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- Title: Lecture: Social Understanding Through Spiritual Scientific Knowledge
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- education is exactly the same thing to a good teacher as the aesthetics of
- color is to an artist. He can have studied aesthetics of color very well, but
- from an entirely different quarter than the study of the aesthetics of color.
- Title: Lecture: The Sense-Organs and Aesthetic Experience
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- the Life Processes. Aesthetic Enjoyment and Aesthetic Creativity.
- AND AESTHETIC EXPERIENCE
- leads to aesthetic creativity; or, if it tends more towards
- comprehension, towards perception, it leads to aesthetic experience.
- Real aesthetic life in human beings consists in this, that the
- the aesthetic realm when secretion leads to physical excretion. It
- soul-processes, the aesthetic experience of a tragedy carries right
- like a breath of this deeper understanding of the aesthetic activity
- be in reading anything by present day writers on aesthetics, who only
- significant high-point in comprehending aesthetic activity of man was
- reached in Schiller's Letters on the Aesthetic Education of
- Schiller's Aesthetic Letters embrace something of what has
- aesthetic creation. And then natural necessity, on its side, is
- course, read this in Schiller's Aesthetic Letters themselves;
- Aesthetic Letters. Only thus could he express it at that time,
- otherwise is merely cognition. Schiller in his Aesthetic
- You will see that man as an aesthetic being is raised above earthly
- aesthetic attitude of mind or aesthetic creativity a man no longer
- through our study of aesthetics we approach some deep mysteries of
- come through aesthetic comprehension to a higher truth; but if he
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- Title: Lecture: A Turning-Point in Modern History
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- Aesthetic Education of Man; this was the time, too, when Goethe
- the impulse which lay behind Schiller's Aesthetic Letters
- You can read about the connection between Schiller's Aesthetic
- rationality, sensuality, aesthetic activity work together in
- Schiller was writing his Aesthetic Letters. Goethe was a
- necessity, sensual necessity and the aesthetic approach for
- There is something very great in these Aesthetic Letters,
- rational necessity, aesthetic impulse, sensual necessity. For him
- Aesthetic Letters: they were going to have to teach
- Aesthetic Education, which represent a certain culmination of
- attempted by Schiller in his Aesthetic Letters and
- If we approach the Aesthetic Letters and the
- reading the Aesthetic Letters should feel: in the very way
- his Aesthetic Letters, but when he asks, How
- Aesthetic Letters he says boldly that man is fully man
- Aesthetic Letters: man is fully man only when he is
- Title: Lecture: The Dual Form of Cognition During the Middle Ages and the Development of Knowledge in Modern Times
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- deal with the aesthetic sphere in an external, empiric manner, a
- to Aesthetics was published in 1858. Finally, the attempt was
- seen, for instance, in Fechner's Introduction to Aesthetics),
- Title: Lecture: The Remedy for Our Diseased Civilisation
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- from an aesthetic standpoint. We can bear in mind the monumental
- the whole thing to work upon us in an aesthetic way ... and from what
- Title: Lecture: Man's Fall and Redemption
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- dispute between two authorities on aesthetics — the
- an important book on aesthetics (important, in the meaning of our
- aesthetics. The former, V-Vischer defines beauty as the manifestation
- Title: Lecture: Factors of Karma, Deficiencies in Psychoanalysis
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- Vischer, the aestheticist, tells a pretty little story in his book,
- Title: Meditation and Concentration
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- Even if the expression is not altogether aesthetic, yet I may
- Title: Karma of Vocation: Lecture I
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- for aesthetics, was slightly disillusioned when he first called
- the aesthetic in life, and by Jung-Stilling to the occult
- Letters Regarding the Aesthetic Education of Humanity.
- and creates aesthetically, when his thoughts develop in such a
- Regarding the Aesthetic Education of Humanity
- Aesthetic Letters,
- Title: Karma of Vocation: Lecture V
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- Title: Karma of Vocation: Lecture VI
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- Aesthetics, and describes with loving devotion the life
- Title: Mysteries of the Sun: Lecture II
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- they relegate them to aesthetics. A perfectly average
- aesthetics, into all manner of dabbling with so-called art.
- bourgeoisie who even concern themselves with aesthetics in an
- to the realm of aesthetics, and what has newly arisen as
- troubling themselves about things aesthetically. When the
- Title: Differentation of Primeval Wisdom into East, Middle, West
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- the third type, the Aesthetic, which is just as much
- how it is that just in Central Europe this Aesthetic type
- the aesthetic education of man. These are directly concerned
- Schiller in those Aesthetic letters rests an this: that on
- in the Aesthetic behavior of man), the highest, free
- expression of human nature. He wrote his Aesthetic letters,
- upon the Aesthetic education of man. Nothing which stands in
- these Aesthetic letters could have been written unless Goethe
- Aesthetic spirit of Central Europe is united with Greece.
- becomes Aesthetic in Goethe, on his Italian journey, in the
- life of Nature. Now that is an Aesthetic view of the world,
- utilitarian; Central earth-regions — Aesthetic; the
- century into the Aesthetic element has come over from the
- consider that theory spoilt by its Aestheticism. In the 19th
- is everywhere permeated by Aestheticism.
- Aestheticism, even in moral ideas. We see here the triumphant
- march of this Aestheticising making itself felt, especially
- types which I have characterised: the Ethical, the Aesthetic,
- towards artistic things. An abstract, Aesthetically
- Title: Social Question as a Problem: Lecture II: The Inner Experience of Language
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- aesthetically, artistically. But they cannot soar to the
- Title: Problem of Faust: Lecture IV: Faust and the "Mothers"
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- significant content, apart from the aesthetic value of the
- Title: Problem of Faust: Lecture X: Faust's Knowledge and Understanding of Himself
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- and aesthetic satisfaction in its series of pictures; the
- Title: Problem of Faust: Lecture XII: Goetheanism In Place of Homunculism and Mephistophelianism
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- Title: Significant Facts: Lecture III: The Tragic Wrestling with Knowledge. The Secrets of the Future Sixth Cultural Period.
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- a theory of aesthetics from below upwards, on the basis of actual
- Title: Lecture: Curative Education: Lecture 2
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- to be the outcome of aesthetic points of view.
- Title: Lecture: Curative Education: Lecture 9
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- is to say, are entirely aesthetic. It will therefore be for the
- Title: Lecture III: The Balance in the World and Man, Lucifer and Ahriman
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- Title: Anthroposophic Movement: Lecture Two: The Unveiling of Spiritual Truths
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- Title: Art/Mystery Wisdom: Lecture Two
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- aesthetics that have come to the fore during the last century
- Title: Art of Lecturing: Lecture II
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- Title: The Building at Dornach: Lecture II
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- for aesthetic culture in its great refinement. You remember
- Title: Ways/Architecture: Lecture IV: True Aesthetic Laws of Form
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- Title: Ways/Architecture: Lecture V: The Creative World of Colour
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- are truly artistic, truly aesthetic ones. For it is the
- Title: Art of Lecturing: Lecture II
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- Title: Christmas Conference: Lecture 9: Continuation of the Foundation Meeting, 28 December, 10 a.m.
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- knowledge, aesthetics, art. How typical that even in France
- Title: Christmas Conference: Lecture 15: The Idea of the Future Building in Dornach
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- will, I believe, be no less aesthetically attractive than a
- Title: Hegel, Schopenhauer, Thought, Will
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- considering Schiller's aesthetic letters on the one hand and
- Title: Problem of Death: Lecture III
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- moment suppressed by the desire for aesthetic
- Title: Eurythmy as Visible Singing: Lecture 6: The Sustained Note; the Rest; Discords
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- it may be aesthetically expressed when the two parts are taken (as they
- will be eminently correct and aesthetically good as well as intrinsically
- Title: Eurythmy as Visible Singing: Lecture 7: Musical Physiology; the Point of Departure; Intervals; Cadences
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- aesthetically beautiful movements. Then your soul is brought into play.
- Title: Eurythmy as Visible Singing: Lecture 8: Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo
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- is expressed in note values. For this reason an aesthetic and pleasing
- Title: Child's Changing Consciousness: Lecture I
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- Title: Child's Changing Consciousness: Lecture V
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- we introduce not aesthetics but a thoroughly artistic element,
- Title: The Social Question as a Question of Consciousness: Lecture 4
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- feel aesthetically, on what they bring to expression through their moral
- Title: The Apocalypse: Lecture XVIII
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- book on aesthetics some time. Drandorf remained relatively
- Title: History of Art: Lecture 12: Greek and Early Christian Art, Symbolic Signs, the Mystery of Gold
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- one must not take these things as a false aestheticism, or a false protest
- Title: Mystery Trinity: Part 1, Lecture 3
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- [Johann Christoph Friedrich von Schiller (1759–1805), German poet, dramatist, historian, and philosopher. Schiller's friendship with Goethe is celebrated. Strongly influenced by Kant, his idealism and hatred of tyranny were a powerful influence in modern German literature. Wrote Letters on the AestheticNote 5]
- Letters on the Aesthetic Education of Man.
- artistic creation and aesthetic appreciation. One who simply
- Letters on the Aesthetic Education of Man,
- Schiller's letters on the aesthetic education of man. Therefore, we
- his letters on aesthetic education. They are worthy of the very
- aesthetic education of man it was not easy for him to find his way
- individual as if a free human being could only live aesthetically. An
- aesthetic society — that, as the social challenge, is what
- Schiller brings forward at the end of the letters on the aesthetic
- Title: Redemption of Thinking: Lecture III:
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- Title: Anthroposophic Movement (1938): Lecture II: The Theosophical Society: A Common Body with a Conscious Self. Blavatsky Phenomenon
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- ‘theosophists’ also in his History of Aesthetics),
- 1, Logical Ideas; 2. Aesthetic Ideas; 3. Ethical Ideas.
- moment the part on aesthetics, which deals with Art, and the
- Besides this, there were certainly the Aesthetic Ideas. These
- Ethical Ideas. — The Aesthetic Ideas included also the
- Aesthetic ideas: Perfection;
- Title: Fundamental Impulses in the Mysteries of Ancient and Modern Times
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- its religious, aesthetic, scientific and social life. This old
- Title: Karmic Relationships, Volume I: Lecture VII
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- want to speak, first, of a well-known aestheticist and philosopher,
- certain aesthetic enthusiasm! I say “aesthetic enthusiasm”
- made a name for himself as an aestheticist — and the father
- that of writing a work on aesthetics according to the principles of
- very cleverest writing on aesthetics that is anywhere to be found.
- aestheticist, philosopher and man of letters, Vischer published a
- Title: Karmic Relationships, Volume I: Lecture VIII
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- the lecture yesterday I spoke, firstly, of the aestheticist Friedrich
- his companions in the spiritual life, he too, as an aestheticist,
- came to write the destructive critique of his own aesthetics —
- rejects his five-volume work on aesthetics and succumbs to the
- scientists would approve. In his first work on aesthetics he looks
- Vischer working at the destruction of his own aesthetics! We see how
- makes progress with this second work on aesthetics, how a kind of
- Title: Karmic Relationships, Volume I: Lecture IX
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- Consciousness of Mankind), and another on Aesthetics — in fact
- Title: Karmic Relationships, Volume II: Lecture III
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- — one cannot exactly say with enthusiasm, but with aesthetic
- imitator of this style in the artistic, aesthetic sense of the word.
- Title: Karmic Relationships, Volume II: Lecture IX
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- impression is only a moral or aesthetic one. It hurts nobody. But
- Title: Lecture: Riddle of Humanity: Lecture Four: Human Organism, Results of Prenatal Formative Powers. Dual Nature of Man. Powers behind the Existence of the Body as Expressed Pictorally by the Body and as Expressed in a Draughtsmanlike Fashion by the Head.
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- three-foldness of human nature and knowledge, aesthetics and morality.
- with aesthetic enjoyment and creativity is related to the life of the
- participating in the moral life, in the aesthetic life, and in the
- materialist could believe that the ideas of morality, of aesthetic
- is the origin of that for which he strives in his artistic, aesthetic
- enjoyment or in his creative artistic and aesthetic efforts? And what
- aesthetic? All these things rest on interactions and relationships. If
- then what relationship provides the basis for aesthetic experience,
- world that surrounds us. With aesthetic experience, what comes into
- organism, for aesthetic experience arises either when the head dreams
- forth, back and forth. This is the primary thing with aesthetic
- second. The occult basis of all aesthetic and artistic enjoyment is
- of the organism. In the case of lesser aesthetic pleasures, the head
- is dreaming of the body; with the higher and highest aesthetic
- of the botocudian attitude people have regarding aesthetic matters. Everyone
- dictates of conscience, but when it comes to the aesthetic sphere we
- artistic side of such a work of art. This is because the aesthetic
- Now let us turn to beauty and to the things that have aesthetic
- aesthetic originates in certain impulses that come from the spiritual
- aesthetic sphere works directly on the astral body. There it brings
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- Title: Lecture: Riddle of Humanity: Lecture Five: How a Person Grows into the Three Spiritual Realms of Wisdom, Beauty and Goodness. How These Shine Down into the Spiritual Part of Man.
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- aesthetic impulse and impulse towards truth.
- the realm of morality, the aesthetic realm and the realm of wisdom, or
- of the good, the aesthetic realm, the realm of the beautiful, and the
- participates, in the way we described yesterday, in the aesthetic
- Now we want to indicate how aesthetic impulses stream into man. Here
- aesthetic experience, the etheric stream circumvents the
- One could say that the aesthetic glows through the region of the
- aesthetic considerations, those that no longer have anything to do
- mineral, plant and animal realms, so the moral sphere, the aesthetic
- something aesthetically, all that is hovering around our heads.
- The aesthetic sphere comes especially to the fore in the third act of
- within the spiritual-aesthetic sphere. And there are parallel
- Everything that belongs to the aesthetic sphere began on Old Moon. It
- the day, through the aesthetic sphere, into the moral sphere
- spiritual realms the realms of morality, of aesthetics, and of
- mankind ascends through the moral, the aesthetic, and through the
- Title: Lecture: Riddle of Humanity: Lecture Nine: Enlivening the Sense Processes and Ensouling the Life Processes. Aesthetic Enjoyment and Aesthetic Creativity. Logic and the Sense for Reality.
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- Aesthetic enjoyment and aesthetic creativity. Logic and the sense for
- The Sense-Organs and Aesthetic Experience.
- state tends more towards the will, it leads to aesthetic creation; if
- the state tends more towards perception, it leads to aesthetic
- enjoyment. Truly aesthetic human behaviour consists in the enlivening
- no longer appropriate to the aesthetic realm, for secretion has been
- materialistic medicine. The aesthetic experience of tragedy really
- aesthetic man not understanding in the modern style, but out of
- than you ever will by reading the tract of some modern aesthetician
- Schiller's Letters on the Aesthetic Education of Man marks
- another high point in the understanding of aesthetic man. He lived in
- aesthetics nevertheless contain something of what we have been talking
- finds it in what occurs when a person forms something aesthetically
- Naturally, you must read Schiller's letters on aesthetics for
- will find described in Schiller's letters on aesthetics. There it is
- Thus the attitude that lives in Schiller's aesthetic letters is that
- unique place of aesthetic man in Earth evolution. To a certain extent,
- aesthetic man lifts himself above the stream of development and enters
- a different world. And that is important. The aesthetically inclined
- person and the person who works in an aesthetic field do not act in a
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- Title: Lecture: Riddle of Humanity: Lecture Ten: Loss of the Ability to Orient Oneself in Reality and the Helplessness of Modern Scientific Driteria in a Materialistic Age.
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- Legacy to Theology, Physiology, Aesthetics and National Policy (Das
- Title: Wrong and Right Use: Lecture 2: Secret Brotherhoods-2, -or- Wrong and Right Use of Esoteric Knowledge-2, -or- Individual Spirit Beings and the Undivided Foundation of the World-Part 2
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- approach through science on the one hand and through aesthetic
- Title: Symptom 2 Reality: Lecture II: Symptomatology of Recent Centuries
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- expressed in his Letters on the aesthetic education of
- Title: Therapeutic Insights: Lecture I
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- philosopher and aesthetician, Gustav Theodore Fechner, went
- Title: Cosmosophy 1: Lecture I
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- absorbed into its religious, aesthetic, scientific, and
- Title: Lecture: Supersensible Influences: Lecture V: Modern Abstract Thinking and Living Thinking of Future Times, -or- The Idea of Metamorphosis and the Repeated Lives on Earth
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- been a contemporary of Carriere, the well-known writer on Aesthetics.
- him ‘the aesthetic rapture-monger’.” Now just as it
- might be the fate of a writer on Aesthetics to be called a
- Title: History of Art: Lecture XII: Greek and Early Christian Art, Symbolic Signs, the Mystery of Gold
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- sense of false aesthetics or in hostility towards sensory
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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- the artistic or aesthetic impulses as such, attaching an excessive value
- as such, imagining that with aesthetic views and feelings which happen
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
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- the Master of Flémalle accepts the principles of certain aesthetic
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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- have to make with the body according to aesthetic laws of balance and
- all, — a magic breath of aesthetic traditions, of harmony and
- peculiarly aesthetic truth, the climax of a great tradition. Here the
- their Masters many a tradition of aesthetic law, artistic harmony, —
- Title: History of Art: Lecture IX:
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- It is interesting how the aestheticist, Robert Zimmermann, — without,
- Title: Psychoanalysis: Lecture I: Anthroposophy and Psychoanalysis I
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- a high degree in all sorts of aesthetic, and general human
- Title: Reappearance/Christ: Lecture XI: Individual Spirit Beings and the Undivided Foundation of the World: Part 2
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- on the one hand and nature worship, aesthetics of nature, etc., on
- Title: Social Forms: Lecture VIII: East, Middle, West
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- Title: Social Forms: Lecture XVI: Changes in the Meaning of Speech, -or- Dreams and Human Development
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- abstract rules. The purpose of aesthetics is not that of
- Title: Poetry/Speech: Lecture I: The Art of Recitation and Declamation
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- had now transformed his whole attitude to art, his entire aesthetic
- regard to their purely aesthetic impulses. For to an inartistic
- Title: Poetry/Speech: Lecture III: The Art of Recitation and Declamation
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- impulse of spiritual science to bear on aesthetic considerations
- be obtained if there is in our knowledge so much of aesthetic
- Title: Poetry/Speech: Lecture IV: Poetry and the Art of Speech
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- have strayed from a genuinely aesthetic perception, and little by
- Title: Curative Eurythmy: Lecture 7
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- What they produce will be aesthetic, in an outer formal manner beautiful
- Title: Colour: Part One: The Phenomenon of Colour in Material Nature
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- above all verge on Psychology and Aesthetics must not be allowed to be
- Title: Old/New Methods: Lecture One: Ahrimanic and Luciferic, Human Body, Soul, Spirit
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Two: East, Weat, and Center, -or- Asiatic Spiritual Life
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Three: The Development of Religious Experience in Post-Atlantean Civilization
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Six: Methods of Initiation, Old and New - 1
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Seven: Methods of Initiation, Old and New - 2
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Eight: The Passage of the Human Soul and Spirit through the Physical Sense-Organization
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Nine: The Threefold Human, Reincarnation, Heathens, Jews, Christians, Calderon
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Ten: The Threefold Human, Four Elements, Imagination, Inspiration, Intuition
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Eleven: Faust and Hamlet in Relation to the Turning Point of the 15th Century
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Title: Old/New Methods: Lecture Twelve: The Transition from the 4th to the 5th Post-Atlantean Period, Shakespeare, the Spiritual Struggle of Schiller and Goethe
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Letters on the Aesthetic Education of Man (Aesthetical Essays).
- balance between these two conditions the aesthetic condition. The
- Letters on the Aesthetic Education of Man (Aesthetical Essays)
- dictates of reason. So he sought a way out by means of aesthetic
- creativity and aesthetic enjoyment. Goethe, though, had a feeling for
- Letters on the Aesthetic Education of Man (Aesthetical Essays)
- letters on the aesthetic education of man, in which I have
- aesthetic education. Goethe would have read the letters and on next
- Title: Old/New Methods: Lecture Thirteen: The Transition from the 4th to the 5th Post-Atlantean Period, Shakespeare, Schiller, Goethe, -or- The Search for the Spirit
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- do in his aesthetic letters, but instead he was urged to enter the
- Title: Old/New Methods: Lecture Fourteen: The 5th Post-Atlantean Period, the French Revolution, Schiller, Goethe, the Freedom Problem, -or- Berlin University Course Report - 2
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- the work of Goethe and Schiller, particularly Faust and the Aesthetic
- Letters on the Aesthetic Education of Man (Aesthetical Essays).
- Letters on the Aesthetic Education of Man (Aesthetical Essays)
- aesthetic, this may be all very well, but such an aesthetic society
- how in such an aesthetic society the sewers will be kept clear.
- Neither can I imagine how in this aesthetic society certain things
- There you see that in an aesthetic society true human
- Letters on the Aesthetic Education of Man (Aesthetical Essays),
- Title: Arts and Their Mission: Lecture II
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- expediency to the principle of the beautiful, the aesthetic; and one often
- creates no aesthetic forms. Artistry arises always and only through
- Title: Colour: Part Two: Dimension, Number and Weight
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- with weight, which Giotto began in an aesthetic-artistic way and
- Title: Challenge/Times: Lecture II: The Present from the Viewpoint of the Present
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- religion, science, or aesthetics, have all gradually lost
- Title: Anthroposophy Introduction: Lecture III: The Transition from Ordinary Knowledge to the Science of Initiation
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- our aesthetic sense at most. Just think how often it happens that we
- is an aesthetic judgment, or an intellectual one. But there is another
- our intellect, or, at most, our aesthetic sense; and those that affect
- our previous life. If people only impress our intellect or our aesthetic
- a person acts on another through intellect or aesthetic sense, in another
- Title: Thomas Aquinas: Lecture III: Thomism in the Present Day
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- as the Father of a New Aesthetic,” there was in the
- Aesthetics; he was, of course, highly trained in Thomism,
- Title: Driving Force: Lecture IV
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- thoughts — their scientific, aesthetic, political and
- Title: New Spirituality: Lecture 3: The New Spirituality and the Christ Experiance of the Twentieth Century - 2
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- Title: New Spirituality: Lecture 4: The New Spirituality and the Christ Experiance of the Twentieth Century - 3
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