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- Title: Lecture: The Alphabet
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- spiritual world of poetry and entered into the prose of life.
- It might be said that all poetry has in it something which makes it
- Title: Evil and the Future of Man
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- pulsating through music and poetry — anyone who experiences Art in a
- Title: The Individuality of Elias, John, Raphael, Novalis
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- forms, preparing through art and through poetry the true Michael mood of
- again in Novalis in poetry that stirs and enraptures the hearts of men. All
- poetry his magic idealism. He would fain not let himself be touched by Earth
- in his poetry with a well-nigh heavenly splendour. The meanest and simplest
- material thing — with the magic idealism of his poetry he can make it live
- Title: Lecture: A Turning-Point in Modern History
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- beautiful essay on Naive and Sentimental Poetry, you
- Title: Lecture: Elemental Beings and Human Destinies
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- reproduction in poetry of what actually goes on around Man in such an
- Title: Lecture VII: Ancient Myths
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- poetry of mathematics. For mathematics is phantasy. Mathematics is
- Title: Lecture: Goethe and the Evolution of Consciousness
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- before true poetry can come into being. But there was an age in the
- Title: Lecture: Modern and Ancient Spiritual Exercises
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- Title: Fall/Darkness: Lecture 13: The Fallen Spirits' Influence in the World
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- to my own inclination and put philosophy and poetry aside,
- Title: Lecture: Matter Incidental to the Question of Destiny
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- — the steam plough — that is the true poetry of our
- Title: World History: Lecture I: Evolution of the Soul and of Memory
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- — indeed all metrical poetry.
- hear it in the poetry and literature — to use a modern
- Title: Karma of Vocation: Lecture I
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- Poetry and Truth,
- themselves capable of understanding culture, art, and poetry.
- Title: Karma of Vocation: Lecture VI
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- beasts is today's true poetry. There is a peculiar interplay of
- Title: Karma of Vocation: Lecture VIII
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- individual, they could be applied to the art of poetry, and in
- Title: Eurhythmy (Introduction to a performance)
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- But the real artistic value of poetry is not determined by
- Title: Social Question as a Problem: Lecture II: The Inner Experience of Language
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- language think first of poetry. You have often heard the
- Title: Problem of Faust: Lecture III: Goethe's Feeling for the Concrete.
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- the concrete. We may say indeed that every word of the poetry
- Title: Problem of Faust: Lecture VIII: Spiritual Science Considered with the Classical Walpurgis-Night
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- Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
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- poetry, there is a true vision of reality. And the element
- also of true poetry. Goethe has indeed succeeded in leading
- the poetry, the lofty poetry, of the second part of
- Title: Pastoral Medicine: Lecture 6
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- visionary images that come to him in a matter-of-fact way. His poetry
- Title: Broken Vessels: Lecture 6
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- visionary images that come to him in a matter-of-fact way. His poetry
- Title: Origins of Natural Science: Lecture IV
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- an experience, not of knowledge but of poetry, or at least partially
- and imbued his mathematical thinking with poetry in order to retain
- that Giordano Bruno tried to turn into poetry, that Newton felt
- Title: Inner Impulses: Lecture I
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- greatness of Greek art and poetry, they are nothing but imitators.
- Title: Inner Impulses: Lecture II
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- self-deifying madness of Greek poetry, to quote Plato, was
- Title: Mystery Centres: Lecture III
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- best way to approach a child is to make poetry in its presence, to
- Title: Mystery Centres: Lecture IV: The Ephesian Mysteries of Artemis
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- metals cosmic fantasy. Then there resounds out of this cosmic poetry
- their language becomes poetry.
- aspect, medicine is cosmic poetry; indicating how many secrets of the
- Title: Mystery Centres: Lecture IX
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- became feebler and distorted. Fine poetry, grand poetry became such
- Title: World Economy: Lecture XIII
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- perhaps particularly fond of his poetry, may hit upon the following
- Title: Lecture: The Mysteries of Ephesus The Aristotelian Categories
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- Take any great work of poetry or any other work. Take the most
- Title: Significant Facts: Lecture I: A Convulsive Element in Humanity in the Nineteenth Century
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- rendering of the beautiful preface on the spirit of poetry. This is
- Title: Lecture: Curative Education: Lecture 2
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- Thus are the arteries which feed Schiller's poetry quickly detected
- in his poetry this it was, so we are assured, that led him
- Title: Lecture: Curative Education: Lecture 3
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- Title: Lecture: Curative Education: Lecture 7
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- yourself and pulling your poetry to pieces with your irony until no
- Title: Lecture: The Cycle of the Year: Lecture IV
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- music and poetry have come to be since then is far removed from the
- simple, primitive, elemental form of music and poetry which was
- poetry, but in the age of intellectualism in which the intellect has
- form of music and poetry.
- of dancing, music and poetry, in order to establish their
- Through music and poetry at the height of summer, he turned toward
- Title: Lecture: The Cycle of the Year: Lecture V
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- as answer to the performances of music, poetry and dancing
- Title: Lecture I: The Balance in the World and Man, Lucifer and Ahriman
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- poetry — for instance, the relations between Faust and Mephistopheles
- Title: Art/Mystery Wisdom: Lecture Two
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- spirit-self, then poetry is born.
- Poetry
- beyond poetry, as poetry stands out beyond music, music
- Poetry
- of daytime, then poetry arises. This is what people like
- Plato felt when they called poetry a ‘divine
- Title: Art/Mystery Wisdom: Lecture Three
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- further for the creation of poetry. Then the time will come
- poetry about those intimate processes which take place in the
- Title: Evolution, Earth, Man: Lecture VIII
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- figuratively as poetry. It was not poetry to those men of old; that
- This is all very beautiful, but it's simply poetry. But, gentlemen,
- simply from their inability to distinguish good poetry from bad.
- Title: On the Development of Human Culture: Lecture II
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- — as poetry. It was not
- poetry to those men of old, however; it was their way of
- says: This is all very beautiful but simply poetry. But indeed
- good poetry from bad. Among Goethe's poems there are many bad ones.
- Title: Art of Lecturing: Lecture II
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- in which one was to express oneself in poetry. Rhetoric and
- exclude poetry. What I now say, I say for older arts of
- to assert that there can be no more poetry at all today. We
- need but treat the language differently in poetry. But that
- Title: Boundaries of Natural Science: Lecture VIII
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- forth. Most certainly, I am very far from decrying the elements of poetry,
- Title: Anthro Medical Therapy: Lecture IX
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- the beautiful poetry of Mechthild von Magdeburg or of St.
- Title: The Building at Dornach: Lecture I
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- and Poetry” (“Dichtung und Wahrheit”). An
- personal confession in “Truth and Poetry”. Hence
- Title: The Building at Dornach: Lecture II
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- into French poetry; how Sophocles' Oedipus lives again in the
- not only in French poetry itself, but also in the theory of
- poetry. Do we not know how Lessing studied the way in which,
- as part of its theory, French poetry had taken over from
- poetry can be understood only by those who perceive how the
- Title: The Building at Dornach: Lecture III
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- German art, especially in German poetry and dramatic art.
- Title: Ways/Architecture: Lecture V: The Creative World of Colour
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- example from poetry — of Dante. Raphael, Leonardo and
- Title: Art of Lecturing: Lecture II
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- in which one was to express oneself in poetry. Rhetoric and
- exclude poetry. What I now say, I say for older arts of
- to assert that there can be no more poetry at all today. We
- need but treat the language differently in poetry. But that
- Title: Christmas Conference: Lecture 1: Introduction to the Eurythmy Performance
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- painting, or the arts of music or poetry, you will always
- Title: Awakening to Community: Lecture V
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- weak shadow of it. But anyone who can really enter into Greek poetry,
- Title: Problem of Death: Lecture I
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- Title: Eurythmy as Visible Singing: Lecture 4: The Progression of Musical Phrases; Swinging Over; the Bar Line
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- but artificial. It must all be abolished from poetry. Such was the discovery
- he had made. He declared that a new poetry must make its appearance
- on I even experienced that such poetry is actually written. At that
- Title: Eurythmy as Visible Singing: Lecture 8: Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo
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- [52] The same even applies to poetry. When a poet begins thinking he
- Title: Child's Changing Consciousness: Introduction to a Eurythmy Performance
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- recitation and declamation — as in the case of poetry
- say that of everything being produced in the art of poetry,
- experienced poetry is encountered by the whole human being, and
- verses are obviously out of place, but in poetry they are very
- “mood of mockery” or scorn inherent in the poetry,
- themes, all of which are fundamental aspects of poetry. Through
- in form of a narrative style, or as the kind of poetry
- art of declamation, which the older Germanic poetry is based
- Title: Colour and the Human Races: Lecture I: The Nature of Color
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- poetry if they were in their ordinary frame of mind, so then
- poetry. The bull becomes savage: man by exposing himself to the
- red becomes poetic! The stimulation to poetry is only a matter
- Title: Colour and the Human Races: Lecture II: Color and the Human Races
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- very beautiful Indian poetry, the most beautiful in existence.
- Title: Development of the child up to puberty
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- atrocity to pick this blue flower of poetry, which was served
- Title: Community Life: Lecture 4: Methods and Rational of Freudian Psychoanalysis
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- variations and distortions, provides the subject-matter of poetry.
- Title: Community Life: Lecture 6: The Concept of Love as it Relates to Mysticism
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- and Roman prose or poetry will you find anything resembling our modern
- and especially in poetry, is no more than six or seven hundred years
- poetry.
- Title: History of Art: Lecture 10: Disputa and The School of Athens of Raphael
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- Luther's soul is full of song, full of poetry but without figures. He
- Title: Course for Priests: Lecture I
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- when you ask about circulated poetry of Central Europe today,
- Title: Social Life: Lecture III
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- everything which poetry or fantasy pours over Earth-existence,
- Title: The Real Being of Man
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- everything which poetry or fantasy pours over
- Title: East and West, and the Roman Church: Lecture I
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- only perceived in Poetry, the superhuman he saw in the
- the Greek saw in Poetry. Such was the position assumed by the Greek
- Title: Karmic Relationships, Volume I: Lecture V
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- you are well aware, into the realms of poetry and art. If any one
- Title: Karmic Relationships, Volume I: Lecture VIII
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- of literature and poetry into what it became in Dühring's
- Title: Karmic Relationships, Volume I: Lecture XI
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- painting and of poetry in his Laocoon. But the most
- Title: Karmic Relationships, Volume II: Lecture I
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- geography, poetry — all these branches of culture flourished at
- Title: Karmic Relationships, Volume II: Lecture IV
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- sense-observation, striving to find expression in poetry, in
- Title: Karmic Relationships, Volume II: Lecture XI
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- say poetry, for this they have always done — but newspaper
- Title: Lecture: Karmic Relationships, Volume III: Lecture VI: The School of Chartres
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- Title: Karmic Relationships, Volume IV: Lecture II
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- His style is carried upwards, as it were, upon the wings of lyric poetry.
- Title: Karmic Relationships, Volume IV: Lecture III
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- Architecture, poetry, astrology, geography, history, anthropology
- Title: Karmic Relationships, Volume IV: Lecture X
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- Schröer wrote a history of German poetry in the 19th century. In
- History of German Poetry in the 19th Century.
- Title: Things Past and Present: Lecture I
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- to listen to a recitation from the poetry of Friedrich
- Lienhard's poetry we have, above all, the wonderful
- formal element of the ancient poetry, again into the present
- which, for example, lives also in Lienhard's poetry and which
- wants to describe people artistically in poetry, etc, then
- Title: Things Past and Present: Lecture VII: Man's Four Members
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- poetry. Christian Morgenstern, if he were alive today, would
- Title: Things Past and Present: Lecture XII: Luciferic Dangers from the East
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- Europe. Now I will not speak of Robert Hammerling's poetry
- Title: Lecture: Riddle of Humanity: Lecture Nine: Enlivening the Sense Processes and Ensouling the Life Processes. Aesthetic Enjoyment and Aesthetic Creativity. Logic and the Sense for Reality.
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- poetry or works of art at all, but at the very most only didactic
- Title: Lecture: Riddle of Humanity: Lecture Ten: Loss of the Ability to Orient Oneself in Reality and the Helplessness of Modern Scientific Driteria in a Materialistic Age.
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- everything else is poetry it has been written-in without
- Title: Historical Necessity: Lecture 5: The Members of Man's Being and the Periods of His Life
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- of the people, myths that penetrated into poetry, into art,
- Title: Symptom 2 Reality: Lecture V: The Supersensible Element in the Study of History
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- the inner rhythms in music and poetryand the artists
- Title: Symptom 2 Reality: Lecture VII: Incidental Reflections on the Occasion of the New Edition of 'Goethes Weltanschauung'
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- spiritual nourishment for his later poetry from his
- Title: Fundamental Social: Lecture 2: The Logic of Thought and the Logic of Reality
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- thinks, what he creates in poetry and art, what he thinks
- Title: Responsibility of Man: Lecture I
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- all that poetry and phantasy can spread over earthly existence,
- Title: Materialism/Anthroposophy: Lecture VII
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- pronounced when we see him express his sentiment in poetry
- Title: Cosmosophy 1: Lecture VII
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- his poetry and therefore became in that way merely a
- turned to poetry but brought things to expression in a way
- poetry. For this he had poetic inclinations but never
- Title: Occult Movement: Lecture Six: The Dangers of Aberation Along the Path into the Spiritual World
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- poetry, hoping for forgiveness, let us turn again to that
- Title: History of Art: Lecture X: Disputa of Raphael - the School of Athens
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- poetry, yet amorphous, formless in his soul, rejecting
- Title: History of Art: Lecture XI: Fourth and Fifth Post-Atlantean Epochs, Medieval Art in the Middle, West, and South of Europe
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- beautiful as the poetry of Walthers von der Vogelweide,
- Title: Golden Blade, 1962: Lecture 2: Paths to the Spirit in East and West
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- certainly, I am very far from decrying the elements of poetry,
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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- same thing may be said, and in the poetry of Holderlin.
- Title: Colour: Part Three: The Creative World of Colour
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- an example from poetry, in which Dante was. Raphael, Leonardo and
- Title: Influences of Lucifer/Ahriman: Lecture Five: The Human as a Being of Will
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- understood by modern people who like to relegate poetry, indeed all
- relieved not to be asked to see in poetry anything more than fantasy.
- True poetry, true art, is of course, no more than a reflection of
- Title: Lucifer and Ahriman: Lecture V: The Human as a Being of Will
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- little understood by modern man who likes to relegate poetry,
- reality. He feels relieved not to be asked to see in poetry
- anything more than phantasy. True poetry, true art, is of
- Title: Social Forms: Lecture XIV: The Connection of the Members of Man with the Kingdoms of Nature, the Necessity of the Threefold Order
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- the magnificent poetry of the Orient. It must be sought as a
- poetry is intimately bound up with the essence of the earth.
- Title: Poetry/Speech: Lecture I: The Art of Recitation and Declamation
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- Poetry and the Art of Speech
- In this way poetry becomes at once declamation and
- poetry. This is what we shall consider further when we enter into
- element of plasticity which infiltrates Goethe’s poetry
- – and Goethe’s poetry is always plastic – is, of
- of a southern, or even oriental-sounding, poetry. Fundamentally,
- poetry by the mere content of the poem: fundamentally, the content
- is only a ladder by which true poetry – living poetry –
- Title: Poetry/Speech: Lecture II: The Art of Recitation and Declamation
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- Poetry and the Art of Speech
- flatters himself that he can also write poetry. It would not so
- ideas about the real nature of poetry, there is also a certain lack
- for the true nature of poetry. There is no doubt that poetry stands
- with the soul and spiritual parts of his being poetry must also
- poetry. I should like to draw attention to two facts – things
- namely, that what he wished to convey to the world as his poetry
- – that when I reveal myself in poetry, it is really something
- different sides, show us what wells up in poetry from the
- declamation gives expression in poetry, and takes hold of the human
- movement when he declaims or recites poetry – this, too, must
- human organism when the art of poetry is expressed through
- of folk-poetry, or folk-song, is taken into consideration; we shall
- poetry. We hope to show you how fundamentally different the effect
- connection between poetry and recitation and
- The poetry of earth is never dead:
- poetry of earth is ceasing never:
- human organization when this serves as the instrument for poetry
- recitation must undoubtedly follow the poetry. Recitation
- introduces the human element into poetry, for the human
- Maximum number of matches per file exceeded.
- Title: Poetry/Speech: Lecture III: The Art of Recitation and Declamation
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- Poetry and the Art of Speech
- in the very nature of poetry that, in one case, a poem is
- Deeply founded in the nature of poetry is the
- existence, are here turned inward – in poetry they are so far
- something which has entered that poetry in which the element of
- gave themselves over to the creation of poetry. When they were
- ’s poetry. This, however, is
- characteristic effects of assonance in English poetry. The first is
- Title: Poetry/Speech: Lecture IV: Poetry and the Art of Speech
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- Poetry and the Art of Speech
- POETRY
- poetry by, on the one side, lyric; on the second side, epic; and on
- that of recitation. Anyone who wishes to recite lyrical poetry must
- When studying poetry with a view to
- poetry itself, will only become artistic when everything that the
- Furthermore, I showed how this comes to find expression in poetry
- poetry comes to actual corporeal utterance. And conversely, the
- speech, in lyrical poetry. All the prose content of a poem must be
- If, in poetry or reciting, we find ourselves having to exert our
- with the poetry that we are concerned. On the stage the
- the artist’s soul which he experiences as poetry, but which
- reality, the recitative-declamatory speaking of prose-poetry is the
- prose-poetry must become much more soul-filled: it must occasion
- production into a poetical work, into the realm of art and poetry,
- reciting of poetry is transformed, through acquiring a more
- prose, demonstrating that, in what is apparently prose, true poetry
- Title: Curative Eurythmy: Lecture 1
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- but rhythm in their course. By striving to return to rhythm in poetry,
- by resisting the enemy of poetry, that is prose (with the exception
- when we want to return to the realm of poetry; we should listen to the
- Title: Curative Eurythmy: Lecture 7
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- indicate that the lovely poetry of Mechthild von Magdeburg, for example,
- in such a form that they were fixed in very beautiful poetry. Indeed,
- within the poetry becomes eurythmy, as I showed you yesterday —
- And when this process does not exude in sultry poetry but takes instead
- the course of accompanying beautiful poetry as eurythmy, then that which
- what would like to arise and take form in something like mystical poetry
- Magdeburg had been instigated to do eurythmy to good poetry, her entire
- Title: Old/New Methods: Lecture Ten: The Threefold Human, Four Elements, Imagination, Inspiration, Intuition
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- sense for sculpture and music. In a work of poetry such as the drama of
- Title: Arts and Their Mission: Lecture I
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- drama, costuming, music, poetry, eurythmy, and more.
- Title: Arts and Their Mission: Lecture II
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- drama, costuming, music, poetry, eurythmy, and more.
- Title: Arts and Their Mission: Lecture III
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- drama, costuming, music, poetry, eurythmy, and more.
- summary brings us to the world of poetry and drama.
- in the past I have called attention to the way poetry was felt in ancient
- when poetry, including poetic dramas, by reason of that fact, was artistic
- being who would make use of his body in artistic creation. Epic poetry
- poem, the thought element of the cosmos. Epic poetry always means letting
- relationships. Out of such a collaboration arises epic poetry.
- In poetry
- may say in summary: Epic poetry turns to the upper gods, drama to the
- In contrast, epic poetry sees the upper spiritual world sink down; the
- Title: Arts and Their Mission: Lecture IV
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- drama, costuming, music, poetry, eurythmy, and more.
- poetry. It is extraordinarily interesting to watch the reversal of method.
- For romantic poetry, as opposite pole to the classicism striven for
- Title: Arts and Their Mission: Lecture V
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- drama, costuming, music, poetry, eurythmy, and more.
- most clearly if we go back four or five thousand years to poetry during
- the primeval ages; or, rather, to what would today be called poetry. To
- fathom the poetry of the bearers of ancient culture (it is nonsense,
- through poetry during the period when they received spiritual content
- to an age when all the arts, except poetry, were but little developed.
- reaches, manifests here on earth. Poetry, then, was not an offspring
- that man learned what he in turn poured into the other arts. Poetry,
- flowered into poetry. The last remnants of such poetry are contained
- is felt of all this in present-day poetry?
- Poetry
- would not be poetry — and in our time much poetry is no longer
- poetry — if certain aspects of man's communion with the cosmos
- For true poetry never consists of what is stated literally. Into the
- that poetry conveys something lying outside its words, for which the
- words are but a means, the fact that poetry's aura of mood echoes cosmic
- harmony, melody, imagination, this fact, even today, makes poetry poetry.
- in the present case, poetry — makes use of is only a means to
- exaggerate today's relation between art and science, between poetry
- show the contemporary mis-relationship between poetry, art and science.
- Maximum number of matches per file exceeded.
- Title: Arts and Their Mission: Lecture VI
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- drama, costuming, music, poetry, eurythmy, and more.
- Title: Karma: Lecture V
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- of poetry. If anyone appears in the world with certain
- Title: Karma: Lecture VI
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- A well-known line of German poetry. (Tr.)]
- Title: Three Streams: Lecture II: The Fifth Epoch, Semitic and Greek Cultures, the Christ Impulse
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- twilight — and poetry written in that key, both true and false,
- Title: Roman Catholicism: Lecture III
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- external science or painting or poetry, they would be honored as
- Title: Three Streams: Lecture II: The Fifth Epoch, Semitic and Greek Cultures, the Christ Impulse
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- twilight — and poetry written in that key, both true and false,
- Title: Search for the New Isis: Lecture III: The Magi and the Shepherds: The New Isis
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- Novalis who were able to feel and give expression to the poetry and
- Title: Search for the New Isis: Lecture IV
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- matter of mythological poetry. Nevertheless it is precisely through
- pictures. These ancient mythologies are not ‘poetry’
- in the sense in which we think of poetry today; they are the outcome
- Title: Driving Force: Lecture I
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- saying of ‘Poetry’ from Schiller's lyrical
- Title: Human Soul/Evolution: Lecture VII: Modern and Ancient Spiritual Exercises
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- in poetry.
- Greek measure of six — in poetry, line scanning in six feet.
- Title: Philosophy, Cosmology and Religion: Lecture III: The Imaginative, Inspirative, and Intuitive Method of Cognition
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- write poetry or create works of art. Original scientific ideas
- Title: i Spirituality: Lecture 1: Historical Symptomology, the Year 790, Alcuin, Greeks, Platonism, Aristotelianism, East, West, Middle, Ego
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- experience and poetry, however, are not separate, opposed and mutually-limiting activities of
- philosophy and poetry."
- Title: Tree of Life/Knowledge: Lecture I: Tree of Life - I
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- revelation — that is the Latin-Roman poetry, which
- poetry till the decline of ancient Rome. Every possible shade of
- Title: Tree of Life/Knowledge: Lecture III: The Power of Thought
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- sculpture as well as in poetry, in fact in philosophy too. If you
- Sophocles, and in all the figures of sculpture and poetry which
- Title: Tree of Life/Knowledge: Lecture V: Tree of Knowledge - I
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- the very finest pearls of poetry that ever have been given to the
- so beautiful in poetry, a nuance is brought out that now the little
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