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- Title: Lecture: Outlooks for the Future
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- human body was soft, pliable and plastic, so that the souls that came down
- Title: Lecture: Spiritual Emptiness and Social Life
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- ideas and mental images in such a way that they have plasticity,
- Title: Lecture: Goethe and the Evolution of Consciousness
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- must make our ideas plastic and form quite a different conception of
- Title: Lecture: The Relation of the Movement for Religious Renewal to the Anthroposophical Movement
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- have gradually become those of our arts bodily, plastic
- presentation in the plastic arts and presentation by means of tone
- Title: Lecture: Technology and Art: Their Bearing on Modern Culture
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- carried to a further stage, the plastic-pictorial element becomes a
- direction: from the musical to the plastic-pictorial.
- Title: Lecture: Hygiene - a Social Problem
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- Inherentwithin them, penetrating them with a plastic formativeforce,
- Title: Lecture: Speech and Song
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- based upon the finer plastic structure of our body. Whether we
- fact that something or other in our body has a certain plastic form.
- its plastic form and structure, may really be conceived as
- twelve consonants taken together really represent the entire plastic
- figuratively in the least: — the human being is plastically
- represents the plastic sculpture of the human body.
- The plastic instrument of the body is in fact a dead thing until the
- whole arrangement of its plastic structure here on earth, has to
- consonantal nature, which is plastically shaped and formed in
- becomes in him the plastic sculpture of the human frame, and the Soul
- solid form, to play upon this plastic instrument of music and now, in
- consonant, spoken forth out of the Cosmos, which has taken plastic
- human body in its plastic shape. If then we take the consonants out
- you must mould in plastic art. Take the Vowel-nature out of the human
- instrument, but to cast even amorphous matter into plastic forms
- Title: Lecture: Thinking and Willing as Two Poles of the Human Soul-Life
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- wished to give plastic expression to Lucifer and Ahriman you
- Title: Four Seasons/Archangels: Lecture III: The Easter Imagination
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- Goetheanum and plastically in the wood-carving of the Group.
- Title: Four Seasons/Archangels: Lecture IV: The St. John Imagination
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- formative power in a wonderful plastic design, but a design that
- such a way that one really feels oneself dissolved into the plastic
- pictorial and plastic art. But what is experienced in this way must
- Title: Four Seasons/Archangels: Lecture V: The Working Together of the Four Archangels
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- that is effected by the plastic, formative forces of nourishment. At
- how in yesterday's lecture I spoke of it all passing over from plastic
- Title: Architectural Forms
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- poets, of Homer, and Greek plastic art, even of Greek
- of the clear distinction between a plastic and picturesque
- spontaneous architectural necessity, by which plastic art
- been experienced in the former kind of plastic art and
- Title: World History: Lecture IV: Atlantean Wisdom in the Mysteries of Hibernia, Gilgamish and Eabani at Ephesus, Logos Mysteries of Artemis at Ephesus
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- elastic, but plastic. When the pupil pressed this statue
- deformations he had caused in the plastic non-elastic female
- Title: World History: Lecture VIII: The Burning of the Ephesian Temple and the Goetheanum
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- words flowed on into the plastically moulded forms. And above
- Title: Eurhythmy (Introduction to a performance)
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- this verbal content so much as by the plastic-figurative, or
- Title: Spiritual Relations in the Configuration of the Human Organism: Lecture I
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- 1) that the head is a plastic image of the forces which man had as a
- soul-spiritual being in pre-earthly life. The head is formed by plastic
- and retains only the plastic formative forces. If we look at the child
- we see that all plastic formative forces start from the head. Man receives
- the plastic configuration to his organs during his growth correspondingly.
- the plastic forming force, which goes out from the head. If something
- with the etheric body comes to meet the plastic formative forces, dissolves
- is fixed so firmly, that this plastic formation (Gebilde),
- wave-like. You can see it at the plastic forms there,
- Title: Spiritual Relations in the Configuration of the Human Organism: Lecture II
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- as if I wanted to build something plastically. I take mortar, or any
- it can also be that the plastic activity of the kidney, is working too
- strongly. Then some tumorous formations will arise. Here the plastic,
- Title: Social Question as a Problem: Lecture II: The Inner Experience of Language
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- German are plastic imagination, or whether, as in Latin
- Title: Goetheanism as an Impulse for Man's Transformation - Lecture I: The Difference Between Man and Animal
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- to form their concepts really plastically. They have what the famous
- Title: The Building at Dornach (Bn/GA 289): Lecture III: Lecture 3
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- only; while, in the plastic Group, on account of the weight, on account
- Title: Inner Impulses: Lecture I
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- similar ideas of the Greeks. They elaborated them in a truly plastic
- Title: Mystery Centres: Lecture IV: The Ephesian Mysteries of Artemis
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- plastic art which is, however, extraordinarily eloquent. When
- Title: Mystery Centres: Lecture VII: The Mysteries of Hibernia
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- This statue was of another substance, a plastic
- substance, not elastic but plastic and extraordinarily soft. The
- of the first, and in the second case the plasticity in which the
- Title: Mystery Centres: Lecture VIII
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- the statue which was plastic, not elastic. And it was as if he now
- Title: Mystery Centres: Lecture XII: The Mysteries of the Samothracian Kabiri
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- If one is able as it were to look through those later Greek plastic
- Title: Rosicrucianism/Initiation: Lecture V: Occult Schools in the 18th and First Half of the 19th Century
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- shows itself plastically in man, in plastic forms and structures —
- Title: Significant Facts: Lecture I: A Convulsive Element in Humanity in the Nineteenth Century
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- work with clay or plasticine); he makes models of gods according to
- should now call plasticine — most curious figures of gods. Just
- Title: Spiritual Science and Medicine -- Lecture III
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- plastic formative forces, which mould forms straight from the living
- the same forces that work plastically in the lower animals or the
- the same powers that are formative and active plastically, in the
- manifest themselves on the lower level as plastic formative forces.
- Title: Spiritual Science and Medicine -- Lecture IV
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- speak, in a tangible form, the passing of plastic activity from out of
- Title: Spiritual Science and Medicine -- Lecture VII
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- later on it can really work with the supple and plastic organic
- Title: Spiritual Science and Medicine -- Lecture XII
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- plastically, mould as a sculptor moulds, fill out contours and bar the
- is concerned, by the activity of the plastic artist “fluorine,” and
- plastic form.
- Title: Spiritual Science and Medicine -- Lecture XV
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- very plastically evolved development of what we ourselves do, if a fly
- Title: Spiritual Science and Medicine -- Lecture XVIII
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- the more intimate aspects of plastic anatomy and physiology, it would
- are the transformed growth forces and formative forces plastically at
- well, and during growth the plastic activity must be exercised. Hence
- Title: Spiritual Science and Medicine -- Lecture XIX
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- plastic and formative in nature is incorporated into the human or the
- Title: Lecture: Curative Education: Lecture 5
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- in the whole universe. Owing to the plasticity that is everywhere
- Title: Lecture: Curative Education: Lecture 11
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- plastic terms. The boy cannot make his way out into the external
- Title: Lecture: The Cycle of the Year: Lecture IV
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- derived a special satisfaction from all kinds of plastic, moulding
- was the result of his contemplation. From the plastic, formative
- Earth to give answer to the questioning of man by way of plastic
- Title: Lecture II: The Balance in the World and Man, Lucifer and Ahriman
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- Nor is this true only of plastic forms. It is equally true of
- Title: Art/Mystery Wisdom: Lecture Three
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- case of the pictorial and plastic arts the impulses come from
- Title: Art of Lecturing: Lecture V
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- speech, a going-out of one's self, and plasticity in regard
- Title: Boundaries of Natural Science: Lecture VI
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- of plastic forms is insufficient. To perform this inner activity one
- Title: Anthro Medical Therapy: Lecture VI
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- disintegration and has little significance for the plastic,
- in the whole plastic formation and deformation of the organs,
- of breathing, are found the real shaping, plastic forces in
- striving to destroy the original plastic structure of the
- plasticity. As a result, because the imaginative activity is
- Title: Anthro Medical Therapy: Lecture IX
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- present in man as forces which plastically shape the organs,
- weave themselves into the plastic-formative forces and
- the active entity (Agens) which enters our plastic
- which continually work plastically on man, which normally
- formative-plastic forces in man and leads them over into the
- of Imagination, and which indicate that the plastic organ
- soul-, plastic forces. The plastic forces of the soul are
- joint deformation. This is a working outwards of plastic
- Title: The Building at Dornach: Lecture II
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- that guidance. All this is connected with the plastic forms
- Title: Ways/Architecture: Lecture I: The Acanthus Leaf
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- leaf, working it out plastically and adding it to the
- out plastically and then added to the Corinthian column. Now
- form of a plastic figure and you have the human force bent
- serves as a decoration, you have plastically introduced in
- was worked out plastically — I can illustrate this to
- column (and therefore flat) was worked out plastically
- is worked out plastically.
- Corinthian plastic palmette. If I did not paint the palmette
- leaf arises when the palmette is worked out plastically; it
- but to work it out plastically. People then began to call
- that was worked out plastically instead of being merely
- decoration is the plastic vesture for the Spiritual Science
- that everyone will be struck by the plastic forms on the
- absurdity of giving plastic form to a motif that has been
- necessity to give it plastic form. That which is to be given
- plastic form must from the very beginning be there in itself
- and only conceived of plastically. No true sculptor will say
- that Rodin's productions are an expression of true plastic
- art. Rodin models non-plastic motifs very well, in an
- prompted to ask if it amounts to anything, for true plastic
- Title: Ways/Architecture: Lecture II: The House of Speech
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- building we shall find one plastic form, a continuous relief
- Title: Art of Lecturing: Lecture V
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- speech, a going-out of one's self, and plasticity in regard
- Title: Christmas Conference: Lecture 8: Continuation of the Foundation Meeting, 27 December, 10 a.m.
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- with eurythmy. A third Section will encompass the plastic
- Title: Christmas Conference: Lecture 9: Continuation of the Foundation Meeting, 28 December, 10 a.m.
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- see that the sculptural or plastic arts, too, have played a
- Title: Eurthmy as Visible Singing: Lecture 5: Choral Eurythmy
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- plastic element. But one thing is true, that the Greek culture with
- Title: Eurythmy as Visible Singing: Lecture 8: Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo
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- in eurythmy this plastically-formed development in the progression of
- Title: Child's Changing Consciousness: Lecture III
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- everything that gives form, in relation to both plastic and
- Title: Child's Changing Consciousness: Introduction to a Eurythmy Performance
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- through the pictorial element and plasticity of the sounds as
- Apart from the image-creating quality and the plasticity of
- plasticity of language. Its qualities are realized through
- Title: History of Art: Lecture 12: Greek and Early Christian Art, Symbolic Signs, the Mystery of Gold
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- on the sarcophagus, and generally in the plastic work which we find
- Plastic arts, altogether. (See Lecture IX) Those things are related
- Title: History of Art: Lecture 13: The Changes in the Conception of Christ During a Certain Period of Time
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- what is expressed in these figures — in plastic form, as a first
- Title: Course for Priests: Lecture II
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- plasticine, but that people exist out there in all their
- Title: Karmic Relationships, Volume I: Lecture I
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- as a mere noise, if it is music; or if it is plastic art, you will
- Title: Karmic Relationships, Volume II: Lecture III
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- feeling, so that it stands before one as a plastic, pliable form,
- led one back from Emerson to Tacitus. Plasticity of vision is needed
- Title: Karmic Relationships, Volume II: Lecture V
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- plastic representations of moral forces, when they looked at the
- Title: Karmic Relationships, Volume II: Lecture VII
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- plastically.
- pains to shape such a picture, vigorously, elaborating it plastically
- Title: Karmic Relationships, Volume II: Lecture XV
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- plastic form and in colour. The purpose was to present in plastic
- highest Beings, in front of the plastic form stood the highest
- plastic form and still another form was set up, with human figures
- Title: Karmic Relationships, Volume IV: Lecture III
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- provides no bodies so plastic, so soft and mobile that that which lived
- Title: Spiritual Development: Lecture I: The Inner Experience of the Activity of Thinking
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- independence, in its plasticity, in its inner weaving life, and
- that is plastic, pictorial. It follows then, as a matter of
- Title: Things Past and Present: Lecture I
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- present Oberlin in a real plastic three dimentional way and
- Title: Symptom 2 Reality: Lecture IV: The Historical Significance of the Scientific Mode of Thinking
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- studies, to expand his knowledge, a man who remains plastic
- to develop a constant readiness to learn, to remain plastic
- Title: Mysteries of Light: Lecture II: The Development of Architecture
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- represented in the plastic wood group mentioned yesterday, with the
- Title: Mysteries of Light: Lecture IV: The Old Mysteries of Light, Space, and Earth
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- near the borders — are plastically preserved in another type,
- Title: Man: Hieroglyph: Lecture Four
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- plastically formed picture of the world, which can then lead on to the
- Title: Man: Hieroglyph: Lecture Five
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- still plastic and in a state of formation. The formative powers become
- Title: Man: Hieroglyph: Lecture Thirteen
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- is to some extent plastic, but we are very often unaware that he
- Title: Responsibility of Man: Lecture II
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- in the very embryo, plastically moulds the heart out of the
- his different organs are plastically formed out of the spirit.
- plastically, as it were, out of the spirit. That is the one
- Title: Materialism/Anthroposophy: Lecture I
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- receives without resistance into its plasticity what is
- Title: Materialism/Anthroposophy: Lecture II
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- plastic configuration the human brain is indeed an
- of thought. In the plastic configuration of the human brain,
- transform logic and psychology in a picture-like, plastic way
- kind of plastic image for what exists as its counterpart in
- Title: Materialism/Anthroposophy: Lecture XIV
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- must attain if we would plastically connect the head with the
- Title: Lecture: Supersensible Influences: Lecture I: Supersensible Influences in Old Persian, Egyptian, and Greek Time
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- wellspring of plastic art, of the Greek art of tragedy and of
- Title: Lecture: Supersensible Influences: Lecture IV: The Egyptian Mysteries, Indian Yoga and Egyptian Mummy Cult
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- to their pupils: And now steep yourselves in the plastic quality of the
- the plastic quality of the forms of the inner organs of the human body,
- out into the organism. In this breath there is a plastic force, which
- with the human physical organisation. The inner, plastic force of the
- Title: Spiritual Communion: Lecture IV: The Relation of the Movement for Religious Renewal to the Anthroposophical Movement
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- have gradually become those of our arts — bodily, plastic
- presentation in the plastic arts and presentation by means of
- Title: Occult Movement: Lecture Six: The Dangers of Aberation Along the Path into the Spiritual World
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- “and indeed not until in the plastic membranes the
- vitalis”. “Plastic” here is a synonym of
- Title: History of Art: Lecture XIII: The Changes in the Conception of Christ During a Certain Period of Time
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- Study of the head of The Representative of Man, plasticine.
- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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- bring forth really plastic works of art. We know from earlier
- succeeding centuries they lost the power to create true plastic
- out, — this is what inspires the forms. Plastically
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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- of Florence. We can even recognise how the plastic quality of his work
- Title: History of Art: Lecture III: Dürer and Holbein
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- old Paganism. Once more, I do not mean perfect works of plastic Art
- the plastic arts. The artistic elaboration of letters into
- with the artistic treatment — the plastic quality, the forming of
- the light. Please do not think there is no depth in this plastic
- Title: History of Art: Lecture IV: Mid-European and Southern Art
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- plastic Arts — far too much from the mere point of view of
- sphere of Art, where there was a wrestling for plastic power of
- plastic works of Donatello, Michelangelo, Raphael, Leonardo and
- sublimely in the realm of plastic, pictorial expression, and
- creating his plastic works in many different materials.
- Title: History of Art: Lecture V: Rembrandt
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- how the play of light and dark brings forth its remarkable plastic painting
- I may so describe it) painting plastically but painting with light and
- of sublimer forms out of the light and darkness. The plastic forms of
- Title: History of Art: Lecture IX:
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- within the visible being of man. And in his plastic art the Greek wanted
- what the plastic artist has created is there before our eyes. Therefore,
- says Lessing, what the plastic artist portrays must contain far more
- Title: Man/Symphony: Lecture VII: Gnomes, Undines, Sylphs, and Salamanders and their Relations to Ethers and Plants
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- remarkable plastic activity. With the help of the upstreaming
- grasp world-ideas in the plant-forms which have been plastically
- falls into the plants and shapes an idealized plastic form which
- Title: Man/Symphony: Lecture XI: Food, Digestion, Plants, and Carnivorous Animals
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- carrying out the full diffusion of plastic activity which is necessary
- Title: Colour: Part Three: The Creative World of Colour
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- represent this plastically in his head, and everything that is
- Title: Colour: Part Three: Artistic and Moral Experience
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- also experience how red can express itself plastically in space.
- Title: Poetry/Speech: Lecture I: The Art of Recitation and Declamation
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- transition from the inwardly plastic to the inwardly musical
- the plasticity of the word – yet not so as to lose its
- plastic qualities; you must bring it so far that at the same time
- there arises a musical quality. A “plastically-musical”
- of the plastic and musical, where a feeling of the ethical-natural
- element of plasticity which infiltrates Goethe’s poetry
- – and Goethe’s poetry is always plastic – is, of
- something which in its plastic contours stands there
- Title: Poetry/Speech: Lecture II: The Art of Recitation and Declamation
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- something plastic and formative, something imaginative; in the
- and plastically the cosmic mysteries – it speaks when the
- Title: Curative Eurythmy: Lecture 2
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- conform themselves more plastically to the outward forms of objects
- Title: Curative Eurythmy: Lecture 6
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- that they activate in their metamorphosed state the plastic force of
- the inner organs. They stimulate the plastic force of the inner organs
- form a mental picture of how this eurythmy affects the plastic qualities
- understand that the habitual practise of eurythmy activates the plasticity
- of the organs, their plastic force, and that as a result the human being
- is nothing other than to make the inner man more flexible, plastic,
- the figure that one is developing plastically, if one cannot bring to
- goes out to the forces of growth in the growing child or to the plastic
- is plastically at work in the organization of the head. The plastic
- expressed it means that the force of plasticity in the organs is
- crystallizing agency; they have plastic forces and become round. That
- Title: Curative Eurythmy: Lecture 7
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- they are present as the forces that build up the organs plastically,
- in the plastic phenomena of growth. If we ascend to inspiration, we come
- into the plastic forces as they work these forces through, to a degree.
- (“Agens”) who enters into our plastic forms from the world
- Thus what is always at work plastically in the human being, what permeates
- hold of deficient formative powers, deficient plastic forces in the human
- is rampant. What does it mean, when we say that something of a plastic
- nature is growing uncontrolledly? It means that the plastic
- are insufficent, that the plastic forces in the organs are running
- a lack of inner fictile forces, of plastic soul forces. These plastic
- of plastic forces that are unable to remain within. Thus these forces
- case here the word “plastic”.
- Title: Education as a Social Problem: Lecture IV: Education as a Problem Involving the Training of Teachers
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- observed as to their plastic form, appear very different from
- Title: Young Doctors Course: Lecture VIII
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- being his plastic form, everything that builds him,
- plastically. One might say: There is a secret sculptor in
- which build up the human being plastically are again
- interaction between pulverization and plastic up-building
- Title: Young Doctors Course: Easter Course: Lecture III
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- plastic, fluid state, and out of this he was able to build up
- Title: Young Doctors Course: Easter Course: Lecture V
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- Inwardly you will have to carry out an act of plastic
- activity by letting the unplastic limbs of the embryo pass
- Title: Young Doctors Course: Appendix: Evening Gathering with Young Medical People
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- point, namely, from the plastic element. Now, you have
- by taking some soft, plastic material or clay with one hand
- gradually learn to understand plastic things.
- course, if you want to understand man in a plastic way you
- the spatial element must disappear into the plastic element,
- the plastic element into the musical element and the musical
- Title: Anthroposophy Introduction: Lecture IV: Meditation and Inspiration
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- Title: Thomas Aquinas: Lecture II: The Essence of Thomism
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- wonderfully plastic but also finely-outlined thought-activity
- Title: Man as a Being: Lecture 3
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- the observable plastic formations of the brain.
- the plastic coming-into-existence and fading-away which take place in
- plastically, pictorially, in the head. But there we are in the realm
- Title: Anthroposophy/Civilization
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- wonderful, plastic, artistic forms in Greece, passed over into
- Title: Human Soul/Evolution: Lecture V: The Human Soul in Relation Sun and Moon
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- plastic art and particularly through the Greek tragedy — in
- Title: Philosophy, Cosmology and Religion: Lecture VIII: Ordinary and Higher Consciousness
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- — how the separate organs were plastically formed, how
- Title: Tree of Life/Knowledge: Lecture III: The Power of Thought
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- strove towards the plastic form, sculptured-form, and what they have
- (diagram (b)) is a musical one; of the old world (a) is a plastic
- dare not recapitulate the old plastic element, but must strive
- welded together plastically in the one figure we make musical,
- bring plastic forms into musical movement. That is its fundamental
- infinite perfection of the plastic principle in, for instance, the
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