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- Title: Lecture: The Alphabet
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- could perhaps say that every true poem, the humblest as well as the
- Title: Lecture: Outlooks for the Future
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- of these conditions in the poems of Marie Eugenie delle Grazie, poems
- the sixth post-Atlantean epoch. Her poems easily enable us to feel:
- Title: Lecture: The Sense-Organs and Aesthetic Experience
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- immediately; for he would then produce not a poem or any work of art,
- listen to a poem, and listen in the same way as to something intended
- to convey information, we do not understand the poem. The poem is
- to direct towards the poem the ensouled sense of balance and the
- Title: Lecture: Elemental Beings and Human Destinies
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- brought to expression in poems of earlier ages, where a destiny that
- beings. One of the most beautiful that has been preserved is a poem
- Man. The poem runs thus:
- of illness and of death. Please note the words exactly. In old poems
- these things are not presented as they would be in poems of recent
- times. (Herder took these verses from an old folk-poem). Of the poems
- cent are superfluous. The poems that are derived from an ancient
- true to reality. It could not possibly have been said in this poem
- Title: Lecture VII: Ancient Myths
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- often quoted it ‘Mathematics is in truth a great poem’.
- worlds of the stars and their courses, is a great poem, one must be
- Title: Lecture: Goethe and the Evolution of Consciousness
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- at the poems he composed in his youth and we shall find that there
- mythological poems to this primeval phenomenon in the life of the
- Title: Lecture: Salt, Mercury, Sulphur
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- old German poem originated, a consciousness still existed of ages
- Title: Lecture: Concerning the Origin and Nature of the Finnish Nation
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- Finnish nation. This stage of culture is expressed in the epic poem
- epic poems, we may say that these three heroic characters come from
- Golgotha is introduced in a strange way at the end of the poem.
- magnificent epic poem Kalevala the three characters
- itself, when this wonderful epic poem will be spiritualised and
- Homers epic poems. Yet the Kalevala streamed out
- epic poem such as Kalevala, cannot be preserved unless
- not the words, but that which lives in the poem itself, continues to
- Title: Perception of the Nature of Thought
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- gives us life. In the wonderful poem Lucifer by Christian
- poem lives entirely in the inspiration of which ones feels a breath
- the feeling in this poem leads you to reflect how alive something can
- abyss of existence, if you take this poem, stimulated by feelings I
- Title: Lecture: The Spiritual Communion of Mankind
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- poem Die Geheimnisse as the ‘Thirteenth,’ the one who was
- Title: Lecture: The Inexpressible Name, Spirits of Space and Time.
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- about the goals of humanity. People read his poems, as if they were
- Title: Lecture: Modern and Ancient Spiritual Exercises
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- poems of which the Bhagavadgita is a beautiful example.
- Title: Lecture: The Templars
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- before the year 1312 — Wolfram von Eschenbach composed his poem
- to no purpose that Goethe began in the eighties a poem which he never
- thought of this poem. I refer to the poem
- Title: Lecture: Brunetto Latini
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- Dante arrived at the magnificent pictures of his poem, people
- magnificent poem, as it were out of the void, out of mere
- Title: Lecture: Speech and Song
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- shapes and moulds the language of his poems. And he who writes for
- Title: Lecture: Thinking and Willing as Two Poles of the Human Soul-Life
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- there is a poem belonging to the old German culture called
- “Muspille,” a poem which was first found in a book
- reality goes back to very much earlier times. In this poem there is
- time when this poem “Muspille” was written, for it was
- Ludwig the German apparently copied this poem into his book are truer
- Title: Fall/Darkness: Lecture 5: Changes in Humanity's Spiritual Make-up
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- decent poem; the doctor will immediately tell you what
- Title: Fall/Darkness: Lecture 9: The Battle between Michael and 'The Dragon'
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- statistical analysis of how many poems have come into
- Title: Fall/Darkness: Lecture 13: The Fallen Spirits' Influence in the World
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- Oswald Marbach, whose poem I gave you last year to let you
- wrote the poem to mark the anniversary when Goethe found
- Title: On the Mysteries of Ancient and Modern Times: Lecture 1
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- cosmic poem with its 48 cantos — is only a description
- Title: Lecture: The Golden Legend and a German Christmas Play
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- Title: Lecture: The Christmas Thought and the Secret of the Ego
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- And in a second small poem:
- Title: Conferencia: La Comunión Espiritual de la Humanidad
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- ejemplo en la figura descrita por Goethe en su poema Die Geheimnisse
- Title: Lecture: Matter Incidental to the Question of Destiny
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- post-Atlantean age, whose poems are truly vibrant with the life
- — this is the great importance. Among his poems, some of
- ruined by the very work which he himself created. This poem, I
- Title: Four Seasons/Archangels: Lecture V: The Working Together of the Four Archangels
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- that, we can find in many a poem some indications of the cosmic
- Title: World History: Lecture IV: Atlantean Wisdom in the Mysteries of Hibernia, Gilgamish and Eabani at Ephesus, Logos Mysteries of Artemis at Ephesus
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- Lamprecht; the first German secular epic poem.]
- the poem of the Priest Lamprecht is a sublime and grand conception,
- Take for instance a passage in the poem where a wonderful
- Lamprecht's poem, who in his own way with great devotion,
- Title: Karma of Vocation: Lecture II
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- others. The Faust poem flows from the entire spirit of
- Title: Karma of Vocation: Lecture III
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- write a Faust poem since you are experiencing the
- Title: Karma of Vocation: Lecture X
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- poem by Horace. To repeat, Sir Oliver was notified by an
- Title: Eurhythmy (Introduction to a performance)
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- speech, such as recitation, or declamation. The poem is
- content of the poem which is considered specially important.
- are trying to impart the essential content of a poem, for
- Title: Goetheanism as an Impulse for Man's Transformation - Lecture 6: Goetheanism as an Impulse for Man's Transformation
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- what was attainable and what was out of reach. When we let such a poem
- Title: Problem of Faust: Lecture II: The Romantic Walpurgis-Night
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- the whole development of the Faust poem. It is indeed
- who have studied the Faust poem with most sympathy. I
- the poem as a whole. The poet is clearly no longer in a
- is something behind it, that it is not an ordinary poem but
- poem at all, proves that he has knowledge of these matters
- Goethe's poem we are dealing with something that really rises
- Title: Problem of Faust: Lecture III: Goethe's Feeling for the Concrete.
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- all the striving of such a poem, as we find it revealed in
- Title: Problem of Faust: Lecture IV: Faust and the "Mothers"
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- way in which it is introduced into the poem, it really
- Title: Problem of Faust: Lecture V: Faust and the Problem of Evil
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- all-embracing poem. It would be interesting, for example, to
- Title: Problem of Faust: Lecture VII: Some Spiritual-Scientific Observations
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- the whole poem, acquired such a stamp that the struggle for
- further development of his poem, he undertakes to show what
- Title: Problem of Faust: Lecture VIII: Spiritual Science Considered with the Classical Walpurgis-Night
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- poems by a turn of the hand; he plunges deeply into the world
- Title: Problem of Faust: Lecture IX: Goethe's Life of the Soul from the Standpoint of Spiritual Science
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- all-embracing Faust poem,that should indeed be of the
- Title: Problem of Faust: Lecture X: Faust's Knowledge and Understanding of Himself
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- introducing Homunculus into his poem.
- speaks in Goethe's poem. It might be said that Nereus is the
- Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
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- urge. While grasping all the knowledge in this poem of
- Title: Problem of Faust: Lecture XII: Goetheanism In Place of Homunculism and Mephistophelianism
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- wishing to give an interpretation of this poem; that was not
- enjoy a poem, a work of art, in the same element in which it
- read his poem
- Title: Pastoral Medicine: Lecture 6
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- whose dramatic poems show how he has brought from earlier
- Title: Broken Vessels: Lecture 6
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- whose dramatic poems show how he has brought from earlier
- Title: Lecture I: Human Questions and Cosmic Answers
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- beautiful poem. But one comes across few people who enter into a
- Title: Inner Impulses: Lecture I
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- Another chapter includes the poems of Homer, the poetical works of
- Title: Inner Impulses: Lecture VI
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- a poem of mankind, point again and again to forces lying deep below
- been drawn into souls. I will read you a passage from the poem
- the author of the profound poem Ritter Wahn (Knight
- poem:
- working to attain it. Let us take his poem, The Mysteries
- which this poem also expresses, is not merely something put forward by
- Austrian poet, composed these poems; the eighth edition appeared in
- Title: Mystery Centres: Lecture II
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- traveler.” Thus do Homer's poems begin. Klopstock, who lived at
- Title: Rosicrucianism/Initiation: Lecture I: Research into the Life of the Spirit During the Middle Ages
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- still happen that some poem or other was being read aloud and the
- Title: Significant Facts: Lecture II: Ancient Occult Magic. The Ahasver Mystery.
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- poem. But Dante lived at the time when the epoch during which men
- import of a poem sung by yet another voice in the middle of the 19th
- Let me read you a section of this poem which describes how one
- Dr. Steiner now read part of the epic poem on Ahasver,
- The poem itself is very long and does not lend itself to
- poem “Ahasver” by Julius Mosen was published in the year
- Title: Significant Facts: Lecture III: The Tragic Wrestling with Knowledge. The Secrets of the Future Sixth Cultural Period.
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- suffering in the poems of Marie Eugenie delle Grazie which have been
- recited today. These poems can be related to an age already
- sixth post-Atlantean epoch. The poems give one the impression of
- higher Spirit. Homer well knew that it was so. Hence his poems do
- Title: Lecture: Curative Education: Lecture 11
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- melodies. Poems with refrain recommended. Medical treatment and
- little poems where a refrain is repeated say, after every
- Title: Lecture: The Cycle of the Year: Lecture V
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- this unique poem of initiation experience has been translated into
- Title: Art/Mystery Wisdom: Lecture Three
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- their music and in their dramas, epics, and lyrical poems.
- Title: Evolution, Earth, Man: Lecture V
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- Perhaps you remember Goethe's poem, “The
- As you know, the poem has been done in eurythmy
- Title: Evolution, Earth, Man: Lecture VIII
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- asked him to write a poem or when he himself felt inclined to do so,
- Among Goethe's poems there are many bad ones. Imaginative work can be
- a poet, he must write the poem down at once. And that's how it was in
- Title: Evolution, Earth, Man: Lecture XIII
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- write. Think of this: there is a beautiful poem by Wolfram von Eschenbach,
- the poem, but he could not write, so he was obliged to call in a
- priest to whom he dictated it. And that poem was the “Parzival”
- Title: On the Development of Human Culture: Lecture I
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- poem called “The Magician's Apprentice” — we have
- Title: On the Development of Human Culture: Lecture II
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- great poet. When, because someone wanted him to write a poem, or he
- good poetry from bad. Among Goethe's poems there are many bad ones.
- when the mood is on him he must write down the poem at once. You see,
- Title: Art of Lecturing: Lecture II
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- sentimental sense. People called these poems of Goethe's
- Title: The Development of Thought from the 4th to the 19th Century - 2
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- and other poems which arose out of Christianity but always we see
- Title: Boundaries of Natural Science: Lecture III
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- a grand poem, a wonderful, grand poem.
- Title: Anthro Medical Therapy: Lecture IX
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- the artistic productions were poems and not drawings) that
- is hidden in a poem is eurythmized, as I showed you
- yesterday, if a beautiful poem is read and eurythmy is done
- out in sultry poems, but if the process simply accompanies
- beautiful poems eurythmically, then what takes place in
- to arise into something like mystical drawings or poems. This
- the outer, beautiful poem. It is a reverse process. A true
- induced to do eurythmy to some good poems, she would have
- Title: The Building at Dornach: Lecture I
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- through his poems, although he lived not only hundreds but
- Title: The Building at Dornach: Lecture III
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- Greek might have said and then reads a little poem by
- revival of Greek culture. The gist of this little poem is as
- Title: Art of Lecturing: Lecture II
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- sentimental sense. People called these poems of Goethe's
- Title: Christmas Conference: Lecture 1: Introduction to the Eurythmy Performance
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- dear friends, a poem living in your soul. When you have
- entirely identified yourself inwardly with this poem and have
- the poem. You endeavour, in the vowel sounds, in the
- speech; then, in the poem brought into eurythmy, you have the
- Imagination through Inspiration to Intuition. In the poem
- and in the entirely inward experience of the poem, in which
- In a poem
- Title: Problem of Death: Lecture I
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- occult truths in the form of stories or poems ... in the age
- Title: The Bridge between Morality and Nature
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- than the appearance of the later poems of the Vedas or the
- Title: Eurythmy as Visible Singing: Lecture 2: Experience and Gesture; the Intervals
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- There are people today who read a poem as though it were prose. You
- do not have the poem there. The prose content does not constitute the
- poem. The poem is what lives in the musical, sculptural and pictorial
- Title: Eurythmy as Visible Singing: Lecture 4: The Progression of Musical Phrases; Swinging Over; the Bar Line
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- the following. I think everyone must feel that a certain poem of Goethe's
- produces an extraordinarily musical effect. I refer to the poem:
- words from this poem: Über allen Gipfeln ist Ruh: Gipfeln,
- poem with your feeling, you will find that what is appealing and musical
- are always intervals. And the interesting thing about Goethe's poem
- recites this poem of Goethes, it does not matter that he should think
- does not think about it! Nevertheless, when the poem is rightly felt,
- It is the astral element. And so behind the meaning of the poem there
- in this poem. In this poem Goethe has transferred the effect of the
- poem, as far as this is possible, from the ego back into the astral
- this poem in eurythmy when you actually manage to emphasize the separate
- air. This whole poem is most beautifully expressed, both eurythmically
- Title: Eurthmy as Visible Singing: Lecture 5: Choral Eurythmy
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- poem by Goethe, however, the vowels really make a musical effect, and
- listening to this poem, a subtle, musical impression would be received
- Many other poems, however,
- really need the consonants. It may be said that the less musical a poem
- Title: Eurythmy as Visible Singing: Lecture 6: The Sustained Note; the Rest; Discords
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- I expect you are acquainted with an ironical poem by Morgenstern, consisting
- fact that, in order to bring out certain effects in a poem, it is absolutely
- Title: Eurythmy as Visible Singing: Lecture 8: Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo
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- poem it would not be good for a eurythmist to make a face as if he had
- Title: Child's Changing Consciousness: Introduction to a Eurythmy Performance
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- Poets experience the meaning of a poem with their entire being,
- example, if a poem speaks of a person hitting or attacking
- artistic formation of speech, while the prose meaning of a poem
- is completely possible to render artistically the same poem in
- dealing with a poem. What matters is its innate essence, so
- wrote his most important poems — that is, he had a
- eurythmy! Let us say, for example, that you recited a poem, and
- another person recited the same poem. Even if you treated the
- poem in the same way, from an artistic point of view there
- Title: Colour and the Human Races: Lecture II: Color and the Human Races
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- that the Asians have such wonderful poems about the whole
- are beautiful, wonderful poems. The Asians are altogether an
- Title: How Can Mankind Find Christ Again?: Lecture 6: Transformation of the Human Being in the Course of Evolution
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- poem, "The Divine Comedy." Brunetto Latini was ambassador
- Title: Community Life: Lecture 1: Requirements of Our Life together in the Anthroposophical Society
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- — it was a poem he had composed himself. It was a simply terrible
- poem, but that man was going around the streets and stores in that get-up,
- Title: The Social Question as a Question of Consciousness: Lecture 7
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- anything spiritual is produced, a fine poem for instance, an important
- Title: The Karma of the Individual and the Collective Life of Our Time, Goethe
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- think that there was no inherent necessity for such a poem as
- sees his poem in front of him. We have no right to suppose that
- is not merely a poem like other poems.
- Title: History of Art: Lecture 11: Fourth and Fifth Post-Atlantean Epochs, Medieval Art in the Middle, West, and South of Europe
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- little poem of Walther von der Vogelweide. He certainly
- we allow a verse of a poem of Walther von der Vogelweide to speak to
- Title: Mystery Trinity: Part 1, Lecture 1
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- [Heliand, a poemNote 7]
- began, centuries after his death, poems were written
- describes his vision of the Christ event in the poem, the
- Title: Redemption of Thinking: Lecture II:
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- epic poems as Homer did: sing to me, goddess, on the rage of
- Title: Anthroposophic Movement (1938): Lecture III: Critical Judgment and Colour of the Times
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- Stifter, made him read to her the poems which he had so far
- Title: Anthroposophic Movement (1938): Lecture VII: The Third Stage: The Present Day. - Life-Conditions of the Anthroposophical Society
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- poem by Christian Morgenstern, frequently performed in
- Title: Impulses of Utility: Lecture II: Utilitarianism and Sacramentalism
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- even a poem of Homer is not comprehensible without something
- Title: Health and Illness II: Lecture VI: Diphtheria and Influenza; Crossed Eyes
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- d-disagreeable!” This same man could recite long poems
- Title: Karmic Relationships, Volume I: Lecture VI
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- (a line of Schiller's poem: The Diver). Many people memorise
- Title: Karmic Relationships, Volume I: Lecture VII
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- collection of poems under the pseudonym “Schartenmayer.”
- Title: Karmic Relationships, Volume II: Lecture II
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- poems too. Conrad Ferdinand Meyer's most beautiful poems may
- schemes work in together. In the descriptions in his poem he is
- Title: Karmic Relationships, Volume II: Lecture III
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- There is such wonderful harmony of form and style in his poems that
- breaking away from the physical body. Study the nobler poems, also
- the prose-poems, of Conrad Ferdinand Meyer and you will say to
- significance is that while he is creating his poems there is always a
- Title: Karmic Relationships, Volume II: Lecture IX
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- poems which tell of these things are based upon reality, but in order
- Title: Lecture: Karmic Relationships, Volume III: Lecture VI: The School of Chartres
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- flowed into a great poem in which it found as it were its
- Liberal Arts. In the poem ‘Bataille des Sept
- Salisbury), Henri d'Andeli, author of the poem
- Title: Karmic Relationships, Volume IV: Lecture III
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- we have the wonderful poem, the “Song of Alexander” by the
- of Dante, enabling cosmic things to live in Dante's poem — all
- Title: Things Past and Present: Lecture I
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- ultimately it was possible for such inward poems to come out
- Jordan's own fault that such a poem as “The
- Much of this damaged his poem “The Niebelungen”,
- have been applied in this poem, he allows the naturalistic
- from his poems what perhaps already in an earlier time would
- that now we will listen to the poems of Friedrich Lienhard
- and then to some extracts from the poem
- are the poems recited by Frau Dr. Steiner:
- poems by Friedrich Lienhard which have been recited to you.
- You can find in these poems that he gives the real
- nature which weaves itself in the form of his poems much of
- Title: Things Past and Present: Lecture VI: Death and Resurrection
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- know the beautiful love poems which unite themselves with the
- Title: Things Past and Present: Lecture VII: Man's Four Members
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- Washing of the Feet into a beautiful poem. We now have it
- among Morgenstern's last poems which appeared after his
- death. The well-known poem entitled “We found a
- Path” is also among this group. The poem entitled
- Steiner recited this poem)
- Morgenstern's poems recently appeared. Now you know that
- the real spiritual connotation of Morgenstern's poems, is to
- be the first to say that his poems have as their origin not
- that his poems come from another source, namely, from a
- war, people gave me a poem and they said it was written by
- of this poem could have come from him, but many papers have
- printed this poem and they are filled with admiration about
- Title: Things Past and Present: Lecture IX: Celtic Symbols and Cult, Jesuit State in Paraguay
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- skinny human being who recited poems, then disappeared and
- Title: Memory and Habit: Lecture I
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- addition. If we read a poem many times, or if it is often repeated
- are set to work to memorise a poem and are sometimes punished for
- which to learn a long poem by heart. The ancient Greeks did not need
- nearly such a long time. Numbers of them knew the poems of Homer from
- poem how Faust goes through different Ahrimanic dangers. True, the
- Title: Lecture: Riddle of Humanity: Lecture Nine: Enlivening the Sense Processes and Ensouling the Life Processes. Aesthetic Enjoyment and Aesthetic Creativity. Logic and the Sense for Reality.
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- one thing and another. But if we listen to a poem in the same way as
- understand it. The poem does manifest itself to the sense of speech,
- balance and movement must also be focused on the poem not just
- Title: Lecture: Riddle of Humanity: Lecture Eleven: Memory and Habit as Metamorphoses of Former Spiritual Experiences that were Subject to Luciferic and Ahrimanic Influences.
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- we retain a poem if we read it often enough or if it is recited to us
- addition we are required to memorise poems. Why, we are even punished
- if we have not memorised the poem assigned to us. This is how things
- longer poem. The ancient Greeks did not need so much time. Many of the
- ancient Greeks knew the Homeric poems from beginning to end. But they
- Some of this is contained in the Faust poems, which show how man can
- Title: Materialism/Anthroposophy: Lecture VII
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- poem in the most recent Nietzsche edition. So in the last
- Title: Therapeutic Insights: Lecture III
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- mystical poems well up into consciousness, we must sometimes
- Title: Cosmosophy 1: Lecture VII
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- considers Goethe's poems, especially some that are unusually
- though Goethe could not become a painter his poems are
- expressed in a kind of displaced painting. In his poems
- described many of Goethe's poems as being smooth and cold as
- Daughter.” Goethe offered dramatic poems in which a
- sculptor actually lives, and as dramatic poems they do not
- breathe forth the inner life that permeates the poems of
- Shakespeare. In a certain respect they are poems that have
- Title: Lecture: Supersensible Influences: Lecture VI: Spiritual InFluence in History, -or- Pope Nicholas I
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- see attempts made in such a poem as Parsifal to convey the
- Title: Spiritual Communion: Lecture I: Midsummer and Midwinter Mysteries
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- in the figure described by Goethe in his poem Die
- Title: Spiritual Knowledge is a True Communion, the Beginning of a Cosmic Cult Suitable for Men of the Present Age
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- of the poems recited this afternoon began with these words:
- Title: Esoteric Studies: Easter: Lecture IV: Decline of the Mystery System and the Rise of Freedom, I-A-O is Man, Aristotle's Categories
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- Take any notable poem or other work of art — it can be a
- Title: Occult Movement: Lecture Six: The Dangers of Aberation Along the Path into the Spiritual World
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- everything. He indicates that this was an ethereal poem, in
- Title: History of Art: Lecture XI: Fourth and Fifth Post-Atlantean Epochs, Medieval Art in the Middle, West, and South of Europe
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- time. Look how in the time of Charles the Great when the poem
- the poem with central European characters, characters extracted
- Vogelweide's small poem to work on us, where he speaks about
- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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- feeling. For the last time, we might say, Dante in his great poem
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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- his sublime, serene creations to the humorous poems with which we are
- Title: History of Art: Lecture III: Dürer and Holbein
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- It is equally a poem or a painting, out of the very depths of the
- Title: Lecture: Mission of Michael: Lecture I: The Power and Mission of Michael
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- triad influences even this great cosmic poem. If Goethe, in his day,
- hell, introduced into two cosmic poems of modern times.
- Title: Social Forms: Lecture XI: Man as a Mediator of the Spiritual Beings of the Cosmos
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- that brings about inventions and creates gifted poems must
- Title: Poetry/Speech: Lecture I: The Art of Recitation and Declamation
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- hymn “To Nature”: that powerful nature-poem which
- rewritten a poem, not out of any necessity of ideal, but solely
- poetry by the mere content of the poem: fundamentally, the content
- Title: Poetry/Speech: Lecture II: The Art of Recitation and Declamation
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- epic, draws our attention at the beginning of both his poems:
- poem had, in fact, already been extinguished by the eighteenth
- Homeric poems; but in this respect he lived entirely in abstract
- We will ask Frau Dr. Steiner to declaim a poem
- of Goethe: a folk-poem in its whole tone and mood –
- quite special style in the rendering of folk-poems.
- Now we will present Goethe's two poems
- may be. In the Poem “Olympos”, which is drawn more from
- [The following three poems show some
- – choosing a poem by Christian Morgenstern.
- Title: Poetry/Speech: Lecture III: The Art of Recitation and Declamation
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- all of which sounds forth again in the poem, as indeed it should
- in the very nature of poetry that, in one case, a poem is
- And when, in a poem, we let sound forth what
- number of good translations of the Old English alliterative poem
- We see how in the first poem with
- Title: Poetry/Speech: Lecture IV: Poetry and the Art of Speech
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- declamation must go beyond the prose content of a poem, which is
- actually the poem’s thought-component. For to stress the
- prose content turns the recitation and declamation of the poem into
- the inwardly heard sound- and word-movement of the poem, would
- ‘prose-poem’.
- to apply his art in individual poems. But he will be able to
- the poem and adjust the instrument of speech and only then return
- to hear how lyrical poems come to expression with varying nuances,
- essentially lyrical poems.
- Three poems of Goethe’s youth.
- speech, in lyrical poetry. All the prose content of a poem must be
- poem that is lyrical in origin.
- something about the prose-poem. Here it is a matter of something in
- the form of a prose-poem will need special treatment when it is
- declamation of prose-poems is something easy to accomplish. In
- nature, must form a synthesis whenever a prose-poem is to be
- octave. The image-forming treatment of speech in a prose-poem, when
- perceptible in this kind of recitation. In speaking a prose-poem
- declamation of prose-poems comes into prominence. The essential
- Truly it is a prose-poem conceived
- Maximum number of matches per file exceeded.
- Title: Curative Eurythmy: Lecture 6
Matching lines:
- Mrs. Baumann will be so good and perform the poem “Über allen
- very exactly. What is happening? A poem is recited. The person who does
- If you would be so good we will do the poem again now, this time with
- Mrs. Baumann will do the same poem once again consonantally. A mere
- Title: Curative Eurythmy: Lecture 7
Matching lines:
- when a beautiful poem is read and the eurythmy corresponding to it is
- outer poem. It is the reverse process. A true mystic knows that that
- Title: Old/New Methods: Lecture Ten: The Threefold Human, Four Elements, Imagination, Inspiration, Intuition
Matching lines:
- that wonderful poem which begins with the words:
- Title: Lecture: Inner Nature of Music: Lecture IV
Matching lines:
- way in which he formulates the language of his poems. A person who
- Title: Arts and Their Mission: Lecture III
Matching lines:
- poem, the thought element of the cosmos. Epic poetry always means letting
- Title: Arts and Their Mission: Lecture V
Matching lines:
- prose content of a poem, whether written down or, better, recited or
- request that they create, out of their art, poems which could be launched,
- a dinner party where poems were presented making fun, satirically, of the
- and dessert, poems were read which satirized this very research. First
- no relationship at all. The gentlemen who made poems for the banquet
- the poems, although the poets assumed this, for they considered their
- Title: Colour: Part Three: The Hierarchies and the Nature of the Rainbow
Matching lines:
- some poem or other, by this or that poet, was read, and the people
- Title: Thomas Aquinas: Lecture II: The Essence of Thomism
Matching lines:
- began their epic poems: “Sing to me, Goddess, of the
- “Messiah Poem” not “Sing, O Muse,” or
- Title: Search for the New Isis: Lecture IV
Matching lines:
- poem of ancient India addressed to the God Varuna:
- In wonderful language this poem to Varuna contains what
- ancient times, powers of inner vision. And then think of this poem
- An observation must, however, here be made. The poem
- inbreathing. The poem comes from a time when, as was very usual in
- the litre. As the poem to Varuna says, it grows on mountains. It is
- Title: Driving Force: Lecture II
Matching lines:
- realize when looking at the poems of Goethe's youth: here it
- Title: Human Soul/Evolution: Lecture VII: Modern and Ancient Spiritual Exercises
Matching lines:
- rise to the wonderful poems of which the Bhagavad Gita is a
- Title: La Comunión Espiritual de la Humanidad
Matching lines:
- Title: Tree of Life/Knowledge: Lecture V: Tree of Knowledge - I
Matching lines:
- fineness that lies in this unique poem ‘Das
- Heidenröslein’ (see end of lecture for poem
- and translation) came into the recitation. This poem has, indeed,
- cosmically in the subsoil of existence. And precisely in this poem
- a poem as ‘Das
- the roses wither. That is the Goethe-poem in the macrocosm: and one
- it is such poems, where there is no need to think and attribute all
- but we feel it, when we let such a marvellously delicate poem as
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