incarnated?’ We must keep in mind that a poet is speaking
- supernatural, scarcely guessable things, unless I gave my poetic
- Science or Anthroposophy will illuminate Goethe's esoteric poetry,
- poetic clothing up of quite realistic, albeit supernatural events,
- Title: Supersensible Knowledge: Lecture II: Blood is a Very Special Fluid
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- Johann Wolfgang von Goethe (1749–1832) was a German poet,
- poetical expressions of a nation's soul. The poetic soul of a
- Title: Supersensible Knowledge: Lecture III: The Origin of Suffering
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- one of the early Greek tragic poets, the saying, “From
- of a tragedy. The poet can only create such a work of art if
- and encompass the suffering of others. The poet must be able
- simile when we say that the artist as tragic poet goes out of
- Eduard von Hartmann (1842–1906) was a German philosopher and poet.
- This feeling inspires the tragic poet to let the suffering to
- say, as did the ancient Greek poet Aeschylus, that from
- Title: Supersensible Knowledge: Lecture IV: The Origin of Evil
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- poetically, saying that from the mortals the gods receive
- Title: Supersensible Knowledge: Lecture V: Illness and Death
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- German literature, was a playwright, poet, and essayist.
- Title: Supersensible Knowledge: Lecture VII: Education and Spiritual Science
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- poet who wrote the Iliad and Odyssey.
- Title: Supersensible Knowledge: Lecture VIII: Insanity in the Light of Spiritual Science
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- of German lyric poets. His images were usually derived from
- even if he had not been a poet; though in that case he would
- him this is not just a poetic notion, anymore than the soul
- is a poetic notion. The spirit of the earth is the foundation
- Title: Supersensible Knowledge: Lecture XI: Who are the Rosicrucians?
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- Earth-Spirit says in Goethe's Faust as poetic fantasy, but
- Title: Supersensible Knowledge: Lecture XII: Richard Wagner and Mysticism
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- suggest that a botanist or a poet should refrain from
- feelings and sentiments it aroused in the poet would be
- Other arts, such as poetry, whose vehicle is words, also
- existed among dance, music and poetry. The musical element
- dance became an art form in its own right, and poetry
- and poetry no longer added its contribution to the musical
- William Shakespeare (1564–1616) was an English poet,
- the old type of opera. Here the dramatist, the poet and the
- musician worked separately on a production. The poet wrote
- express what poetry by itself cannot express. Human nature
- should not be there to illustrate the poetry, but to complete
- it. What poetry cannot express should be conveyed by
- of art in which music and poetry worked together selflessly.
- Title: Necessity and Freedom: Lecture I: The Past Shows Us a Picture of Necessity
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- Matthias Claudius, 1740-1815, German poet.
- Title: Necessity and Freedom: Lecture II: The Legend of the Prague Clock
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- 1749–1832, German poet, playwright, and novelist.
- differently at home, and the poetic urge had not already been
- with the mediocre poets of the old school. ...
- words, many poets have given us samples, but Goethe's nonsense
- good poet does not hurl them at his readers; he should know the
- richer theme for poetry than this is not easy to find, and
- incontinentia urinae poeticae, this diabetes
- mellitus of lame verses never afflicts a good poet. ... If
- Title: Necessity and Freedom: Lecture IV: The Roman World and the Teutonic Tribes
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- that led him to achieve his Faust and his other poetical
- German poet, playwright, and critic.
- type of poetry originated in Europe, such as the
- all the other poets who were unfree; I want to write a free
- Title: Haeckel, "The Riddle of the Universe," Theosophy
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- him, actual. Poets who were also seers have known of the
- which may be taken either as poetic phraseology or as a
- Title: Lecture: The Christmas Festival In The Changing Course Of Time
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- poetry, this simple primitive art, we have today the prose of electric
- Even so, much of the ancient poetry found its way into the homes, with
- most sacred mood, like a mystery, has become merely external poetry,
- the poetry of the Christmas tree, still beautiful, yet merely an echo
- Title: Mysteries of the East: Lecture 2
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- grotesque form once pictured by a German poet, they are there in the
- Title: First Lecture: The Gospel of St. John
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- sort of poetic work, a confession of faith, the writings of a
- worlds. The John Gospel is not a poetic work, nor a writing
- Title: Festivals/Easter: Lecture VI: Easter: The Mystery of the Future
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- and legend, not only in the poetic, but also in the spiritual sense,
- Cross. This is no mere poetic image, but something that has been drawn
- than a poetic image that in the very hearts of these people
- Title: Forming of Destiny: Lecture 6: Lecture on the Poem of Olaf Åsteson
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- remarkable poet, who died many years ago, wrote of his feeling about
- Title: Lecture: Foundations of Esotericism: Lecture IV
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- paper Reichsanzeiger articles on alchemy. Kortum, the poet who wrote
- Title: Lecture: Foundations of Esotericism: Lecture VIII
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- poetic expression in this epoch in Dante's Divine Comedy. In monastic
- Title: Lecture: Foundations of Esotericism: Lecture XIV
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- the reason for the special sentimental mood in all poets who sing the
- praises of the moon. All poetical feelings are faint echoes of living
- Title: Lecture: Foundations of Esotericism: Lecture XVII
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- fantasy, in the case of poet and artist, we find only a weak
- Title: Lecture: Foundations of Esotericism: Lecture XXVII
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- time it is only through poetry that they are known. Miners (of
- Title: Lecture: Foundations of Esotericism: Lecture XXXI
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- sense of later systems, but knowledge, poetry and religion in a single
- Title: Signs and Symbols: Lecture 1: The Birth of the Light
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- would you have been able to find in the poetry and songs of that time
- Title: Lecture: Greek and Germanic Mythology: Lecture IV - The Trojan War
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- The poet, the initiate, who speaks of such things, always expresses
- the Iliad too you will find that the blind poet indicates his theme at
- hero Achilles. It is of the Kundalini fire that the poet speaks
- Title: Wisdom of the Soul: II. Action and Interaction of the Human Soul Forces.
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- NOTE: A bit far-fetched in English, or at best specifically poetic,
- Title: Wisdom of the Soul: III. At the Portals of the Senses.
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- call a non-poet because, as compared with his other spiritual
- Title: Wisdom of the Soul: IV. Consciousness and the Soul Life.
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- was recited at the beginning of this lecture is Poetic Thoughts on
- thought. We saw that thought itself become poetically creative, as it
- awkwardness in the poetical treatment of the material; poetry is not
- this man's chief mission. He wrestles with the poetic form, and we
- realm where poetic form becomes possible. Clearly, not many such
- Title: Wisdom of the Spirit: II. Truth and Error in the Light of the Spiritual World.
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- inexhaustible subject of artistic and particularly poetic creation!
- Title: Christ Impulse: Lecture 1: The Sphere of the Bodhisattvas
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- evident. It lay between the periods of two tragic poets: Æschylos, who
- Title: Christ Impulse: Lecture 5: Correspondences Between the Microcosm and the Macrocosm
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- ridiculed in his Truth and Poetry and which found their
- Title: Christ Impulse: Lecture 6: The Birth of Conscience
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- great poet, Æschylos. When we let the personages depicted by the
- Title: Lecture III: Human and Cosmic Thought
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- the most inward manner, by the Austrian philosophic poet, Hamerling.
- poet whose soul is stirred by the mild silvery glance of the moon to
- Title: Lecture III: Human and Cosmic Thought
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- the most inward manner, by the Austrian philosophic poet, Hamerling.
- poet whose soul is stirred by the mild silvery glance of the moon to
- Title: Lecture: The Origin of Suffering
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- poet leads the hero again and again through suffering and conflicts
- poet's soul opens wide, goes out of itself and learns to feel
- mere picture when we say that the soul of the tragic poet and artist
- tragic poet, as his hero succumbs to suffering, lets this suffering
- expression of the Greek poet: Out of life grew learning; out of
- the old Greek poet, Aeschylos: Out of suffering arises learning; out
- Title: Deed of Christ: Lecture 1: Mephistopheles and Earthquakes
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- question of how far the poetic presentation tallies with the occult
- Title: Metamorphoses/Soul Two: Lecture 1: Spiritual Science and Language
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- particles which, seen as a whole, produces poetry book. This is only one
- Title: Metamorphoses/Soul Two: Lecture 2: Laughing and Weeping
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- understands these things rightly will agree with the German poet who says
- Title: Metamorphoses/Soul Two: Lecture 5: Sickness and Healing
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- and such interpretations of poets who were also seers are declared arbitrary
- and phantastical. This can harm neither the ancient poets nor the truth, but
- same about sickness and healing as a great poet in an important epoch said
- This might give the impression as if the poet had wanted to say: “The
- Title: Metamorphoses/Soul Two: Lecture 6: Positive and Negative Man
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- we can repeatedly experience the truth of what a dialect poet, Rosegger, has
- Title: Metamorphoses/Soul Two: Lecture 8: Human Conscience
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- encounter in ancient Greece the great dramatic poet Aeschylus,
- reason that the same subject was treated by a late Greek poet in a quite
- great poet could only show how bad deeds rose up before the human soul in
- conscience was taken hold of by the art of poetry. We see how Aeschylus,
- great poet as he was, cannot yet speak of conscience itself, while his
- Title: Metamorphoses/Soul Two: Lecture 9: The Mission of Art
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- field is so wide, we will confine ourselves to the art of poetry, and you
- the beginnings of art, as it first appears among men in the guise of poetry,
- Greek poetry, whose work has come down to us in the two great epics, the
- And if we are to understand this impersonal element in early Western poetry,
- first great work of poetic art, Homer's
- arising in Homer's poetic imagination something like a substitute for
- in the soul and could endow it with formative power. Poetic imagination is
- culture made possible a continuation from Homeric poetry, which we can locate
- are a reality which the poet brings into his poem.
- no longer complete. Aeschylus was thus the right and proper poet to dramatise
- clairvoyance reproduced by poetic imagination. And whatever was preserved
- Dante we see a poet who goes down into his own soul and remains entirely
- himself the forces which lead into the spiritual world. With him, poetry
- poet, Shakespeare. Here again we see a remarkable step forward in the sense
- setting one poet above another, but solely with facts that point to a
- the poet's world. For this step to be possible, art had to leave the
- may reproach Dante for being a didactic poet. Anyone who understands Dante
- such a soul, endowed with Dante's poetic power, the totality of
- Dante's poetic creation unless we are familiar with the heights of
- still further. The origin of his great poetic characters is nowadays the
- Maximum number of matches per file exceeded.
- Title: Excursus/Mark: III: Excursus: Lecture II
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- interpret it to their own liking, as is so often done with poetry,
- Title: Excursus/Mark: III: Excursus: Lecture III
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- intended as a mere poetic image, but is an occult truth presented
- poetically. The personality of the original Zarathustra was no such
- Title: Excursus/Mark: III: Excursus: Lecture V
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- are forced to admire the poetic fantasy of the young Goethe, closely
- Title: Spiritual Teachings of Soul/World: Course I: Lecture II: The Origin of the Soul
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- knowledge the influence of a great poet is based, namely: how much closer
- Title: Spiritual Teachings of Soul/World: Course I: Lecture III: The Nature of God from the Theosophical Standpoint
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- than one normally suspects who is, above all, the theosophical poet
- Title: Spiritual Teachings of Soul/World: Course I - Lecture IV: Theosophy and Christianity
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- Silesius (1624–1677), German mystic and religious poet, c f. CW
- Title: Spiritual Teachings of Soul/World: Course II: Lecture III: The Epistemological Basis of Theosophy III
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- Hamerling (1830–1889), Austrian poet
- Title: Spiritual Teachings of Soul/World: Course III - Lecture II: Theosophical Teachings of the Soul. Part II: Soul and Human Destiny
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- else than the transformed foodstuffs which the great poet Shakespeare had eaten.
- occupied the poets and the researchers. How does the human destiny look compared
- Title: Spiritual Teachings of Soul/World: Course IV - Lecture III: The History of Spiritism
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- Kerner (1786–1862), German physician, poet, author
- Title: Spiritual Teachings of Soul/World: Course V - Lecture I: What Does the Modern Human Being Find in Theosophy?
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- and courage what the poet expressed by full conviction:
- Gottfried Herder (1744–1803), German theologian, poet, philosopher
- Title: Spiritual Teachings of Soul/World: Course V - Lecture II: What Do Our Scholars Know about Theosophy?
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- Ferdinand Meyer (1825–1898)), Swiss poet and historical novelist
- Title: Spiritual Teachings of Soul/World: Course V - Lecture III: Is Theosophy Unscientific?
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- products, as for example the Vedas of the ancient Indians, you find art, poetry
- and spirit flowing like from a spring. At that time truth, poetry and sense
- mental activities. The ancient Vedic priest was a poet, researcher and religious
- Title: Novalis: On his Hymns to the Night
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- Some poetry will be recited now and a corresponding mood in
- illusion. The poetry is nice — they say — but show us the
- enormous experiences which he depicted in his poetry.
- Title: Temple Legend: Lecture 2: The Contrast Between Cain and Abel
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- and so on, that was, of course, no mere piece of poetic folk lore. Rather,
- Title: Temple Legend: Lecture 13: Concerning the Lost Temple and How It Is To Be Restored - 3
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- poet Goethe presented the idea of the bridge in a beautiful and
- Title: Temple Legend: Lecture 20: The Royal Art in a New Form
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- some particularly gifted poets. Among the professors, there were also
- tragedian-poets, such as Aeschylus, Sophocles, etc., we are dealing
- This power is symbolised by the Tau sign and was indeed poetically
- Title: Where/How/Spirit: Lecture III: Goethe's Secret Revelation - Esoteric
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- that a poet created in the free play of imagination. We have
- fairy tales or poetic works. Because I know that one held over
- interpretations of poetic figures, I cannot stress sharply
- poetic work is a work of a comprising imagination penetrating
- and to try to fathom the ideal, real contents of such a poetic
- the plant growth. Likewise, the poet Goethe did never need to
- figures, who is not content to say like a bad didactic poet
- then we recognise what such poetic figures express to him.
- Title: Where/How/Spirit: Lecture VI: Superstition from the Standpoint of Spiritual Science
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- made the acquaintance of a poet, a dramatist, and in the time
- poet speeding to the post office to send off the drama
- German poet), and Conrad Ferdinand Meyer (1825–1898, Swiss
- poet), to what extent they had, actually, this or that insanity
- Title: Where/How/Spirit: Lecture IX: Tolstoy and Carnegie
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- that dividing line of modern life, which a newer poet so nicely
- 1824–1909, Bavarian officer, poet, and painter):
- Title: Where/How/Spirit: Lecture X: The Practical Development of Thinking
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- disturbs a modern poet at work. Moreover, Goethe was a much
- greater poet than anyone was who is not allowed to be disturbed
- Title: Where/How/Spirit: Lecture XIII: The Riddles in Goethe's Faust - Exoteric
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- Sch., 1759–1805, German poet), the time when Goethe learnt to
- soul. From all these moods, a poetic figure took shape, which
- at that time, actually, for many poets, like for Lessing, for
- Title: Where/How/Spirit: Lecture XIV: Riddles in Goethe's Faust - Esoteric
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- these are described appropriately. It is not a poetic picture,
- one should accept such things of the poet as his pictures,
- which he creates in poetic licence, may they refuse to call
- poetically masterly way. It is not becoming to admire reality,
- the secret of Helen's incarnation, also poetically.
- course, we have to realise that Goethe, while he is a poet,
- that a poet speaks about what he has experienced in the
- if I had not given my poetic intentions a soothing limiting
- not have symbols, but only the poetic disguise of quite
- Title: Where/How/Spirit: Lecture XVII: Old European Clairvoyance
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- contents of mythology. One often interprets as folk poetry what
- more arbitrary “poetry” than the interpretation of
- Title: Where/How/Spirit: Lecture XVIII: The European Mysteries and Their Initiates
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- we realise how Wolfram von Eschenbach (~1170-~1220, German poet
- little known, which Konrad Fleck transformed into poetic form
- Goethe's greatest poetic deeds are fed from the sources of
- Title: Spiritual Science/Treasure for Life: Lecture II: Theosophy and Antisophy
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- 1777, Swiss naturalist and poet). However, Albrecht von
- Title: Spiritual Science/Treasure for Life: Lecture IV: On Death
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- originate from a poet like Dante in his
- only childish poetry. Nevertheless, Max Müller says, if an
- Title: Spiritual Science/Treasure for Life: Lecture VI: The Evil
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- 1876, German poet and philosopher). One can call him a
- Title: Spiritual Science/Treasure for Life: Lecture VII: The Moral Basis of Human Life
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- 1805, German poet) expressed the basic character of the
- Title: Spiritual Science/Treasure for Life: Lecture VIII: Voltaire
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- which the Greek tragic poets lived and the Greek philosophy
- tragic poets, Aeschylus, Sophocles, and Euripides. As to
- Voltaire, one could not at all compare these Greek tragic poets
- the Greek tragic poets. We see in them the human world shown,
- of these spiritual beings existing in poetry. Exactly the same
- poetry. They came to life in the poems of Homer! We see in the
- the Greek poetry become more and more abstract, already from
- poets must refrain more and more from a supersensible world
- allegory. However, just from poetic impulses one has to say
- Just from the poetic impulses, I would like to say, I do not
- who is well-suited to fulfil the poet's saying:
- Title: Spiritual Science/Treasure for Life: Lecture X: Homunculus
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- 1889, Austrian poet)) about whom I would like to speak
- today. Both poets have dealt with a problem like from a deep
- spiritual-scientific feeling, but poetically, while I want to
- how can one continue the life of Faust poetically? Goethe was
- no symbolic poet; he was a realistic poet, even if spiritually
- poetic figure. For he presents a spirit of such kind at first
- Homunculus poetically. Thus, Homunculus is also in Goethe's
- There the thought may arise in a poet: how
- only from purely physical forces and principles. He is a poet
- 1889, Austrian poet), and he carried out these thoughts
- being that way today. However, the poet can say, let us
- in the reality of the poet, as he is invented in the heads of
- also becomes a poet, of course. He experiences what many poets
- The host of water poets was
- The beer and wine poets
- The absinthe poets, in the end,
- With the wine and beer poets
- And with the host of water poets
- poet could have this idea that the modern human being who
- does not see to what its own forces lead him. The poets tried
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- Title: Human History: Lecture II: Death and Immortality
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- of a thinker, poet or artist; then only we
- Title: Human History: Lecture IV: From Paracelsus to Goethe
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- Faust poetically, which he made the son of his time in a
- senses, as Goethe poetically
- Title: Human History: Lecture X: Christ and the Twentieth Century
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- poetry, something that only intervened in history as an idea,
- do nothing but putting him among poetries.
- Title: Human History: Lecture XI: Human History, Present, and Future in the Light of Spiritual Science
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- deepest, the poet Robert Hamerling (1830–1889), said about this
- spiritual science wonderfully as the poet especially feels, for
- Spiritual science knows what a poet and philosopher of modern
- undergrounds, but let the ego arise. There the poet says,
- confidence for all human future at the same time, as the poet
- can say reasonably, the poetic mind expressed it in an
- Title: Human History: Lecture XIV: The Self-Education of the Human Being
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- (Bartholomäus C., 1821–1909, Austrian philosopher, poet,
- Title: Spirit and Matter: Lecture III: Immortality, the Forces of Destiny, and the Course of Life
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- heart by high poetic beauty, by wonderful imagination, by a
- Title: Spirit and Matter: Lecture V: The Riddles of Soul and World in the German Cultural Life
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- sense. You can still prove with such a poetic mystic like
- Title: Spirit and Matter: Lecture VI: Life, Death, and Immortality in the Universe
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- Georg Philipp Friedrich von Hardenberg, 1772-1801, German poet
- poet). He said in his preface as it corresponded to that time,
- Title: Answers to Big Questions: Lecture I: The Nature of Spiritual Science and Its Significance for the Present
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- (Johannes Daniel F., 1768-1826, poet) at the occasion of
- Wieland's death (Christoph W., 1733-1813, poet and writer).
- which give the same possibly in poetic form what all human
- Title: Answers to Big Questions: Lecture VII: How Does One Attain Knowledge of the Spiritual World?
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- five fingers of the hand, he gives the imagination of the poet
- ego-point. The poet Jean Paul (born Johann Paul Friedrich
- Title: Answers to Big Questions: Lecture VIII: Predisposition, Talent and Education of the Human Being
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- being has learnt ballads or other poetries of great heroes with
- the poet already in his childhood what he needed: an
- 1743-1794, German poet) mother and father from whom he had
- poet; he took over these qualities from his mother, and they
- the poet Hebbel, feels an echo of the fatherly inheritance in
- Title: Answers to Big Questions: Lecture XIV: Moses
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- poet's words (Friedrich Schiller, 1759-805, in his Bride of
- Title: Riddles of the World: Lecture I: Haeckel, the Riddles of the World and Theosophy
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- for him. Poets who were seers at the same time knew that there
- Title: Riddles of the World: Lecture III: Basic Concepts of Theosophy. Soul and Spirit of the Human Being
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- the soul has sunk into it. This saying of our German poet and
- 1772-1801, poet) is very beautiful. You can find a source of
- the mental-spiritual the beautiful word of the poet and seer
- Title: Riddles of the World: Lecture VII: The Core of Wisdom in the Religions
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- Solon (~640-~560 B.C., Athenian statesman, lawmaker and poet):
- Title: Riddles of the World: Lecture VIII: Fraternity and the Struggle for Existence
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- German poet and translator) also applies here: if the rose
- which the poet said that we have to be quiet with ourselves if
- Title: Riddles of the World: Lecture IX: Inner Development
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- world and understand the word of the poet, which I quoted some
- Title: Riddles of the World: Lecture X: Christmas as Symbol of the Sun's Victory
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- saying by Goethe, which the great poet spoke when he entered
- outdoors in the world. When the medieval poetry of wisdom
- Title: Riddles of the World: Lecture XI: The Christian Teachings of Wisdom
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- the fact that our great German poet and thinker, Lessing
- Title: Riddles of the World: Lecture XIV: The Children of Lucifer
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- formation of this dramatic poetry in our time and on the
- only poetic picture, as a symbol or something extremely
- there are poets by nature. However, I cannot get involved
- poet of The Children of Lucifer. He considers what Greek
- Title: Riddles of the World: Lecture XV: Germanic and Indian Secret Doctrines
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- our legend poetry have arisen from real dream experiences.
- art of poetry, and still other things from Wotan. However, one
- Title: Riddles of the World: Lecture XVI: German Theosophists at the Beginning of the Nineteenth Century
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- Friedrich von Hardenberg, German Romantic poet and author,
- into each other, you can see this with a poet who interlaced
- these things in his poetries, with Heinrich von Kleist
- poet and writer): The Seeress of Prevorst (1829). When
- Title: Riddles of the World: Lecture XVII: Siegfried and the Twilight of the Gods
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- poetry. In the Poetic Edda, one found the way back to these
- basis of the great renewal of art by the poet musician Richard
- poetries of world literature. He is the conqueror of a dragon
- It stood before his soul at the time when just this poetry
- all know that Richard Wagner (1813-1883, composer and poet) was
- Title: Knowledge of Soul and Spirit: Lecture III: The Knowledge of Soul and Spirit
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- the scholars did not take seriously, who was not only a poet
- matter. The poet anticipated this of spiritual science when he
- (Friedrich Sch., 1759–1805, German poet) anticipated how the
- Title: Knowledge of Soul and Spirit: Lecture IV: Initiation
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- poet, said, this is no fact; this is an idea, no reality.
- it, which one cannot expect the poet to accept, one has to
- Title: Knowledge of Soul and Spirit: Lecture VI: The So-Called Dangers of Initiation
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- human beings what a poet expressed absurdly with the words,
- Hence, it can be possible that a poet got real poems before the
- Title: Knowledge of Soul and Spirit: Lecture VII: Man, Woman and Child
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- of poetry, but a force pervading the entire nature. Love is the
- Title: Knowledge of Soul and Spirit: Lecture XI: Occupation and Earnings
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- poem that an almost unknown poet of our newer time wrote
- (Heinrich von Reder, 1824–1909, Bavarian officer, poet, and
- Title: Knowledge of Soul and Spirit: Lecture XII: Sun, Moon and Stars
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- it is more a nice, poetic but impossible thought compared to
- Title: Knowledge of Soul and Spirit: Lecture XIV: The Hell
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- poet was urged to take these mental pictures to show the forces
- human thinking, dressed in a poetic garment. Indeed, those who
- ~1265–1321, Italian poet) pronounces in the last line of his
- 70–19 B.C., Roman poet),
- Title: Knowledge of Soul and Spirit: Lecture XV: The Heaven
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- German poet) formed the all too justified dictum
- Title: Karma of Materialism: Lecture 5
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- poetry and Hegelianism and so on. — This is a prime example of
- Title: Olaf Oesteson: The Awakening of the Earth Spirit
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- example, in the sphere of the moon. It is poetically
- Title: Reincarnation and Karma: Lecture I
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- son who would have liked to become a poet was destined by his father
- sooner have been a poet. It is well to know clearly what we really
- Title: Turning Points: Lecture 1: Zarathustra
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- peoples among whom at a later period arose the poets of the
- words have lived on in the moving poetry of the Vedas, in their
- the poetry of the Vedas, in the Vedantic philosophy, and in
- Title: Turning Points: Lecture 4: Moses
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- The words of the great poet live again, in
- Title: Toward Imagination: Lecture 1: The Immortality of the I
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- greatest poets called for you in the name of humanity. You languished,
- of poets and philosophers, thought has become an illustrious stranger,
- the yarns of the most harebrained poets has become reality. We are
- poets, artists groom horses, professors tend sheep. Theater managers
- However, in painting and in poetry pure impressionism is quite possible.
- Title: Toward Imagination: Lecture 3: The Twelve Human Senses
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- but never mind.] After all, my respect for the poet, for all poets,
- Title: Toward Imagination: Lecture 5: Balance in Life
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- spoken is unknown. Yet, all those who understand anything about poetry
- glide,” is one of the greatest poets of all time. But first one
- has to have a feeling for this and know that true poetry is the poetry
- rhyme, not all that passes for poetry is true poetry. But it is true
- poetry when out of Christianity's eternal truths there pours forth:
- grandest poetry! To be made aware of the greatest event in the evolution
- surely originated in a time when a profound poetical sensibility lived
- to true poetry because there is much too much verse around, and poetry
- begets more poetry just as unhealthy living produces cancer. Encouraging
- everybody to write poems based on what already exists in poetry is the
- Yes, she, too, was a poet. We need only remember one of her pretty poems
- Title: Toward Imagination: Lecture 6: The Feeling For Truth
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- the art of poetry. Now we must really take seriously what I have said so
- special to it. Poetry is after all not just a matter of expressing
- What is nowadays called poetry will gradually
- way, poetry should represent what human beings experience together with
- must flow into poetic form. If we create certain mental images that
- poetry.
- And today you will hear attempts at poetry
- true laws of form for the poetry of the future.
- Title: Jacob Boehme
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- Devilish.” Poetically, Goethe still struggled with the
- Title: Richard Wagner: Lecture I
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- of the Middle Ages an ancient legend found its way into German poetry
- Title: Richard Wagner: Lecture IV
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- shows us the deep world-conception which was the source of the poet's
- von Eschenbach was the first one to give a poetical shape to the mystery
- reunited with art and science. Art — poetry, painting, sculpture
- Title: Lecture: Theosophic/Esoteric Cosmology: Spiritual Cosmology
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- Take a poet whose work gives us pleasure. This poet may find a
- poet's being. There is, however, another possibility the
- studies the poet. He will only take into consideration the poet's
- theosophists would say that this investigator describes the poet from
- we call the poet's biography the soul-spiritual aspect. So we
- would have two coexisting ways of describing the poet, which do not
- Title: Inner Realities: Lecture 4: The Inner Aspect of the Moon-embodiment of the Earth - 2
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- recall the words of the poet: “He alone who longing knows,
- centenary of the death of one of the greatest German poets.
- Title: Destinies of Individuals and Nations: Lecture 2: Nationalities and Nationalism in the Light of Spiritual Science
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- greatest poet therefore, beyond compare in that respect,
- French poet who is unsurpassable is Molière
- Title: Destinies of Individuals and Nations: Lecture 4: The Nature of the Christ Impulse and the Michaelic Sprit Serving It - 1
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- von der Vogelweide (German lyric poet, minnesinger, c.
- Title: Destinies of Individuals and Nations: Lecture 5: The Nature of the Christ Impulse and the Michaelic Sprit Serving It - 2
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- intellectual life of Germany, through its poets, its
- Title: Destinies of Individuals and Nations: Lecture 6: Spiritual Perception Essential at the Present Time
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- take one very simple case. There is the Austrian poet
- Robert Hamerling [1830-89], an excellent poet, some of
- Title: Destinies of Individuals and Nations: Lecture 9: The Sleeping-and-Waking Rhythm in the Context of Cosmic Evolution
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- a history of literature. This will tell you which poet
- go a certain way, for poets who were of no importance at
- anything at all will know which poets were important at
- must also have been people who wrote poetry during the
- completely different. Then a poet given many pages today
- poets who still had special knowledge of the spiritual
- before spoken of the poet Julius Mosen whose Ritter
- Mosen's poetic work Ritter Wahn is that Sir Illusion,
- this beautiful poetic work tells us that there has been a
- German poet who is quite frequently mentioned is Wilhelm
- a poet to reveal the process of the culture and
- beautiful poetic work appeared, Auffenberg's
- Auffenberg is a spiritual poet and his Alhambra
- Title: Destinies of Individuals and Nations: Lecture 11:Etheric Man within Physical Man
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- frequently brought to expression by more poetic natures.
- Title: Destinies of Individuals and Nations: Lecture 12: The Group Sculptured for the Building in Dornach
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- considered the greatest poetic work there is.
- Title: Destinies of Individuals and Nations: Lecture 13: The Prophetic Nature of Dreams: Moon, Sun and Saturn Man
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- being on this earth and not as a dreamer, a poet. Yet it
- — one on Shakespeare as the typical poet and one on
- the representative, the example, of poets. It is very
- consider Shakespeare a great poet, certainly one of the
- greatest poets of all time. But let me bring out those
- great poet one should not demand such a great person to
- makes it clear that the poet went to all kinds of
- poetic works. Emerson was making an effort, as it were,
- that none has as yet attained to what the poet
- poet-priest.' Something of a feeling of resignation is
- Title: Life Gifts: Lecture IV: The Eternal and the Imperishable
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- images as “poetic license.” They tolerate it in
- out poetry. But then modestly say that one need not believe
- Title: Life Gifts: Lecture VII: Whitsuntide Lecture
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- “Faust” at all if poetic power is exhausted at 50
- and yet one has to bring into poetry the forces belonging to
- poet (I will not mention his name for the story might come
- be possible — You have written a treatise on a poet, on
- an aesthetic question, but this poet lived in the 19th
- Title: Occult Significance of Blood
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- legends as the poetical expression of a nation's soul.
- Now, this so-called “poetic soul” of a nation is nothing
- Title: Lecture: History of the Physical Plane and Occult History
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- truth, related to us by the Greek Poets of the foremost men
- Title: Lecture: The European Mysteries and Their Initiates
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- notice has been taken of a legend which was given poetic form by
- Goethe's greatest poetic achievements were nourished from Rosicrucian
- Title: The Nature and Origin of the Arts
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- This lecture, spoken like a poetic story, refers to concrete spiritual
- Poetry
- know as poetic or lyric fancy. Thou hast become the archetype
- of poetic fancy. And through thee, men will be able to
- the vision of Poetry there appeared the events of the
- messengers will be the skalds and the poets of all the ages.
- imagination. That which lives on our earth as poetry is a
- reflection of imagination in the art of poetry. And through
- voice of the poet who has apprehended the majesty of the
- poet who has sung so wisely as the outcome of his
- Title: Lecture: Buddha and Christ
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- have succumbed to mere vagueness, if I had not confined my poetical
- Title: Antworten der Geisteswissenschaft: Vortrag X: Galilei, Giordano Bruno und Goethe
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- Gedicht eine poetische Übersetzung Giordano Brunos
- einfach in poetische Form umgegossen hätte, was
- Title: Geist und Stoff, Leben und Tod: Lecture III: Seelenunsterblichkeit, Schicksalskrafte und menschlicher Lebenslauf
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- finden, welche durch hohe poetische Schönheit, durch
- Title: Geist und Stoff, Leben und Tod: Lecture V: Seelenratsel und Weltratsel: Forschung und Anschauung im deutschen Geistesleben
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- mystischen Sinne. Man kann noch bei einer so poetisch feinen
- Title: Lecture: Mendelssohn's 'Overture of the Hebrides'
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- poetical form, awakes in us a feeling for the kind of perception
- Title: Good Fortune Its Reality and Its Semblance
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- the important but alas too little appreciated poet of the nineteenth
- poet. At the time of which I speak he was writing a play. This play would
- Title: Cosmic/Human Metamorphosis: Lecture 3. The Human Soul and the Universe (part 1)
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- it in terms now looked upon as poetic fancies, although they were not
- what he does not wish to be taken as a poetic fancy, but as a concrete
- poetic imagination but an actual fact is the reason that in places
- Title: Cosmic/Human Metamorphosis: Lecture 7. Errors and Truths.
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- poetic form. All this would be inconceivable if it had not been
- Title: Lecture: The Human Soul and the Universe
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- it in terms now looked upon as poetic fancies, although they were not
- what he does not wish to be taken as a poetic fancy, but as a concrete
- poetic imagination but an actual fact is the reason that in places
- Title: The Story of the Green Serpent and the Beautiful Lily: Lecture I
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- in study, we find, not only the great Poet very pre-eminently there,
- it could not perceive the light. Here he expresses in poetic
- Title: Esoteric Development: Lecture VII: The Great Initiates
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- as one speaks of a poet of nature. There have been Christian mystics
- intelligent German poet and thinker, whose life has all the
- Title: Esoteric Development: Lecture I: Inner Development
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- understand that saying of the poet which I cited some weeks ago in a
- Title: Lecture: The Christmas Festival: A Token of the Victory of the Sun
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- outside. When medieval poetic wisdom desired to depict in the person
- depths of Christianity rejuvenate mankind when this poetic wisdom
- Title: Esoteric Development: Lecture IX: Imaginative Knowledge and Artistic Imagination
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- is shown by poets who were miners, for example by Novalis, who had
- types for his occult personalities. There is also the poet, Ernst
- Title: Poetry/Fairy Tales: Lecture 2: The Interpretation of Fairy Tales
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- The Poetry and Meaning of Fairy Tales
- This edition of The Poetry and Meaning of Fairy Tales was prepared
- Title: Principle/Economy: Lecture II: Christianity in Human Evolution: Leading Individualities and Avatar Beings
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- This poet, then, depicts the Christ as if He were something
- of the Christ figure remain the same. This poet did not have
- Title: Metamorphoses/Soul One: Lecture 3: The Mission of Truth
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- united with it. Nevertheless, eminent poets and thinkers have rightly claimed
- to her, she takes immediate revenge. The English poet Coleridge has rightly
- beautiful poetic drama,
- Title: Metamorphoses/Soul One: Lecture 7: Human Egoism
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- poetry of ancient Greece:
- Title: Metamorphoses/Soul One: Lecture 8: Buddha and Christ
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- form and substance to my poetic intentions.”
- Title: Metamorphoses/Soul One: Lecture 9: Something about the Moon in the Light of Spiritual Science
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- us — you can read a poetical treatment of it in the second part of
- imagination are not equally productive at all times. Poets, for example, if
- am reminded of some verses by the German lyrical poet Wilhelm Muller: we are
- Title: Background/Mark: Lecture Four: The Symbolic Language of the Macrocosm in the Gospel of St. Mark
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- they read all sorts of implications into the works of poets.
- Title: Background/Mark: Lecture Five: The Two Main Streams of Post-Atlantean Civilisation
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- higher spiritual Being. This is not poetic imagery but a
- poetical presentation of an occult reality.
- Title: Background/Mark: Lecture Seven: The Higher Members of Man's Constitution
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- at the poetic imagination that was already apparent in the
- Title: Poetry/Fairy Tales: Lecture 1: The Poetry of Fairy Tales
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- The Poetry and Meaning of Fairy Tales
- Lecture 2: The Poetry of Fairy Tales
- This edition of The Poetry and Meaning of Fairy Tales was prepared
- Poetry of Fairy Tales
- to all the enchantment of genuine fairy tale poetry.
- the second place, it is just this poetic enchantment that causes one
- it said quite rightly that explanations and commentaries of poetry
- quality of the poetic tales arising from the deep, almost bottomless
- those regions of soul that give rise to the poetic mood of the fairy
- instance, the most awe-inspiring tragic drama. In a tragedy, the poet
- the source of fairy tale mood and fairy tale poetry lies still deeper
- tale poetry and its mood. The effect of a fairy tale on our soul is
- the source of fairy tale mood and fairy tale poetry lies in the
- wellsprings of fairy tale mood and poetry; it is not at all strange
- the fairy tale, we can take the poetic and charming tribute that a
- Title: Brotherhood and the Fight for Survival
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- sense what the poet said that one has to be quiet in oneself if one's
- Title: Lecture: Manifestations of the Unconscious
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- dreams contained in Shakespeare's plays — poets
- Title: Eternal Human Soul: Lecture III: Goethe as Father of Spiritual Research
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- Schiller (1759-1805, German poet) met. Just in this point, you
- Goethean way, so, actually, only in poetic pictures, but one
- Nothing is more interesting than to pursue those poetries of
- Title: Eternal Human Soul: Lecture IV: Mind, Soul and Body of the Human Being
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- (Thomas Babington M., 1800-1859, British historian, poet and
- Title: Eternal Human Soul: Lecture X: The Questions of Free Will and Immortality
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- consciousness. As the spiritual life enters in poets and
- Title: Schiller and Our Times: Lecture I: Schiller's Life and Characteristic Quality
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- the ideas which had been brought out by Schiller's poetic
- Title: Schiller and Our Times: Lecture IV: Schiller's Weltanschauung and his Wallenstein
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- character in poetry. But before then he had to clear things up
- Title: Schiller and Our Times: Lecture VI: Schiller's Later Plays
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- not what we should nowadays call poetry. It was the world-drama
- the poet of idealism: he used experience to bring the ideals to
- woman's feelings; the poet requires something which grows
- the bliss of poetic creation.”
- poet of action, the bulwark of the German
- Title: Schiller and Our Times: Lecture VII: Schiller's Influence during the Nineteenth Century
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- of his poetic significance with a pride which strikes us very
- the life of the times, particularly as the poets grew older.
- Title: Schiller and Our Times: Lecture IX: Schiller and Idealism
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- old. It is true that Aristotle had written on Poetics, but for
- through the Poetic of Aristotle there still passes a faint
- his poetry is the longing to reconcile these two — the
- of the poet? In what attitude can we find the right view of the
- `how'!”) As long as a poet shows that he hates a villain,
- that the natural order, and not the poet, inflicts the
- accomplished; world-history becomes a world-judgment. The poet
- poetry is truer than history. In history we cannot always
- Title: Lecture: Riddles of the Soul and Riddles of the Universe
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- the outer body in his spirit body; Lavater composes poetically
- a fine, poetic mystic as Mechthild von Magdeburg, how erotic
- Title: Influence of Spiritual Beings Upon Man: Lecture XI
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- receives in the night take the form of poetry in the day consciousness.
- appear as the fundamental forces of the poetic art. Thus poetry is the
- poetry, he brings into existence on our earthly globe adumbrations,
- to be merely musician, merely dramatist, merely poet. All that we have
- us what it ought to become and must become. For the musical-poetic art
- Title: Earthly/Cosmic Man: Lecture 4: The Forces of the Human Soul and Their Inspirers. Kalewala: The Epic
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- articulate in poetry, still possessing vital memories of the old
- another corner of the Earth. The poetry inspired by the Folk-Spirit is
- Title: Earthly/Cosmic Man: Lecture 5: The Idea of Reincarnation and Its Introduction Into Western Culture
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- German poet Novalis. To begin with, we find in his writings a most
- recurrent phenomena in human existence. I am speaking of the poet
- Title: Building Stones: Lecture Five
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- Jupiter. A tragic poet who was considered to be an authority
- physiologist, botanist, historian and poet. His poem
- Title: Building Stones: Lecture Eight
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- Hebbel (1813–63), poet and dramatist. Tragedy,
- Title: Building Stones: Lecture Ten
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- Wagner. Otto Ludwig was not only a poet — some may feel
- perhaps that he was not in the front rank of poets, but that
- beautifully what he experiences in the process of poetic
- composition or when he reads the poetry of others and
- own creative experience and his response to the poetry of
- I experience this colour phenomenon after reading poetry
- which Goethe's poetry evokes I see a deep golden
- to that of an epic poet of the time when, in the early dawn
- of nations, the poetic figures were visioned by the poet as
- poetic composition. For the experiences of Otto Ludwig were
- not only shared by poets in ancient times, but by all men,
- were poets or not. These experiences have therefore no
- connection with poetic invention. Behind the barrier which
- only in the poet, but in every man today. The fact that he
- was a poet has nothing to do with the phenomenon of poetic
- far greater poet than Otto Ludwig and that which one is able
- manifest itself. For poetry, indeed art as a whole today, is
- the term “poetischer Realismus”. His “Shakespeare
- During his process of poetic creation he experienced a
- Title: Origin and Destination of Humanity: Lecture I: What Does the Human Being Find in Theosophy?
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- went out from ignorance, from certain mythological ideas, from poetic
- poet is the impulse of our theosophical movement. The modern human being
- Title: Origin and Destination of Humanity: Lecture III: Reincarnation and Karma
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- Schiller's (Friedrich S., 1759–1805, German classic poet) characteristic,
- he feels guilty this faces us here in another way. With these poets
- Title: Origin and Destination of Humanity: Lecture V: Theosophy and Tolstoy
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- greatest poet of our present, Ibsen, then you just see him looking at
- Ibsen (1828–1906, Norwegian playwright and poet). He shows life
- we really recognise these forces of which is normally spoken poetically
- Title: Origin and Destination of Humanity: Lecture VI: The Soul-world
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- German philosopher) and also the poet and philosopher Hamerling (Robert
- K., 1830–1889, Austrian poet) expressed very well again and again that
- Title: Origin and Destination of Humanity: Lecture VII: The Spirit-land
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- poet) who spoke so many beautiful moving words in his Cherubinic
- Title: Origin and Destination of Humanity: Lecture X: Goethe's Gospel
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- enkindle a sacrificial service by the fire of nature. In Poetry
- Title: Origin and Destination of Humanity: Lecture XIII: Goethe's Secret Revelation II
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- being and the whole human race in poetic pictures. The fairy tale contains
- lot only. If one can usually say of the poet:
- Who wants to understand the poet
- Has to walk to poet's land,
- Title: Origin and Destination of Humanity: Lecture XIV: Goethe's Secret Revelation III
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- Goethe speaks of himself. You find it in the outset of Poetry and
- Truth. Shortly before, in Poetry and Truth, the young
- (1724–1803, German poet):
- Title: Origin and Destination of Humanity: Lecture XVI: The Great Initiates
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- as a nature initiate as one also speaks of a nature poet. There are
- a German, with a young sensible German poet and thinker whose life looks
- poet and philosopher) feels something of the breath which leads to this
- Title: Origin and Destination of Humanity: Lecture XVII: Ibsen's Attitude
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- every poet is the expression of his time. Indeed, this sentence holds
- and poet) for the present, and nevertheless how differently our time
- the poet who is the representative of our time, the poetically greatest
- poet. For Henrik Ibsen is a tragic personality.
- them once on a higher level. A poet like Ibsen had to reach into this
- contrast of male and female was overcome. And the poet of personality
- Title: Origin and Destination of Humanity: Lecture XIX: Schiller and the Present
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- takes place in the poet's soul if he lonely forms the figures
- of imagination. But what lives there in the breast of the poet when
- in us what lives in the poet's soul. What lived in Schiller's
- the spirit, and that he put it as a poet before his contemporaries.
- father of the freedom poet Körner (Christian Gottfried K., 1756–1831)
- to poetry. What had a lasting effect faces us in his dramas. Greatly
- Schiller tries to poetically master the personal, the sensuous nature
- Title: Origin and Destination of Humanity: Lecture XX: The Divinity Faculty and Theosophy
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- Truth and Poetry in our Religion; a speech which is deeply
- talks as a professor of theology about truth and poetry in our religion.
- the concept of poetry in the Holy Scripture. One says that it does not
- lose any value, but that the story is a kind of myth or poetry. One
- come to recognise that our Holy Scripture is composed of poetry and
- of knowledge about the nature of poetry. Poetry is something else than
- what the human beings imagine as poetry today. Poetry arose from the
- spirit. Poetry itself has a religious origin. Before there was poetry,
- also religious edification. Poetry was nothing else than the external
- but really. This forms the basis of every true poetry. Therefore, Goethe
- says: poetry is not art, but an interpretation of the secret physical
- why Goethe calls only someone “poet” who is anxious to recognise
- poetry and truth in religion. Our time does no longer have correct concepts
- of poetry. It does not know how poetry streams from the spring of truth.
- correct concept of poetry. We have to understand what poetry was originally
- Title: Aspects/Evolution: Lecture V
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- psychology, the so-called “nus poetikos.”
- Title: History of the Middle Ages: Lecture I: Celts, Teutons, and Slavs
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- elaborated by German poets in the Middle Ages — Roland,
- the mighty poet-personality of the Middle Ages — Dante. In the
- which later, the poets sought, namely, the consciousness of
- Title: History of the Middle Ages: Lecture II: Persians, Franks, and Goths
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- and the Poetic Edda, we must conclude that what that race
- that we can shape it to our liking, that here too the poet's words
- Title: History of the Middle Ages: Lecture IV: Arabic Influence in Europe
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- Middle Ages. The poet saw how the Germanic tribes were striving for
- Title: History of the Middle Ages: Lecture V: Charlemagne and the Church
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- landowners; princes, dukes, kings, even poets, unless they were
- Title: History of the Middle Ages: Lecture VII: France and Germany
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- acceptance and was recognised as legitimate even by the great poet
- Title: History of the Middle Ages: Lecture VIII: From the Middle Ages to the Renaissance
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- Heiland, and how, for his own countrymen, the poet transposed
- the first notable poets, such as Wolfram von Eshenbach, Gottfried
- Title: The Human Soul in Life and Death
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- occurrence of an important spiritual event, a poet, Robert
- [Footnote by Editor: Robert Prutz, 1816-72, poet,
- Title: Insanity from the Standpoint of Spiritual Science
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- If Hölderlin had not been a poet, the same dementia would
- that is just as little merely a poetical thought. The
- Title: Raphael's Mission in the Light of the Science of the Spirit
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- philosophy, in Greek poetry.
- originals. Even so, Homer's poetic works speak to us. But, what
- Title: Fairy Tales: in the light of Spiritual Investigation
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- connection with powers the poet tells us derive from the
- wonderfully poetic utterance which at the same time
- Title: The Worldview of Herman Grimm in Relation to Spiritual Science
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- romantic poet Clemons von] Brentano,[
- — a combination of poetry and truth — it still has
- Bettina Brentano was married to the poet Achim von Arnim
- Title: Problems of Our Time: Lecture III
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- would be no possibility of poets being born among us, of
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